ROADKILL GHOST CHOIR, THE LONELY WILD

ROADKILL GHOST CHOIR

Roadkill Ghost Choir is an indie folk-rock band from DeLand, Florida.

Brothers Andrew (vocals, guitar), Maxx (drums) and Zach (bass) Shepard make up half the band while Kiffy Meyers (pedal steel, banjo, guitar), Joey Davoli (keys, trumpet) and Stephen Garza (lead guitar) complete the band’s sound. It wasn’t until Andrew was offered his first solo gig in 2010 that he decided to form a band to fill out the songs he recently started writing for a live setting. After the band went through several name changes in the early stages of its creation, Roadkill Ghost Choir was formed.

While the member’s major influences include Wilco, Gram Parsons, Bob Dylan, and Fleetwood Mac, there are also undercurrents of Radiohead and Nirvana, lending the band an impish edge with broad appeal.

In 2012 Roadkill Ghost Choir finished recording their debut E.P. , Quiet Light, with producer Dave Plakon and engineer Mark Mason at North Avenue Studio. It was mastered in Omaha, Nebraska by Doug Van Sloun (Bright Eyes, She and Him). Quiet Light was released on September 25, 2012.

THE LONELY WILD

Rarely does a young band emerge with a combination of skills, talents and vision fully developed. But the LA-based quintet The Lonely Wild is that true gem who’s writing and arranging talents are only surpassed by its members’ ability to work seamlessly as a singular, dynamic voice.

Formed in 2010, The Lonely Wild is the brainchild of Andrew Carroll who had moved to Los Angeles to study writing, music and film. Carroll and multi-instrumentalist Ryan Ross met in
school and quickly discovered that their skills as composers and arrangers complimented one another’s abilities. The two added lead guitarist Andrew Schneider, vocalist/multi-instrumentalist Jessi Williams and drummer Dave Farina to round out the mix – each a friend or fellow LA performer bringing their own unique background and talent.

Picking up solid momentum from their critically acclaimed debut EP, Dead End, The Lonely Wild quickly made a name for themselves in and around greater LA with fans such as Nic Harcourt (KCSN), Chris Douridas (KCRW) and Kevin Bronson (BuzzBands LA) on board. The band continued to hone their dynamic live performance through a series of high-profile shows opening for John Doe, Damien Rice, The Elected, Laura Marling and Lord Huron in addition to their highly successful residency at Silverlake’s famed Satellite.

In early 2012, the band holed up in The Hangar in Sacramento for a weeklong recording session. Working through consecutive 16, 18 and 24 hour days to produce what would ultimately become The Sun As It Comes, an album filled with gut-wrenching emotion, fragile beauty, and explosive energy. “It was a true labor of love,” Carroll says, “and a sheer force of will, that allowed us to finish this record. We all knew it was the most important artistic statement we had ever made, so we had to pull out all the stops.”

The title-track kicks things off, opening with sparse guitar and dual male/female vocals of parents imparting a lesson to a child. As the arrangement expands to multiple layers and textures, the lyrics transition to a more global scope with the second verse questioning how long someone can ignore the sound of one drum being played by “the hands of millions.”

“The song was inspired by the Arab Spring,” explains Carroll. Despite the arguably polarizing subject matter, the lyrical nuance and cinematic arrangement ascend to an emotional climax, bringing the listener closer to the beauty that can lie in unsettling chaos.

Heavily influenced by Matt Taibi’s The Griftopia, “Banks and Ballrooms” explores the idea of success being defined solely by monetary wealth. Drums pulse and persist, almost as if leading
the charge of the common-man marching to confront the 1% head-on.

The album’s up-tempo “Everything You Need” hits the ground running with thumping guitars and rhythm section before the mariachi-influenced two-part trumpet line interjects. Sung in tandem by Carroll and Williams, the narrator professes that they will be the constant in the listener’s life, singing, “I will beat your heart,” a line that recurs throughout the album – a subtle beacon of hope.

The epic track “Buried In The Murder” is a sonic voyage that perhaps best showcases The Lonely Wild’s unique and genre-defying sound. Carroll’s lyrics act almost as a confession of guilt for playing a part in corruption, greed and entitlement. With an arrangement reminiscent of a classic western, the song allows The Lonely Wild to truly showcase their unique ability to perform each part with bombastic confidence as a singular unit. No one voice outshines the other; no member more important – collaboration rarely found in a developing band.

Slated for an April 2, 2013 release via their own Ursa Major Recordings (distributed and marketed by Thirty Tigers/RED), The Lonely Wild’s The Sun As It Comes is a record that reflects upon the times in which we live while taking the listener on a sonic journey of impressive heights.

SOME DARK HOLLOW

Blending sounds from old school country, Americana, indie, bluegrass, and more, taking songwriting to a unique level where we put no boundaries or particular label on what we create. Letting the love for music and friendship fuel our passion.

$12 - $14

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ROADKILL GHOST CHOIR, THE LONELY WILD with SOME DARK HOLLOW

Thursday, July 25 · Doors 7:30 PM / Show 8:00 PM at Pub Rock