Wooly's & Metro Concerts Live Presents
Threat Signal, The Browning, Dark Sermon, Apathy Syndrome, Absolute Power, This Sudden Darkness
504 E. Locust St,
Des Moines, IA, 50309
Doors 5:30 PM / Show 6:00 PM
This event is all ages
There's an obscure Chinese proverb that roughly translates as "There is one thing greater than money and power: Enthusiasm." While some of the more cynical bastards in the world would dismiss that statement as some kind of hollow fortune-cookie philosophy, that lesson is something the Cleveland-based metal outfit Chimaira have taken to heart. With four records and a decade of service in the trenches behind them, the band—singer Mark Hunter, guitarists Rob Arnold and Matt DeVries, bassist Jim LaMarca, drummer Andols Herrick and keyboardist Chris Spicuzza—have created The Infection, their second release for Ferret Music and their most ambitious recording yet.
Sounds like typical record-company bio nonsense, right? Doesn't every band tell you that their latest release surpasses everything they've done up to this point? How many times have you heard the words "maturing" or "progressing" as a rationale to deliver a crap album? For their fifth album, Chimaira didn't have any brushes with death, rehab memories or dalliances in musical genres that have nothing to do with "the rock" as we know it. Sounds crazy, but the truth is that the band have come around full circle, returning to the headspace that brought them together in the first place.
"Every album we've ever made has a back-story that made the creation of that album a pain in the ass," says Mark Hunter about his band's evolution. "When we made our first album [2001's Pass Out Of Existence], we were thrown into the studio for two months with a huge budget, a big producer and no songs. We just rushed through it. When we got the record back, we thought, 'this is not what we signed up for.' When it came to do the next record [2003's The Impossibility Of Reason], we felt like we had something to prove, so we were purposely writing songs that just put up a huge middle finger to everybody that steered us in the wrong direction. Andols had quit, and for the third album [2005's Chimaira], I hardly showed up to work on it. I'm usually working 12 hours a day in the studio; I went in, and did all my songs in four days and left. We got off of Roadrunner, got our old drummer back and signed to Ferret. Now people are questioning our stability and we're thinking we have to make the best record we've ever done because it could be the last one. The touring cycle for [our fourth album] Resurrection went well and we made tons of new fans.
Threat Signal arose from the filthy, industrialized east end of Hamilton Ontario Canada in late 2003. A detuned, syncopated, melodic metal machine, Threat Signal combines the complexity thrash metal, with a more contemporary groove sound involving technical rhythms, and melodic musical passages.
Before the band had played a single live show, their home recordings generated a significant interest online. The song 'Rational Eyes' hit #1 on the international independent music website GarageBand.com and remained in the top position for over 2 years. This prompted many record labels to take notice. One label in particular fit perfectly with the bands vision, and in 2005 Threat Signal inked a deal with Nuclear Blast Records.
Threat Signal's debut album 'Under Reprisal' was recorded with producer Christian Olde Wolbers (Fear Factory/Arkaea). "Its without a doubt my favorite album of 2006," Wolbers remarks, "A mix of Strapping Young Lad, Fear Factory, Soilwork… a true Canadian phenomenon!" Veteran mixer Tue Madsen added the final touches to the album and it was released internationally in August 2006. Embraced by fans and critics, perhaps the most meaningful praise for the album came in the form of the Canadian Recording of the Year award bestowed upon the band in their hometown at the 2006 Hamilton Music Awards.
After supporting Under Reprisal on the road for over 2 years, Threat Signal entered the studio in November 2008. They recorded their second album 'Vigilance' with vocalist/producer Jon Howard (Threat Signal/Arkaea). Fellow Canadian Greg Reely was chosen to mix and master the album and it was released under Nuclear Blast Records September 8th 2009.
The third, self-titled Threat Signal album is due for release under Nuclear Blast records in October 2011. Recorded and produced at Planet Z studios by metal mastermind Zeuss (CHIMAIRA, HATEBREED, ALL THAT REMAINS, THE ACACIA STRAIN, BORN OF OSIRIS, SHADOWS FALL, AGNOSTIC FRONT, ARSIS). Artwork was created by Colin Marks (ORIGIN, SCAR SYMMETRY, SUICIDE SILENCE, EXODUS). This will be Threat Signal's heaviest and most dark sounding effort to date.
Threat Signal has performed live with Soilwork, All That Remains, Opeth, Hatebreed, Darkest Hour, Mnemic, Protest The Hero, Testament, Saxon, Nevermore, Lordi, Motorhead, Hammerfall, Arch Enemy, Scar Symmetry, Kataklysm, and many more…
In what could be described as nothing short of 'adventurous,' THE BROWNING's music takes influences from all across the metal spectrum and heavily fuses them with hardstyle, trance and other areas of electronic music in a way that most metal acts would not dare attempt. The band pushes boundaries and pushes buttons. In short, when it comes to The Browning, TheNewReview.net put it best when they said "the soundtrack to the apocalypse has arrived."
Dark Sermon was formed in early 2009 under the name "In Reference to a Sinking Ship", and has since made their mark on the Florida scene as well as that of the entire east coast. Dark Sermon uses their fast, thrashy riffs, bone-crushing blast beats, and aggressive, throaty vocals to bring something fresh and new to the table. Putting a creative twist on their genre, Dark Sermon provides a unique and heavy-hitting sound that will make any metalhead or hardcore kid do a double take.