Red Bull Presents
Red Bull Sound Select ft The Black Lips + Juicy J
Fabo, Noot D' Noot, 4-ize, Sofa King Evil, Divine Interface
887 West Marietta St. Studio C
Atlanta, GA, 30318
Doors 8:00 PM / Show 9:00 PM
This event is 18 and over
The Black Lips
Atlanta's beloved sons the Black Lips(Jared,Ian,Cole, and Joe) entered last year through a screaming cloud of sweat, smoke, blood, and beer mist. After a spring and summer of exciting audiences across the world, the Lips embarked on a month-long fall tour of the Middle East. They were tailed by Georgia rock-doc royalty Bill Cody, of Athens, GA - Inside/Out fame, who filmed the band playing for Egypt who had just overthrown their government, kids in Iraq who barely have a government, and kids in Dubai who finally get to see a band that isn't in the top 40. As Cody assembled his footage into the feature Kids Like You and Me, the band returned home from the New Year's maelstrom and began settling into album mode.
Recording for Underneath the Rainbow was split between New York with Thomas Brenneck, who was recommended by Arabia Mountain producer Mark Ronson, and Nashville with the the Black Keys' Patrick Carney, who offered to help produce in a Mexico city hotel room just before dawn.
"It was one of those super-late-night/super-early-morning drunk-talk sort of situations, so we weren't sure if he meant it," explains Jared. "People do that all the time."
Early internet conjecture pegged Underneath the Rainbow's sound as a blend of southern rock with throwback C&W and blues, based on the lead single 'Boys in the Wood', which is a weird description for a record containing the first Black Lips' song with a prominent synth ("Funny"), and even less apt for an overall album that owes just as much to the kiwi pop of New Zealand's South Island and the Chicago South Side's Crucial Conflict as it does the standard American South. It never strays far from the traditional roots music that has always found a comfortable home with the Black Lips, but invites enough curiosity with its approach to attract even the most unlikely listener.
'Underneath the Rainbow' can only guarantee one thing; that the kids will be Smiling, Waiting for the Dandelion Dust to make things Funny at the Dorner Party while the Boys in the Wood Make You Mine as they Do the Vibrate. The morning will break and the passenger will say, "Drive-By, Buddy… I don't wanna go home. Damn these dog years…"
The year 2006 was owned by Three 6 Mafia, when the Memphis, TN group reinvented the rap wheel by winning an Academy Award for Best Original Song ("Hard Out Here For a Pimp" from Hustle & Flow). The trio already had a healthy collection of hits under their belts, as tracks like "Sippin On Some Syrup," "Stay Fly," "Poppin' My Collar," and "Slob On My Nob" were carefully crafted proverbial club bangers. 2000's When the Smoke Clears: Sixty 6, Sixty 1 and 2005's Most Known Unknown were Certified Platinum, adding yet another notch in Three 6 Mafia's successful belt. But what happens after that? Sure, the mainstream radar is piqued, but how do you keep the world's attention? For front man producer/rapper Juicy J, it was taking things back to square one. J spent the years that followed creating a street team, shooting videos, and releasing mixtapes (along with the album Last 2 Walk) all in the name of the collective Three 6 buzz. What he found though was a burgeoning solo career that transformed him from one part of a colossal whole to a standalone superstar. As Juicy J readies his second solo album [Stay Trippy], he takes his knowledge of the game and of music to next level trippiness.
"I'm a producer, I never considered myself a rapper," admits Juicy J née Jordan Lonski Houston. "So I always kept my ear to the street and always tried to find out what was the next big thing, what was hot." When the North Memphis native released his debut solo project, 2009's Chronicles Of the Juice Man, he kept the talent localized, with features including former Three 6 Mafia member Crunchy Black and J's older brother Project Pat. The album was Certified Gold, but that wasn't enough for the Juice Man. He continued to release mixtapes year after year, dropping a whopping three mixtapes in 2011 (including the critically acclaimed Blue Dream & Lean). Consistently checking for new talent, J would meet newer Rap acts on Twitter and forge relationships. It was there that Juicy J met Wiz Khalifa and the result of that friendship was a coveted spot in Wiz's Taylor Gang. While Wiz built a solid foundation out of his Taylor Gang army, Juicy J is building one of his own. Welcome to the "Trippy Movement."
