Hill Country Live Presents
Chuck Mead (Of BR549) & His Grassy Knoll Boys
30 W. 26th St.
New York, NY, 10010
Doors 9:30 PM / Show 10:00 PM
Chuck Mead (Of BR549) & His Grassy Knoll Boys
After leading several popular '80s cult bands in and around his hometown of Lawrence, Kansas, Chuck Mead landed on Nashville's Lower Broadway where he co-founded the famed '90s Alternative Country quintet BR549. The band's seven albums, three Grammy nominations and the Country Music Association Award for Best Overseas Touring Act would build an indelible bridge between authentic American Roots music and millions of fans worldwide. With BR on hiatus, Chuck formed The Hillbilly All-Stars featuring members of The Mavericks, co-produced popular tribute albums to Johnny Cash and Waylon Jennings, guest-lectured at Vanderbilt University, and became a staff writer at one of Nashville's top song publishers. In 2009, he released his acclaimed solo debut album, Journeyman's Wager, and toured clubs, concert halls and international Rock, Country and Rockabilly festivals with his band The Grassy Knoll Boys.
As Music Director for the Broadway smash Million Dollar Quartet, Chuck began crafting the music arrangements during the show's original Daytona and Seattle workshop productions, supervised the musical performances for its 2008 Chicago opening, created new music material for the show's Tony-winning Broadway run, produced the original cast album, and oversaw the music for its smash 2011 premiere at London's Noël Coward Theatre.
Chuck's new album, Back At The Quonset Hut, was recorded at Nashville's legendary Quonset Hut Studio where Patsy Cline, George Jones, Merle Haggard Roger Miller, Loretta Lynn, Johnny Cash and more cut some of country's greatest tracks. Produced by original BR549 producer Mike Janas and with the participation of students from Belmont University's College of Entertainment and Music Business, the album of classic covers features surviving members of Music Row's original 'A Team' studio musicians as well as guest appearances by Old Crow Medicine Show, Elizabeth Cook, Jamie Johnson and Bobby Bare. "It's been incredibly liberating to do all these things I've never done before," Chuck says. "I've already gone from the bars of Lower Broadway in Nashville to the Broadway stage, and the upcoming album is one of the most unique and rewarding projects I've ever been a part of. I'm looking forward to where it all brings me next".
Patrick Sweany likes the spaces in between.
On a given night (or on a given album) he'll swing through blues, folk, soul, bluegrass, maybe some classic 50s rock, or a punk speedball. He's a musical omnivore, devouring every popular music sound of the last 70 years, and mixing 'em all together seamlessly into his own stew. Yet, the one thing that most people notice about Patrick isn't his ability to copy - it's his authenticity. Like his heroes, folks like Bobby "Blue" Bland, Eddie Hinton, Doug Sahm, Joe Tex, Patrick somehow manages to blend all of these influences into something all his own.
It's no wonder that as a kid he immersed himself in his dad's extensive record collection: 60s folk, vintage country, soul, and, of course, blues. Patrick spent hours teaching himself to fingerpick along to Leadbelly, Lightnin' Hopkins, and other folk-blues giants.
In his late teens, Patrick began playing the clubs and coffeehouses around Kent, OH. He quickly gained a reputation for the intricate country blues style he was developing: part Piedmont picking, part Delta slide - with an equally impressive deep, smooth vocal style.
It wasn't long before Pat drew the attention of other notables like Jimmy Thackery who was impressed enough to bring Pat on the road, and Roy Book Binder, who, after hearing Patrick's self-released debut CD I Wanna Tell You, arranged his first appearance at Merlefest in 2002. Book Binder also turned his longtime friend Jorma Kaukonen on to Patrick's music, landing Pat a perennial slot at the legendary Fur Peace Ranch alongside guitarists like GE Smith, Marjorie Thompson, Bill Kirchen and Bob Margolin.
But Pat wouldn't stay in the acoustic world for long. His love of 50s era soul and rock fused with the adrenaline-soaked garage punk revival happening throughout the Rust Belt pushed Pat to form a band.
After 3 critically acclaimed CDs (the last two produced by longtime collaborator Dan Auerbach of The Black Keys), Patrick has expanded his touring radius to 49 states and the UK. He's played premiere festivals all over the U.S., and supported national acts such as The Black Keys, The Gourds, The Wood Brothers, Sonny Landreth, Hot Tuna, and Paul Thorn on tour.
His latest record, That Old Southern Drag, hit the streets February 15, 2011. It was recorded to 2" tape in Nasheville, TN (Patrick's new home) and features contributions from Joe McMahan (Allsion Moorer, Webb Wilder, Mike Farris), Scott McEwan (Tarbox Ramblers), Tim Marks (Will Kimbrough, Taylor Swift), and Chris West (The Dynamites), among others. Southern Drag expands Patrick's roots music palette without losing his signature Deep Blues sound.
$20.00 - $25.00
Tickets Available at the Door
For dinner before the show, phone 212 255-4544 and ask to be seated on the club level at 9:30PM. Tickets to the show must be purchased separately, and do not include table reservations. There will be limited seating for the first 50 reservations only for dinner. The show will mostly be standing room. If you call and there are no dinner reservations remaining for the show. You can still dine with us upstairs before the show.
Mon, January 26
Tue, January 27
Wed, January 28
Thu, January 29
Fri, January 30
Sat, January 31
Sun, February 1
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Wed, February 4
Fri, February 6