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Modern Vampires of the City is Vampire Weekend's third album, and it will be released on May 14th, 2013 by XL Recordings.
The album title is inspired by the first line of Junior Reid's song "One Blood": 'Modern vampires of the city hunting blood, blood, bloooooooood.' The photo on the cover was taken in 1966 on one of the smoggiest days in New York history. It was captured by photographer Neal Boenzi for the New York Times.
Ezra and Rostam, the songwriting team behind the band, worked more closely than ever on this album. Most songs bega one of two ways: either with Rostam creating a piece of music that often included drums, bass, and chords and sending this to Ezra to write lyrics and melodies on top of, or with Ezra beginning the song by writing lyrics and melodies, sometimes chords as well, and the two of them sculpting the instrumental setting for the track around those.
In the summer of 2012, the two traveled to LA to collaborate with Rostam's longtime friend, and fellow producer Ariel Rechtshaid. They brought with them writing and recording sessions from New York and Martha's Vineyard. The three began to stride towards realizing the finished album and were later joined by drummer Chris Tomson and bassist Chris Baio. Drums and bass were recorded to analog tape at Vox Studios. Built in the 1930's, it's one of the oldest privately owned studios in Los Angeles. Those parts were then reintegrated with the sessions and further manipulated to create a synthesis of sound and tone, both old and new.
The album has a grandeur and romanticism evocative of the city where it was conceived. Church organs, deep synth bass, booming drums, choirs chanting in Latin are all combined with classic Vampire Weekend joyfulness and spry humor.
MVOTC is the culmination of a trilogy.
The genesis of the song "Step" was a labyrinthine journey through American pop history: it was inspired by a lyric from 90s New Jersey rapper YZ artfully sampled by Bay Area hip-hop legends Souls of Mischief for ademo called "Step to My Girl" from the sessions from their "'93 Til Infinity" album. Their song sampled a Grover Washington Jr. cover of 70s soft-rock band Bread's "Aubrey." Vampire Weekend's song marries melodies from "Aubrey" with their own harmonic and lyrical identity and rhythmic swagger.
Modern Vampires is a bustling city of voices and visions from the death of Henry Hudson to the Orthodox girl falling in love at an uptown falafel shop, from Hannah Hunt tearing up the New York Times on a distant beach to the lethal chandelier of "Everlasting Arms", from the ardent yearning of "Don't Lie" to the harmonized voice of hope in "Young Lion".
Sky Ferreira. Act like you don't already follow her on Twitter – as if you haven't Googled her, or checked her out on Wikipedia. Now check again. Before you can hit refresh, there might be another paragraph. She's co-written and recorded with half the Billboard chart, survived in Hollywood and on the Lower East Side, seen the world from thirty-five thousand feet, been shot by every photographer you can name off the top of your head.
Now get one thing straight: Sky was singing first. Just click on her piano-and- vocal only cover of Miike Snow's 'Animal' on YouTube for your evidence that her other skills might pay the bills, but music is her life and her voice is bona fide. Her 2011 debut EP As If! hinted at her soulful range and stylistic versatility. But if you think it prepared you for the step Sky's about to take on her first long-player, think again. She's hard at work with a hand-picked team of collaborators. And this time she's in charge, making the record she wanted to make all along.