Electric Six

Electric Six

The wild horse. We romanticize this magnificent creature and rightly so. We marvel at the horse that dares to run free through mountain streams and mountain shit, forging his own path, blazing his own trails. We marvel at his dangerously high sperm count and his ability to mount and fuck. We know he spends his downtime whinnying in delight that he is never going to spend his life partially encased in leather, serving no other function than to trot slowly with his head hanging down miserably alongside other poor souls just like him as they carry a field trip of fourth graders from the suburbs who crack themselves up whenever he sports an uncontrollable erection. The wild horse…gets hard whenever he wants. And nobody laughs. And he loves that about himself.

The American male needs to feel like a wild horse from time to time. Electric Six is a band from Detroit comprised of six American males. The American male, upon birth, is issued three Wild Horse Cards™ from the United States Department of Agriculture and he can play this card at any point in his life when he needs to feel like a wild horse for a year. 2013 is the year that all six members of Electric Six are electing to play one of their cards at the same time. The result is Electric Six’s ninth studio album, “Mustang”.

The band is recharged having taken its first “break” from making a studio album in seven years. Couple that restored energy with the playing of the six Wild Horse Cards™ at the same time, and “Mustang” is the audio story of Electric Six reaching the summit of Mt. Good Times.

Producer Johnny Nashinal is the sherpa, executing a 14-track ascent that leaves everyone gasping for oxygen, but in the best possible way. The Roky Erikson-meets-T.Rex opener “Nom de Plume” makes it clear right away that Electric Six has got that whole “let’s do a synth and drum machine record” thing off their chest, and they’ve brought their guitars, their drums, and their blood-curdling screams for this one, yes indeed. The album then winds through the psych-pop of “Jessica Dresses Like a Dragon”, the Pavement-pop of “Show Me What Your Lights Mean”, and the aggro-pop of “Adam Levine”.

But this is Electric Six, mind you. They are the band that will never be tied to just one sound. And so we also find on Mustang a first-time dip of the toe into the P-funk pool in “Late Night Obama Food”, as well a stroll down ABC lane for “The New Shampoo”. And W. Axl Rose will be looking down from wherever he ended up with a big smile as we get to the summer amphitheatre-friendly “I Never Fucked Her”.

The anchor track “Iron Dragon” is the most compelling story, not only for its ability to sound like both a Nick Cave ballad AND a Warrant/Poison/Skid Row ballad, but also for something much more profound. The outro of “Iron Dragon” was recorded in Moscow’s Red Square, a choral squadron comprised of the six American males from E6 singing alongside several Russian females. There is nothing that makes an American male feel more like a wild horse than singing with Russian girls in the very place where freedom came to live and die, live again hey baby maybe not so fast.

My Jerusalem

“Nobody ever paid money to see Harry Houdini escape being buried alive” says My Jerusalem founder and singer Jeff Klein. “They wanted the small chance of seeing him killed by the weight of the earth on top of him.”

Behold the concept behind Preachers, the second full-length release from Austin's My Jerusalem. From the opening piano of the haunting title track, to the unexpected pummeling guitar and drums on closer “I Left My Conscience In You”, Preachers leads the listener on a cinematic journey through a reckless, jagged landscape of Raymond Carver-esque stories, fueled by Klein’s persuasive baritone, ominous guitars, dream-like keyboards and a deep rhythmic pulse.

Recorded in under three weeks by Spoon drummer Jim Eno (Heartless Bastards, Polica, Black Joe Lewis) at his Public Hi-Fi studio, Preachers is the first My Jerusalem album genuinely made by a band, not just performed by a group of musicians. Pushing aside hard drives and laptops to make way for analog tape machines and vintage keyboards, what Klein describes as the “Post-Modern Southern Gothic Soul” sounds of Preachers were born from organic, live performances Eno carefully captured and tweaked.

Preachers is the follow-up to 2010’s critically acclaimed debut, Gone For Good, an album that earned the band performances on BBC Radio 6 and Daytrotter, as well as notices from NPR's All Songs Considered, AOL/Spinner's Song of the Day, and the iTunes Weekly Rewind. Along with European festival appearances at the Frequency Festival, Musikfestwochen, and Rock Im Saal, the band has toured and played shows with a eclectic set of bands including Edward Sharpe and the Magnetic Zeros, Heartless Bastards, The Psychedelic Furs, Centro-matic, The Wallflowers, Har Mar Superstar, Avett Brothers, Godspeed You! Black Emperor, and X.

Buoyed by the success of Gone For Good, Preachers showcases a band headed into the studio with a renewed focus and confidence. Preachers contains equal parts swagger (the swampy gospel of title track “Preachers”, the strutting intensity of “Born In The Belly”) and groove (the spooky beauty of “Shatter Together”, the crescendoing, feral drive of “Devoe”, the infectious crooner “Mono”); as much primal (“Death Valley”) as it is humane ("Chameleon").

“It’s a darker record,” says Klein, who, before forming My Jerusalem in 2010, made 3 records under his own name. “So much had changed since Gone For Good. We’d all kind of been through hell and back again in different ways, and this was the natural artistic result of all of that. But I think it’s a beautiful, comforting darkness. It’s real, but not selfish.”

“We finally have a shared collective vibe,” adds guitarist/keyboardist Jon Merz, “I believe it’s more representative of what our live shows sound like. This time around, Jeff would bring us song ideas and we would add our own perspectives to it.”

The five-piece, which also features drummer Grant Van Amburgh, and bassist Geena Spigarelli, also had the opportunity to road-test much of the new material before recording, during their extensive touring behind Gone For Good. It was a luxury they didn’t have the first time around.

"Working out the kinks live before recording them makes a big difference," reflects Klein, “They get a chance to breathe and grow before committing them to the world permanently. Because of that process, some songs, like 'Death Valley,' sound nothing like their early version. We’re excited to take them on the road and see how they evolve even further.”

Equal parts sweet, morbid, strange, and sincere, Preachers is an experience that could convert the most steadfast of non-believers.

Les Sans Culotte

The "seven-headed beast from the hard-scrabble streets of Menilmontant" and "those frilly Parisian underthings," Les Sans Culottes borrowed their name from the ill-clad (i.e., long-trousered) citizen- soldiers of the French Revolution. The band's sound is a melange of Francophone 60's girl group and the Kinks.
The band has released seven recordings: "Les Sans Culottes"; "The Ennui and the Ecstasy"; "Faux Realism"; "Full Frontal Crudite'- Live in Paris"; "Fixation Orale"; "Le Weekender," and "Pataphysical Graffiti. "

Its music has been featured in ads for Hewlett Packard, Ariel cleaner(europe), and the Google Nexus Android phone as well as the TV programs Gossip Girl, Entourage, Cat House, MTV's the Real World and Surfer Girls, and motion pictures the Hot Chick and Daltrey Calhoun.

The band has performed throughout the United States, and in France and Canada.

$15.00

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Electric Six with My Jerusalem, Les Sans Culotte

Thursday, September 26 · Doors 8:00 PM / Show 8:30 PM at MilkBoy Philly