The Trippy Movement originated out of Juicy J's decision to keep his music real to himself. "Everything changed once we got the Academy Award. A lot of money kicked in," J recalls. "[Three 6 Mafia] went through a transition where the label was trying to tell us how to make the music, and they wanted the music to go in this kind of a way, in a Pop way and all this extra stuff. You go through those transitions when you've been in the game a long time. You just grow." For Juicy J, though, the choice was to swim the mainstream to the tune of the music he wanted to make. As for the origin of the word trippy? "A lot of people connect the Trippy Movement with drugs, but it can be however you feel," he says. "I mean, I always say being trippy, you do what you want when you want. So it's whatever you feel, what makes you happy. Kind of like being rebellious. It's being like, 'Fuck everything else, I'm going to just do me!'" His self-funded movement proved to be fruitful in more ways than one. From selling "We Trippy Mane" t-shirts on his website (thejuicyj.com) to cups and other merchandise, Juicy J found an extra entrepreneurial income he never planned on making.
As he maintains that Stay Trippy mantra, Juicy J embarks on his next solo project. The album will arrive in 2013 via Dr. Luke's Kemosabe Records in conjunction with Sony/Columbia. "It's going to be pretty much like my last mixtape, Blue Dream & Lean. Me being ratchet," he promises. The project is more focused, as Juicy J is in total control, and being given what he likes to consider the freedom to do whatever he wants creatively. His forward thinking production-cap remains on as J crafts a project that still appeals to Three 6 Mafia members, but speaks to Hip-Hop's next generation as well.
Collaborations include The Weeknd, Chris Brown, Yelawolf, Bei Maejor, Trey Songz, along with Taylor Gang affiliates Lola Monroe, Chevy Woods, and of course Wiz Khalifa. The flagship single "Bandz A Maker Her Dance" has already made its rounds, originating on Juicy J's Twitter page. "I put 'Bandz A Make Her Dance' out myself on Twitter and it popped on the Billboard charts and it was climbing the radio charts," he explains. "I'm doing everything that I want to do. This is me. This is Juicy J individually as a person. This is me, all me. So that's what I'm giving. I'm giving the fans me, this is me personally." The next step is the 2050 Tour with Wiz Khalifa, tackling 50 cities in North America. "I mean if I got something on the charts, I need to be out here shaking hands and kissing babies," Juicy J jokes. After that it's back on track to complete his album.
Juicy J's two-decade run in Hip-Hop has brought him to this very moment. While bridging the gap between old and new fans under one trippy umbrella, Juicy J has cracked a code most veteran rappers struggle to decipher. Making uncompromised music that anyone can relate to is this producer/rapper/businessman's forte. It might be hard out here for a pimp, but Juicy J makes it look easy. Running Sony Music is part of his five-year plan. With ambition like his, it's bound to happen. "Why not stack millions on top of millions?" Juicy J says of his foolproof formula. "That's when you get the billions."
Sofa King Evil
The resident DJ for the longtime running monthly dance parties such as “Sloppy Seconds” and “Down‘N Durty,” Sofa King Evil is an Atlanta club scene staple.
Versatile and entertaining, Sofa King Evil sets the mood and energy of the dance floor, blows it up, resurrects and destroy the dance floor once again. A musical rollercoaster ride whose track selection knows no limits or boundaries keeps audiences finding themselves dancing and singing along to songs they love and hate.
A two time Creative Loafing Best of Atlanta Award Winner (2012 & 2013), he joined the world renowned Scratch DJ Academy as an Instructor in 2014 at their newest location in the heart of downtown Atlanta.