Thundercat w/ Mux Mool, Ras G and The Peoples Abstract

Bassist/songwriter/vocalist Stephen Bruner, aka Thundercat, has music deeply rooted within. His father, Ronald Bruner, Sr., is an internationally renowned jazz drummer who played with the Temptations, Diana Ross, Gary Bartz and Gladys Knight. His brother Ronald Bruner, Jr., a Grammy-winning drummer, has played with the likes of Roy Hargrove, Stanley Clarke, and Wayne Shorter. Stephen joined his brother as a member of West Coast punk vets Suicidal Tendencies, playing bass on their worldwide tours while still in high school. He also toured through Japan with Stanley Clarke at the age of 16.

As Thundercat, Bruner takes his jazz roots and works with a mix of artists that suit his wildly experimental sensibilities – ranging from Flying Lotus, Erykah Badu, and Stanley Clarke, as well as more recent collaborations with Wiz Khalifa and Earl Sweatshirt, to name but a few. After meeting and touring with Flying Lotus, the two artists collaborated on Lotus’ 2010 LP ‘Cosmogramma’ on the track ‘MmmHmm.’ Their kindred sense of musicality led to Thundercat’s 2011 solo debut ‘The Golden Age of Apocalypse,’ co-produced by Flying Lotus, which opened Bruner up to a new stratosphere of songwriting and artistic exploration.

In 2013, Thundercat teamed up with executive producer Flying Lotus once again, to form a profound body of work for his second album, ‘Apocalypse.’ Forthcoming on Lotus’ Brainfeeder imprint this July, the album straddles lines and pushes genres further, blurring the confines of pop, funk, electronica and prog rock, and creating something else entirely. Both vulnerable and fearless, a comedy and tragedy, ‘Apocalypse’ is an intimate portrait of an artist who will continue to take music to a new place; the beyond.

"I know it's electronic music," Brian Lindgren says, "but sometimes I feel like an old-timey traveling musician with an M-Audio Trigger Finger instead of a guitar." As Mux Mool, Lindgren has been criss-crossing the country by himself for years, collecting records, loops, and samples, and rocking parties in towns both large and boondock-small. Lindgren is a self-confessed nerd to the bone, an incurable doodler, a Star Trek: The Next Generation fan; he lives on energy drinks and barely sleeps, spending his days working on music and his nights absorbing Internet memes by the hard-drive load. Mux Mool's homespun electro hip-hop is the product of an introverted mind, an extroverted imagination, and a bottomless cultural appetite.

Lindgren's life in music began in Minnesota with a cheap toy sampling keyboard ("I remember being so fascinated by how much a sound changed when you dropped it down several octaves"). Flash forward a few years (and more than a few keyboards), and the teenage Lindgren began recreating his favorite sounds—Dilla's stutter-step beats, classic video-game music, abstract electronic noise—using software and digital effects, glazing them with tape hiss and vinyl static. An early Mux Mool track, the slinky strut of "Lost and Found," was discovered by Moodgadget Records and released on their Rorschach Suite compilation, eventually finding its way onto iTunes' Best of 2006 Electronic list. A string of EPs, tracks, and remixes followed, including the song-a-day project Drum EP, the grimy talkbox anthem "Night Court" on the Ghostly International/[Adult Swim] comp Ghostly Swim in 2007, and the Ritalin-fueled "Ballad of Gloria Featherbottom" on 2009's Moodgadget-curated Nocturnal Suite on Ghostly. Mux Mool's 2010 full-length debut, SKULLTASTE, is the culmination of years of toil and experimentation, gathering Lindgren's myriad talents and obsessions into one gloriously sprawling document&183;

As for where he got that name, Lindgren offers up an oddly telling story: he was dubbed Mux Mool by a band he admired, after he posted a blog on MySpace soliciting fans to submit names for his project. "Mux is short for 'multiplexing,' which is the streaming of many types of information through one channel," he explains, "and Chac-Mool is an ancient Meso-American statue of a reclining man." A technologically complex breed of synthesis and a timeless piece of indigenous art. Sounds about right.

Ras G guides a deep space exploration of music's ancient history and rich future. Working thru obsolete tools to reach back in time and pluck out the essence of groove, Ras G's music is rich with space-funktified rhythms, fog horns, natty chattin, subterranean bass lines, colossal percussion and glorious highs.

Ras G has been a fixture on the underground hiphop scene in Los Angeles since the early 90s. He is a proud South Central LA resident. Ras along with Black Monk and Ron Stivers are the founders of the Poo-Bah Label.

This is the music that people will be playing in the ghettos of Mars in the year 3014.

The People's Abstract

Formed as a collaborative ensemble in 2012, the band’s musical influences draw from all aspects of art and life. They fuse jazz, alternative, heavy metal, funk, and classical music to capture a unique sound, appealing to a diverse audience. Connecting color to sound, painting images with their music, band members share an intense creativity, driven by a fresh, vibrant fusion sound.

$20 Day Of Show

Tickets Available at the Door

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Cervantes' Masterpiece Ballroom

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Thundercat w/ Mux Mool, Ras G and The Peoples Abstract

Friday, July 26 · Doors 8:00 PM / Show 9:00 PM at Cervantes' Masterpiece Ballroom

Tickets Available at the Door