Old Monk, Foe Destroyer, Gone Quite Mad, Photo Ops
186 Bedford Ave
Brooklyn, NY, 11211
Doors 8:30 PM / Show 9:00 PM
This event is 21 and over
The two founding members of Old Monk were separated by thousands of miles when they began writing their first EP. It took years of swapping answering machine recordings and exchanging lo-fi demos over the internet to complete. The successful collaboration finally convinced drummer Ian Burns to leave his native Colorado, joining guitarist Joshua Carrafa in Brooklyn. The two dubbed their project Old Monk, and began playing around Manhattan and Brooklyn's underground venues. In need of a bassist, the two then enlisted Tsugumi Takashi and Old Monk became a trio. Joshua, Ian and Tsugumi create frenzied noisy rock and roll, built on solid pop backbones and piercing hooks. Old Monk is currently living in Brooklyn.
Foe Destroyer is the reincarnation of acclaimed Denton band Oso Closo. With multiple lead vocalists, a far more minimalistic style, and an all-in approach to song writing, Foe Destroyer has the tightness of a band that's been together for five years plus the inspired creativity of a fresh start. Foe Destroyer emerged from the ashes of acclaimed Denton rock band Oso Closo in March 2010, just in time to fulfill the old band's tour obligations, including one official and several unofficial showcases at SXSW. The response to the new sound was immediate, reinvigorating old Oso Closo fans, gaining new audiences, and even grabbing the attention of Ropeadope Records.
Foe Destroyer's approach is unique in that it features equally all three members: Danny, Chris, and Cade all sing, write, and play every instrument in the band. And yet, each member has so much individual personality--Chris, the most "schooled" member, brings his (somewhat legendary in local circles) guitar skills and knowledge of music; Cade, the most "streets" member, brings his unfailing ability to write simple and perfect songs; and Danny is just a badass. All three have a deep love for Rock and Roll, not only its history but also the potential of bringing its essence into the modern era of writing and recording music.
Gone Quite Mad
"Gone Quite Mad is not only worth looking into but a band I would really love to watch grow and expand. Their potential seems limitless."
-James Damion, United by Rocket Science
After 2+ years of sporadic encounters while enrolled at James Madison University (Harrisonburg, VA), raw yet seasoned guitarist Nicholas A. Pascarella approached exploring vocalist Christopher R. Gesualdi in fall ‘07 about fronting a Dangus Kahn and the Tornados (JMU legends) cover band. After a few promising jam sessions, the duo began learning covers and experimenting with originals for their first band, The Super Octavius (named after a Dangus Kahn classic). The group quickly began playing an assortment of on-campus events, local bars, and adventurous house parties.
After needs for a hand drum player arose to during a string of unplugged gigs in spring ’08, Gesualdi called Caleb Spaulding, a drummer/djembe-playing fraternity pledge-brother. The chemistry proved undeniable and Spaulding became the band’s full-time drummer in summer '08.
From fall ‘08-spring ‘09, The Super Octavius played 35+ shows, not only blanketing Harrisonburg, but venturing to Charlottesville and Richmond (popular VA college towns). After building notoriety within the JMU community by spring ‘09, departures of the band’s bassist and manager, as well as the pending graduation of its 2 main songwriters, put The Super Octavius to rest.
Amidst deliberation of post-college plans, Gesualdi and Pascarella vowed to remain a unit, regardless of competing variables.
They moved to Gesualdi’s childhood house in northern NJ during summer ‘09, with their sights ultimately set on New York City. While in Jersey, they wrote and conversed incessantly, pushing each other to new musical/intellectual territory. Amongst frequent name deliberation, the phrase "blue chip" surfaced, representing consistent progression regardless of other factors. Couple that with village, representing the close-kit nature valued amongst both themselves and with patrons+supporters. Blue Chip Village was born.
During fall ‘09, Pascarella moved back to Harrisonburg to reunite with Spaulding while he finished his final year at JMU. Gesualdi remained in NJ, landed a Brooklyn-based music industry job, and started working with voice teacher Judy Hages.
After his graduation in May ‘10, Spaulding officially joined Blue Chip Village, and alongside Pascarella, moved to Brooklyn, NY with Gesualdi. While the group spent the summer fine-tuning what would become BCV EP, Gesualdi reached out to Joe Kruse, a bassist who he had briefly played with at JMU back in fall ‘05. Kruse had been in and around the city for 3+ years, building custom, high-end guitars with renown luthier, Carl Thompson.
Kruse gravitated toward the group’s eclectic compositions, and became the full-time bassist in fall '10.
