Califone, Richard Buckner

There are many kind of stitches: seams to secure sleeves into armholes … sutures closing wounds and deep incisions … loops or crosses of embroidery floss … a sudden pain in the side. Stitches, the new album from Califone, touches on all these definitions, its episodes of discomfort and healing rendered with exquisite beauty and craftsmanship.

Intimate timbres—garage sale drum machines, slack guitar strings, hushed vocals—offset the album's cinematic inclinations. The listener moves through a landscape of Old Testament blood and guts, spaghetti Western deserts and Southwestern horizons, zeroing in on emotions and images that cannot be glanced over. Motes of dust dance briefly in afternoon sunlight.

Richard Buckner

Richard Buckner's career began with Bloomed (1994), a lyrically-dense suite of songs recorded in Lubbock, Texas (produced by Lloyd Maines) and heavily influenced by that state's tradition of whiskey-soaked poet/troubadors. (Since 1999, the album has been kept in print (with additional bonus tracks) by Rykodisc offshoot Slow River Records at Buckner's request, the artwork on the back cover was edited to remove his then-girlfriend from the picture.) In January 1996, while living in San Francisco, he recorded an album's worth of acoustic songs, all of which reappeared in more fully realized forms on his second and third albums. This CD was self-produced and self-released, and was sold exclusively at his early shows.

Later that year, he signed with MCA Records, for whom he recorded two albums, both produced by J.D. Foster. Devotion + Doubt was released in 1997, displaying a more adventurous, almost avant-garde approach to songwriting and arranging, and featuring backing from members of the band Giant Sand, as well as Maines and Marc Ribot, among others. Its follow-up, 1998's Since, continues in this style, with an even greater emphasis on detailed production, this time featuring contributions from John McEntire, Dave Schramm, David Grubbs, Syd Straw, and others. Although these albums garnered considerable critical approval for Buckner, they did not perform well enough for his label, and he was released from his contract with MCA (whom he then nicknamed 'Musical Career Assassins') shortly thereafter.

Since then, he has returned to recording for smaller labels, to continued critical acclaim and cult status. His 2000 album The Hill - his first for Chicago-based indie label Overcoat Recordings - features poems from Edgar Lee Masters' Spoon River Anthology (1915), which Buckner set to music. The album plays as a single track, nearly thirty-five minutes long. He returned in 2002, first with the "teaser" EP Impasse-ette, then a full-length entitled Impasse one month later. In early 2003, his self-released, self-titled album was reissued by Overcoat, and was his final release for the label. In 2004, an edited version of Richard Buckner's song "Ariel Ramirez", from the album Since (1998) was featured in one of the television ads for Volkswagen's Touareg. The song, in its original form, was featured prominently in the 2008 horror film, The Strangers.

He is currently aligned with the North Carolina-based indie label Merge Records, who released 2004's Dents and Shells and 2006's Meadow. Between the two, he released an album with Jon Langford called Sir Dark Invader vs. The Fanglord (2005, originally recorded in Sally Timms's house in 2002) on Buried Treasure Records. Merge Records released Buckner's album Our Blood on August 2, 2011.[5] The album was licensed in Europe and Oceania to Decor records.[6] Buckner latest album, Surrounded, was released in 2013 by Merge Records.[7]

The Backyard Committee

Hi there. We are The Backyard Committee. We’re a roots rock jam band based in the pizza capital of the world, New Haven, Connecticut. For our sound, we strive for a Europe ‘72 kinda warmth, a wild-mercury-flavored Blonde on Blonde intensity and a Bee Thousand-style recklessness. We’re not so into click tracks, samples, auto-tune or any kind of heavy processing. We are into loose arrangements and slightly out-of-tune guitars.
Our lineup changes from one show to the next, by design. Each member is encouraged to add his or her personal voice to the mix. The human element is very important to us, and we’d rather make mistakes in the pursuit of something out of reach than play it safe.
We exist for fellow music nerds who don’t like over-editing — on the records we enjoy most, the mistakes are our favorite parts.
We’re from New England, and we think the sound of our geography comes across in our music. We love where we live, and it’s part of who we are.
Our favorite shows to play are outdoor festivals, extended club dates and secret psychedelic parties in the woods.
We encourage tapers to record all of our shows and post them on our new Archive.org page. All our studio recordings are available for high-quality download on our site (for free).

$12.00 - $15.00

Tickets Available at the Door

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