CRACKER / CAMPER VAN BEETHOVEN
308 N. 2nd Ave.
Phoenix, AZ, 85003
Doors 7:30 PM / Show 8:30 PM
This event is 21 and over
Alt-rock icons Cracker have signed with 429 Records and are preparing to unleash a collection of new songs, SUNRISE IN THE LAND OF MILK AND HONEY. Long-time musical co-horts David Lowery and Johnny Hickman have teamed up again with drummer Frank Funaro and bassist Sal Maida and along with stellar producer David Barbe (Drive By Truckers), have created a uniquely eclectic trove of new tunes. Well-worn words used to describe their sound—brash, irreverent, sharp-witted, anthemic and riveting—all descriptives are in full-effect on the new project that bursts with their trademark rock, punk, glam, surf and country aesthetic. Friends John Doe, Patterson Hood and Adam Duritz also make spirited guest turns on SUNRISE…Their 429 Records debut is in-stores on May 5 and the first single to radio is "Turn On, Tune In, Drop Out With Me".
Taking a new approach to their creative process, SUNRISE IN THE LAND OF MILK AND HONEY is a truly collaborative effort for the band. Suprisingly self-disciplined, the whole band would take time out to write together one week every two months between tours over the course of a year. Focusing on a goal of two songs per day, their individual musical influences combined in refreshing and distinctive ways. On the outside it was a straight-ahead work ethic, but the process resulted in the band clicking creatively with a renewed energy.
Says Lowery: "We weren't kicking back on an island in the Caribbean, waiting for the muse to hit us. We got down to work, found the punk and glam rock in our blood and woke up to Sunrise In The Land Of Milk And Honey."
Taking a new approach to their creative process, SUNRISE IN THE LAND OF MILK AND HONEY is a truly collaborative effort for the band. Suprisingly self-disciplined, the whole band would take time out to write together one week every two months between tours over the course of a year. Focusing on a goal of two songs per day, their individual musical influences combined in
refreshing and distinctive ways. On the outside it was a straight- ahead work ethic, but the process resulted in the band clicking creatively with a renewed energy.
Says Lowery: "We weren't kicking back on an island in the Caribbean, waiting for the muse to hit us. We got down to work, found the punk and glam rock in our blood and woke up to
Sunrise In The Land Of Milk And Honey."
CAMPER VAN BEETHOVEN
At the time of their 1985 debut, Camper Van Beethoven's merging of punk, folk, ska, and world musics was truly a revelation. Self-described as "surrealist absurdist folk," the band formed in Santa Cruz, CA, after singer/songwriter David Lowery of Redlands, CA, with his dry humor and valley-boy voice (sometimes confused for a faux English accent), and boyhood friends Chris Molla and Chris Pedersen disbanded Box o' Laffs. Victor Krummenacher was added on bass and soon they were joined by Greg Lisher (guitar) and Jonathan Segel (violins, keyboards, mandolin). It was Segel's violin that would prove to be the band's hallmark at a time when alternative rock had yet to be invented, and indie rock was still shy of roots music or traditional elements.
The 1985 re-release of their debut, Telephone Free Landslide Victory, made the Top Ten in the 1986 Village Voice Pazz and Jop Poll, as did their second album, II & III, and Camper Van Beethoven, both released in 1986. On II & III, they went for a purer indie rock sound with touches of country, as evidenced in their "Sad Lovers Waltz" and their cover of Sonic Youth's "I Love Her All the Time." The band deftly switched modes from punk to ska to rock on alternate takes, but by this time Molla had left the fold. The third album, confusingly titled Camper Van Beethoven, continued the thread, but outstanding tracks like "Joe Stalin's Cadillac" were in the more straight-ahead indie rock vein. However, the band would consistently blow people's minds by tossing around things like a reverent version of Pink Floyd's "Interstellar Overdrive." For its Virgin Records debut, coinciding with the label's U.S. re-launch in 1988, the band took a more serious tack on Our Beloved Revolutionary Sweetheart, and the group that had once been confined to low budgets and small studio facilities stretched out perhaps a little too aggressively.
For Key Lime Pie, Camper Van Beethoven's final release in 1989, the band took it as far as it could go. Morgan Fichter had replaced Segel by this time. Krummenacher, Pedersen, and Lisher continued to play together in what began as a side project in 1985, Monks of Doom, which turned into a full-time job for them, with four albums and an EP to their credit. Though no longer working as the Monks, the trio, along with Segel and Camper touring guitarist David Immergluck, continue to play together in various formations. Jonathan Segel released three albums as Hieronymous Firebrain from 1990-1994 and two with Jack & Jill for the Magnetic label, followed by a a couple rock cds under his own name and several electronic music cds under his own name and as a duo with Dina Emerson called Chaos Butterfly. Krummenacher has released several solo records, (Out in the Heat, St. John's Mercy, Bittersweet, Sans Soleil and Nocturne), also for Magnetic, worked with members of Tarnation in Lava, and continues to work with Bruce Kaphan on various projects. Immergluck and Fichter continue to tour and play sessions with bands of considerable renown (Counting Crows and Natalie Merchant respectively, among others); Lowery took some time off before forming Cracker, but didn't commingle with his former bandmates until reuniting with Krummenacher and Segel in late 1999 to assemble the bizarre rarities collection Camper Van Beethoven Is Dead: Long Live Camper Van Beethoven.
In 2002, Camper Van Beethoven reunited for a nationwide tour on what seemed like a whim, occasioned by a closet-cleaning belated issue of a song-by-song cover of Fleetwood Mac's Tusk, an album they'd recorded as a joke back in 1987. The tour must have gone really well, because unexpectedly, the full band -- the original lineup of David Lowery on vocals and guitar, violinist Jonathan Segel, guitarist Greg Lisher, bassist Victor Krummenacher, and drummer Chris Pedersen, with alumni Chris Molla and Monks of Doom cohort David Immergl
Mon, March 30
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