WKDU 91.7fm Presents
Screaming Females, Waxahatchee
Tenement, Trophy Wife
2125 Chestnut Street
Philadelphia, PA, 19103
Doors 7:30 PM / Show 8:00 PM
This event is all ages
Screaming Females' seven years as a band, four full-length albums and 700 globe-spanning live shows has made them difficult to miss. Through it all, the New Brunswick, New Jersey trio have continued to exude a frenetic energy which is built upon the zeitgeist of America's punk and indie underground yet has always remained forward-looking. Fittingly, for Screaming Females' 5th album 'Ugly', the band enlisted legendary recording engineer Steve Albini, famed for his unique ability to capture the ferociousness of a live performance while delivering gorgeous sonic clarity. The album's 14 tracks reaffirm the touchstones of the band; they can still shred and front-woman Marissa Paternoster can still unleash a powerful howl. But it doesn't end there. The album ushers in new explorations for the band, a truly remarkable feat considering their already prolific output. 'Ugly' has the perfect combination of raw energy and honed musicianship that produces the type of rock & roll which is still a force to be reckoned with.
On her second full-length record as Waxahatchee, former P.S. Eliot singer Katie Crutchfield’s compelling hyper-personal poetry is continuously crushing. Cerulean Salt follows last January’s American Weekend -- a collection of minimal acoustic-guitar pop written and recorded in a week at her family’s Birmingham home.
On this new record, Crutchfield’s songs continue to be marked by her sharp, hooky songwriting; her striking voice and lyrics that simultaneously seem hyper-personal yet relentlessly relatable, teetering between endearingly nostaglic and depressingly dark. But whereas before the thematic focus of her songcraft was on break ups and passive-aggressive crushing, this record reflects on her family and Alabama upbringing. And whereas American Weekend was mostly just Crutchfield and her guitar, Cerulean Salt is occasionally amped up, with a full band and higher-fi production.
At times, Cerulean Salt creeps closer to the sound of PS Eliot: moody, 90s-inspired rock backed by Keith Spencer and Swearin’ guitarist Kyle Gilbride on drums and bass. The full band means fleshed-out fuzzy lead guitars on “Coast to Coast”, its poppy hook almost masking its dark lyrics. Big distorted guitars and deep steady drums mark songs like “Misery over Dispute” and “Waiting”.
There’s plenty of American Weekend‘s instrospection and minimalism to be found, though. “Blue Pt. II” is stripped down, Crutchfield and her sister Alison (of Swearin’) singing in harmony with deadpan vox. She’s still an open booking, musing on self-doubt versus self-reliance, transience versus permanence. “Peace and Quiet” ebbs and flows from moody, minimal verses to a sing-song chorus. “Swan Dive” tackles nostalgia, transience, indifference, regret — over the a minimal strum of an electric-guitar, the picking at a chirpy riff and the double-time tapping of a muted drum. The album closes with a haunting acoustic-guitar reflection on “You’re Damaged,” possibly the best Waxahatchee song to date.
Tenement is a three piece rock band from Appleton, Wisconsin formed in 2006. They are often associated with the American hardcore punk scene. Their recorded output has been described as everything from "noise pop" to "fuzz punk", while in a live setting they are often known for experimentation, improvisation, and high-energy performance. The visual art of singer/guitarist Amos Pitsch is associated with most of their records, as well as several records by other notable punk and hardcore bands.
Trophy Wife has been a band for five years. Katy and Diane met in Washington, DC working on a magazine together.
The two began playing together and developed an instinctual language musically – it became clear early on that any band to emerge from their jam sessions would be a duo. They began crafting songs that would later become their first album. “Patience Fury,” recorded by Devin Ocampo (Smart Went Crazy, Faraquet, Medications) was released on Raleigh, North Carolina’s 307Knox Records in 2010 (Patience Fury 033, LP http://307knoxrecords.bigcartel.com/product/trophy-wife-patience-fury-lp-vinyl).
The band developed a regional following, and began extending its reach, playing frequently in the South, East Coast and mid-West. Drawing comparisons to both riot grrrl aesthetics Diane had never heard and dude-metal persuasions that Katy could never embody, the two were steadfastly determined to eke out a liminal space in between – with an interest in politics and poetry, metal and Americana, identity and society.
The band eventually relocated to Philadelphia, PA. Trophy Wife continued to play events focused on the queer community, economic justice, Girls Rock Camp movement (Diane is the Program Director for Girls Rock Philly), and more – including its staple of metal shows in dive bars. Often being accidentally compared to bands of guys in England or Pennsylvania who bear their same name, Trophy Wife is tongue in cheek about its gender politics, believing music to be a vital space to move across difference and convey ideas.
Their sophomore release, “Sing What Scares You" was recorded by Steve Roche and includes lyrics in German and French, Otto and Foglizzo’s ancestral tongues, respectively. The band toured on this record on the East Coast, in Europe, and on the West Coast.
The two have a host of new songs they've been working on and a number of projects outside of music that fuel the band. Check them out at trophywifetheband.bandcamp.com and trophywife.theband.blogspot.com.
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