Blue Chip Village recorded BCV EP during winter ‘10 with engineer Skylar Adler (drummer - The Nico Blues). It was released digitally via bluechipvillage.com on March 28, 2011.
HypeM blogger Tender Branson describes the EP as, “one that is mature and subtle. They won't jump right out and grab you with gimmicks or singles but take the slow approach, the worm their way into your brain one note at a time method…it’s purity at it’s finest.”
Blue Chip Village recently changed their name to GONE QUITE MAD.
Gone Quite Mad is:
Christopher R. Gesualdi (lead vocals, lyrics)
Nicholas A. Pascarella (guitars, supporting vocals)
"Renegade Willis" Mr. Joe Kruse (bass, upright bass)
Caleb "All-Time" Spaulding (drums)
Photo Ops is the stunning, contemplative dream pop project of Terry Price, whose new album How To Say Goodbye draws on the tragedy and triumph of his recent past. The 30-year-old Nashville singer-songwriter, formerly of esteemed indie act Oblio, has had a traumatizing few years, including the death of his father and the sudden onset of a disfiguring medical condition.
"I wanted to have a stylized, melodic, easy-to-understand album about sadness and pain and strangeness, and somehow find some catharsis," he says. Indeed the concise and beautiful work — which draws on influences from Phil Spector, Paul Simon, Neil Young and Fleetwood Mac to dream pop acts of The Radio Dept. and Starflyer 59– is his attempt to move forward in his life and give comfort to others.
Price grew up outside of Dallas, and in high school studied choir, band and jazz band, with his own Christian alternative group to boot. His parents met in a Fort Worth seminary studying to be ministers, and his father traveled across the country taking pictures in 1970 – which helped inspire Price's artist name Photo Ops. But his dad was cursed with a severe schizo-effective disorder, with symptoms of manic depression and schizophrenia, and he required heavy medication and eventually was forced to move back in with his parents in Georgia. He died in early 2011 of a heart attack at age 55; since then Price has slowly gone through his personal belongings, including his pictures and his tortured journals. "It took me a long time to accept just how horrible it had been for him," he says.
Meanwhile, Price was dealing with health issues of his own. He woke up one morning in 2009 to find the left side of his face completely paralyzed. Diagnosed with a condition called Bell's palsy, he lacked health insurance and further was forced to take off months of work. In response the owner of popular Nashville record store Grimey's held a benefit concert to help with his expenses, drawing members of My Morning Jacket and The Features. Price underwent extensive acupuncture and eventually recovered movement in his face. His health prognosis is positive, and many of his friends say he looks just as before. Still, "one eye is a little smaller than the other," says Price. "I can be a little self-conscious about it.
These traumas informed How To Say Goodbye, a project which he undertook in the aftermath of Oblio's breakup. That group had released a pair of full-length albums, toured with Camera Obscura, and drawn the admiration of publications like Paste. "My band focused on putting so much of our energy into the live show. We toured our asses off — such a hard grind," he says, adding that he took a different approach with Photo Ops. "I thought, even though album sales are so slow, it's still the best promotional tool."
And so he bore down on the work, playing nearly all of the instruments, including acoustic and electric guitar, the Roland Juno-60 analog synthesizer, organ, piano, and bass, He co-produced it with Patrick Damphier of Saddle Creek act The Mynabirds, at the latter's studio. Featuring driving, mesmerizing melodies – immediately appealing but substantial – the album is led off by "All the World Is," which unveils the full-length's autobiographical undertones: "It's hard to recover from a bad year/ Friends that were with us, are no longer near." Later, on "Someplace" he sings: "All this memory has gone out the window/ Like how to be a person in general/ Age is more than a number/ When you're as old as you feel."
The goal was to "sonically fuse" three albums, Paul Simon's eponymous 1972 album, Dion's Born to Be With You (produced by Phil Spector) and The Radio Dept.'s Clinging to a Scheme. "I wanted to combine chillwave with a more straightforward, honest approach," he says.
"The album title How To Say Goodbye may seem clichéd," he goes on, "but I didn't want there to be a question of what I was singing about: How to say goodbye to youth, friendships, innocence, thinking you understand the world, all that in general."
Still, the work is not just for him. Some of his friends were going through similar difficulties, he says, and he created tracks like "Go To Sleep" almost as lullabies. "The last song – 'Sail Across My Eyes' – is like, 'Let's commiserate.'"
The listener will surely feel the same way. Out of tragedy comes this empathetic, haunting work, without a doubt one of the best of 2012.
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