Manic Productions Presents
O'Brother, Native, Daylight
295 Treadwell St.
Hamden, CT, 06514-4140
This event is all ages
Who is your influence?
We all consciously or subconsciously think, speak, and act based on what influences us. We look for inspiration to get us through tough times while realizing our past experiences have a stronghold on how we now see the world. If you had the opportunity to sit down and reflect on what you believe and who you have become, your main influences will emerge. Imagine trying to capture this experience. You transcribe it for either your own pleasure or catharsis. Finally, you etch your name into this work that significantly represents a time in your life and release it.
This is what O'Brother has gone through in creating their first full length, Garden Window. As major bands reunited, disbanded, or put out a new album for the first time in years, O'Brother realized the impact these artists have had on their lives and music. Mogwai, Deftones, Isis, Earth, Converge, Blonde Redhead, Oceansize, Clint Mansell, Torche, Radiohead, Sigur Ros and The Appleseed Cast are just a few of the artists that planted a seed that germinated while O'Brother was writing and recording Garden Window.
In 2010, O'Brother's tour schedule started with a heavy onset of dates that never relented. They transformed into a much tighter live band due to constantly performing.
At the end of the year, O'Brother began the writing process for their first full length. Drawing from their musical influences, the band also acknowledged the impact being on the road had had on them personally. Relationships with family, friends, and significant others altered dramatically due to touring. The readjustment to the normality of home life contradicted the escape from reality that touring presents. The tension created by this change needed to be captured as an influence on the new album.
It is a daunting task to creatively represent how you have grown as a band compared to your previous work. Not only has O'Brother grown collectively, but individually as well, both musically and professionally. Native American tradition believed taking a picture of someone also took a piece of their soul. O'Brother views this album in the same vein. It captures a piece of them at a time in their lives that they will never get back.
Hailing from North West Indiana NATIVE is made up of four friends who came together after realizing they were each the most serious about music in each of their former high school bands. The guys each decided to retire their childhood groups and instead come together to form Native in the Summer of 2007. The line up consists of Ed O'Neil /Guitar, Bobby Markos /Vocals and Bass, Dan Evans /Guitar and Nick Glassen on Drums. Since Native's inception they have self released the critically touted EP We, Delete Erase with many publications giving the disc accolades. CMJ remarked, "The brand-new four piece, Native, is making noise even before their first full-length. Their self-released debut EP, We Delete; Erase, their fresh, confident sound is filling their listeners with hope for some great things to come." Also, drawing comparisons to some pretty seminal bands Surfing Magazine described them as "It lands somewhere between a pissed off Minus the Bear and a caged up Botch".
Word of mouth about their live shows and their EP caught the attention of US Label and Management company Sargent House who went on to sign the band and who has since re-issued the EP. Native have continued to tour non-stop building quite a following in a short time through their unforgettable live shows and well executed musicianship. A review of their live show in St. Louis from The Riverfront Times stated "There's something about the age-to-talent ratio that makes the post-punk of the barely legal Indiana quartet Native both impressive and genuine. Perhaps it's the group's intelligent guitar work, which recalls the geometric riffs of Jawbox and Faraquet- Or maybe it's the fact that the vocalist's yelps sound more like a pissed Ian MacKaye than a Warped Tour screamo outfit." While Alternative Press' live show assessment was, " For a band just a little more than a year old, Native play with the confidence and prowess of a group of lifers. "
The early reviews in for their new full length album Wrestling Moves are no less flattering with Sputnik Music saying "Anyone who has listened to We Delete; Erase will immediately hear the transformation within the band. Native is still Native, but the progression here is a massive one. "
NATIVE's debut full length Wrestling Moves was released on January 23, 2010 on Sargent House. The album was Produced by Chris Common (These Arms Are Snakes, Pelican) at Red Room Studios in Seattle, WA.
The Difference In Good And Bad Dreams is Daylight’s third proper EP in as many years and a precursor building up to next year’s much anticipated debut full-length. These four new songs mark the Doylestown, PA quintet’s most focused and diverse record yet. Twinkling leads and Cobain-esque foreground whisper-singing add space and dimension atop of walls of grungy gained-out guitars. The tempo of the music harkens to brooding, patient mid-90s post-hardcore a la Fugazi or Quicksand, lending to a desperate undercurrent running beneath the songs. The thick rhythm section and spacious, huge drum parts are perfectly written to support some of the bands catchiest and biggest vocal hooks to date. Daylight’s signature unrelenting lyrical depression continues yet with a more melodic and dynamic vocal approach, fitting perfectly with the music. With this EP, the band has effectively carved out it’s own notch alongside contemporary post-hardcore heavyweights like Title Fight, Balance & Composure and Make Do And Mend paving the way for a breathtaking debut LP in 2012.
Old Gray is a three-piece band based out of the southern New Hampshire area. Since forming in April 2011, the band has seen numerous changes, both in terms of their members and their musical style. Their lyrics are introspective and personal, often dealing with the ideas of love, loss, and isolation, while their music draws elements from a wide array of genres, most notably post-rock and post-hardcore. As of January 2013, they have released two EPs, two splits, and a demo. They have also toured the East coast with William Bonney and have had two shorter tours with Burning Bridges and I Kill Giants.
Sun, February 8
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Tue, May 12