The Echo Presents
Ghostly International Tour with Shigeto / Beacon
1822 W. Sunset Blvd
The Echoplex is located below The Echo, enter through the alley at 1154 Glendale Blvd
Los Angeles, CA, 90026
This event is 18 and over
Artists take on pseudonyms for a multitude of reasons, but in Zach Saginaw’s case, those reasons run deeper than most. Zach records under the name Shigeto. It’s his middle name; it’s also his grandfather’s name, a tribute to the Japanese branch of Zach’s family tree. Shigeto also means “to grow bigger”—appropriate, given Zach’s premature birth-weight of less than a pound. Today, Shigeto stands for Zach’s vividly beautiful electronic music. Beat-driven but given to richly textured sound design, rhythmically fractured but melodically sumptuous, Shigeto’s music is a bridge between the past and present, bringing the artist face to face with a creative legacy that spans decades.
Zach was brought up on a steady diet of Michigan-bred music, as his father spoon-fed him old Motown and jazz records by the crateload. Zach picked up the drums at an early age, spending much of his childhood playing in the Detroit/Ann Arbor music scene. After nearly flunking out of high school—save for his music studies—Zach spent three years studying jazz at the New School in NYC and three more in London, where he began woodshedding, obsessed with learning electronic production. Soon enough, beats materialized, Zach moved to Brooklyn and took up the name Shigeto, and Zach’s peers began to take notice.
Zach’s body of work has grown over the last few years to the tune of several EPs on Moodgadget as Shigeto and with A Setting Sun,
a pair of EPs under the alias Frank Omura (another family-name reference), and remixes for Worst Friends, Praveen & Benoit, Tycho, Mux Mool, Charles Trees, A Setting Sun, Beautiful Bells, Shlohmo, and more. The Semi-Circle EP and What We Held Onto EP were his first releases with Ghostly International in the spring of 2010. These were followed quickly by the well-received full-length Full Circle and Full Circle Remixes in late 2010 and early 2011 respectively. These releases are nominally indebted to instrumental hip-hop but, like Zach, straddling many worlds at once. Cool shades of ambient music, stuttering early IDM, dubstep sub-bass, and jazz melodicism color Shigeto’s palette, which he wields with a painterly attention to detail.
Zach continues to be prolific with the upcoming 2012 release, Lineage—a mini-LP of sorts that has a complex constellation of sounds and ideas that we have come to expect from the producer/drummer. However, his compositional focus and restraint grounds songs that are otherwise cosmically inclined. Never has he demonstrated such complete command of his material.
Shigeto was one of the first of a wave of young artists who grew up influenced by the label’s early output. And again, names come into play. “Putting out these records on Ghostly isn’t just ‘getting signed,’ for me,” says Zach, “it’s becoming part of a family, an influence that I’ve respected forever.” Let’s just say the feeling’s mutual.
The best music is music that can make you think as well as feel, sounds that are as visceral as they are cerebral. And the best love songs are those that acknowledge that the power of human sexuality can be just as terrifying as it is thrilling, that the passion that leads us to love can also lead us into dark, dark places.
Welcome to the world of Brooklyn duo Beacon, who explore the dark side of the sweet melody with a sound that's as seductive as it is subtly discomfiting. The duo—Thomas Mullarney III and Jacob Gossett—met at Brooklyn's Pratt Institute, where they were studying sculpture and painting respectively. As with many other great musical partnerships, this one involves two disparate sets of influences coming together to form a sound that's both fresh and exciting. They fuse the deceptively sweet melodies of R&B with an intoxicating undercurrent of darkness, drawing on influence as disparate as Warp's back catalogue and Underworld.
Nitemoves is the electronic guise and internet handle of musician/sound designer Rory O'Connor. While supporting other electronic artists as a drummer (Tycho, Com Truise), O'Connor quietly composed his debut release, 'Longlines', in 3-6 hour chunks occupying the back seat of a moving car.
Championing influence from Satie, Jenkinson, & Corgan, the work was composed with the whole in mind, rather than a collection of isolated microcosms. It is a conscious endeavor in variety and continuity, attempting to bridge the gap between influences that have a tendency to contradict each other.
Written amid a period of introspection and wanderlust, it reinstalls the idea of the folk musician: traveling the country while funneling inspiration from all directions in an attempt to tell a story, to paint a picture of time passing. The title itself reflects an exercise in patience, constructing populations of simple melodies and rhythms, permitting them time to grow alongside each other and form complex relationships.
$12.00 - $14.00
**Tickets purchased on day of show at the door will have $1 facility fee applied **
Wed, April 1
Thu, April 2
Sat, April 4
Mon, April 6
Tue, April 7
Wed, April 8
Thu, April 9
Sat, April 11
Wed, April 15
Fri, April 17