April 1, 2016, sees the release of 'Welcome The Worms,' the ambitious new rock album by Los Angeles-based Bleached. While keeping the band's origin of cheeky, California-punk in the forefront, 'Welcome The Worms' is a smarter, heavier, emotionally deeper Bleached.

Sisters Jennifer (vocals, guitar) and Jessie Clavin (guitar, bass) knew things were going to be different for their sophomore album -- not only had they managed to charm world-renowned producer and engineer Joe Chiccarelli (Morrissey, The Strokes, Elton John) and co-producer Carlos de la Garza (Paramore, YACHT) to join them and their bassist Micayla Grace in the studio, but Jen and Jessie had been crawling out of their own personal dramas. Jessie was evicted from her house and scrambling, while Jen ended a torrid, unhealthy romance. While emotionally spinning, she dove head first into music.

"I was a loose canon," the commanding front woman says. "I was losing serious control of my personal and creative life. I was falling apart, trying to escape. I felt like Bleached was the only thing I actually cared about."

Throughout the record, Bleached paints a frivolous picture of Los Angeles: the life of eye¬-rolling caused by dating men in bands, dirty Sunset Boulevard and futile drunken nights in a starstruck hole that made everyone from Charles Manson to Darby Crash to Marilyn Monroe stare up at the Hollywood sign for direction. Although a typical theme of ruined romance floats through the album, the real power is in Jen figuring out herself through lyrics so straight, identifiable and honest, a first for the girl who safely hid behind a cheeky misdemeanor.

"We don't want perfection because it's boring," Jen declares. "We want to make music that's as real as life."

Potty Mouth

Hailing from the home of Thurston Moore and Dinosaur Jr., and drawing from the fertile music community that is Western Massachusetts, Potty Mouth are all-parts smart-pop craftswomen, specializing in taut, infectious, C-86 influenced indie pop meets '77 punk perfection. The band released their debut 12" vinyl EP, entitled "Sun Damage" in July 2012, which garnered the attention of Pitchfork, who called the six-song EP an "an impressive, no-filler debut," as well as The Boston Globe, who named Potty Mouth one of the "top five indie-rock bands to watch in 2013," with Brooklyn Vegan adding that they were "one of the most promising new bands in their local scene." Departing from the more angular shades of post-punk heard in their EP, "Hell Bent" is marked by its significantly heavier production and melancholic hooks. Nonetheless, the album stays true to the confident, youthful punk aesthetic the band has cultivated for themselves.

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