300 East Main St.
Carrboro, NC, 27510
Doors 8:00 PM / Show 9:00 PM
This event is all ages
Some music cannot be found on a map or within iTunes categories. Some music is so original it seems snatched from the great, invisible substrata that runs below all human activity, a sound aching to be born without a flag or fixed allegiance – free, questing, overflowing with immediate, tangible life. This is the music of Toubab Krewe, the vibrant Asheville, NC-based instrumental powerhouse that creates a sonic Pangaea that lustily swirls together rock, African traditions, jam sensibilities, international folk strains and more. While nearly impossible to put into any box, it takes only a few moments to realize in a very palpable way that one is face-to-face with a true original who recognizes no borders in a march towards a muscular, original, globally switched-on sound.
Formed in 2005, Toubab Krewe has tenaciously honed their craft through relentless touring and a fierce dedication to carving out something they can truly call their own. The fruits of this hard work can be heard on their latest release, TK2, (September 7, 2010 on Nat Geo Music). What Justin Perkins (Kora, Kamelngoni, guitar, percussion), Vic Stafford (drums, congas), Drew Heller (guitar, piano, fiddle), David Pransky (bass, guitar), and Luke Quaranta (Djembe, percussion) have wrought on TK2 reflects the many miles and musical journeys that have transpired since their studio debut.
This is a band that actively draws inspiration from whatever source floats into their purview, something they've exhibited in their half decade of heavy gigging, including regular appearances at major U.S. festivals like Bonnaroo, High Sierra, Rothbury and Wakarusa, and abroad at such legendary gatherings as Festival In The Desert in Mali. Their globe-hopping propensity has made them an emerging headliner at their hometown's famous Orange Peel and a familiar face as similar venues throughout the country. Whether on their own or collaborating with luminaries like the Last Poets' Umar Bin Hassan or Uncle Earl's Rayna Gellert, Toubab Krewe has already earned the attention and respect of a broad musical community.
Toubab carries echoes of African greats like Ali Farka Toure, Orchestra Baobab and Salif Keita, no doubt picked up during the group's travels to study and live in Guinea, Ivory Coast and Mali. But what truly differentiates Toubab Krewe from other Statesiders inspired by African music is how they innovate on what they've learned instead of simply recreating tradition. Toubab Krewe carves out a new trail honoring the African originators they admire by making something alive and contemporary.
"Toubab Krewe has such a visceral, ear-yanking quality that in the band's capable hands you just might find your definitions of what is/is not rock n' roll and worldbeat being completely rewritten. This is the sound of liberation." – Blurt
"a futuristic, psychedelic, neo-griot frenzy." – Village Voice
"a new standard for fusions of rock n' roll and West African music." – Afropop Worldwide
"one of the most innovative voices in music today." – Honest Tune
The Broadcast is a soul infused dance rock band formed in Brooklyn NY. The band relocated to Asheville, NC in the fall of 2010 to transition into music full time. For tour dates, music, and more log onto www.thebroadcastmusic.com
With powerful and soulful melodies, poly rhythmic grooves and an uncanny ability to connect with listeners it's no wonder The Broadcast has audiences across the country entranced. Originally formed in Brooklyn, NY in 2007, this young, six-piece soul infused rock band is known for their tight, high-energy performances that have vaulted them into the national spotlight.
After their relocation to the beautiful mountainside of Asheville,
NC, The Broadcast has grown into a full-time, nationally touring group. Their rise on the festival circuit has scored them press interest from such outlets as FlavorPill, VERVE and Cosmopolitan Magazine who described lead vocalist Caitlin Krisko's voice as "drenched in honey, and dripping with soul".
The Broadcast draws influences from the funky and soulful "Motown Sound" and the raw vocal prowess of singers such as Janis Joplin and Aretha Franklin. Platinum blonde, Caitlin Krisko, whose commanding and captivating voice has been compared to the likes of Adele and Grace Potter, fronts the band with a prowess not often found in vocalists her age.
Their powerhouse performances are not only characterized by Krisko's dynamic voice but also by the interplay of the band. The trio of Michael Davis (drums), Matthew Davis (bass) and Tyler Housholder (percussion) create rich foundations of rhythm that drive the band. Guitarist Aaron Austin and keyboardist Rich Brownstein punctuate the group's sound with their soulful solo's and deep tonal textures.