Ski Lodge

Twenty-plus years of stories, twenty-plus years of perfecting music's craft, Ski Lodge's Big Heart is exactly what a debut record should be: the culmination of a creative force's life on this planet. Andrew Marr, the multi-instrumentalist, singer and songwriter behind Ski Lodge, has created a deeply personal record that overflows with lush melodies and insatiably catchy choruses. His songs occasionally deal with dark matters—infidelity, painful break-ups, loneliness, disjointed father-son dynamics—but Marr bathes them in a blissful light ripe for sing-alongs.

"I try to write songs honestly, and a lot of the things going on in my head that I struggle with might be deemed 'dark,' but I don't think that means I can't sing about them in a way that is musically upbeat or poppy," Marr says, from his home in New York City. It's a dichotomy that also translates to Marr's choice for musical moniker. He explains the name Ski Lodge "evoked an image of being warm by a fire, alone or with friends, while outside exists the cold and cruel winter."

Big Heart, Ski Lodge's debut full-length, out this summer on Dovecote Records, is Marr's fullest realization of this hot and cold split. Marr wrote all of the lyrics and music, and played nearly every sound that ended up on the record. However, this was the first time the 26-year-old worked in a professional studio with a producer, the indelible Lewis Pesacov (Best Coast, Fool's Gold), over several weeks in Los Angeles. The combination of Marr's intrinsic songwriting and Pesacov's LA-defining production skills resulted in music with fuller breadth and scope than Ski Lodge's previous release without losing any of the wry innocence that made 2011's self-titled debut EP so much fun.

The one exception is the lead single "Just To Be Like You," which was recorded with the full band in Upstate New York using producer Kevin McMahon (Walkmen, Real Estate). Prefix Mag called the track "sugary sweet pop," while Pitchfork warned its readers not to "be deceived by the energetic, hopscotching riff" before lauding the single's dark depths. The song and its accompanying video of cult imagery are an exploration of contrast that fits in perfectly with both the album and Ski Lodge as a whole: deeply affecting and unmistakably danceable.

Tashaki Miyaki

"Menace and mystery surround this female Jesus and Mary Chain, whose vocals cut like honey-coated razor blades" - The Guardian

"Tashaki Miyaki has a sound to them that is both very old and new at the same time, with a haunting beauty that fascinates me. Listening to their music brings to mind something of a mix of David Lynch and the Cowboy Junkies, but not because of a comparable look or style, but because of the emotional resonance of their unique sound." - CBS News

"...so pretty I'm afraid saying anything else might diminish it." - FADER

" [Tashaki Miyaki] are being touted as the female Jesus and Mary Chain thanks to dreamy songs like "Somethin' is Better Than Nothin,'" and we're not about to argue." - NYLON magazine

" It has that heavy, heavy, sullen feeling at the start.. and once the sullen vocals kick in I'm totally won over, every single time." - NME

See Through

See Through is the new project of New York native and multi-instrumentalist/singer James Pollis, previously of Your Nature. His debut record was recently completed at The Rumpus Room in Brooklyn, NY, with Co-Producer Albert DiFiore (Sinkane, Caveman, Francis & The Lights). Joining Pollis in the studio were drummer/percussionist Chris Egan (Adam Green, Solange Knowles, Lightspeed Champion, Turing Machine), percussionist Mauro Refosco (Red Hot Chili Peppers, David Byrne, Atoms For Peace) and bassist Brett Bass (Regina Spektor, Bernie Worell). A release is expected some time in early 2013.

DJ Kip Berman of The Pains of Being Pure at Heart

$10.00

Tickets Available at the Door

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Glasslands Gallery

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Ski Lodge with Tashaki Miyaki, See Through, DJ Kip Berman of The Pains of Being Pure at Heart

Tuesday, August 20 · Doors 8:30 PM at Glasslands Gallery

Tickets Available at the Door