Blue Hawaii, Empress Of, Solar Year, Weeknight
Brooklyn, NY, 11211-4119
Blue Hawaii's music follows their winter in Canada, becoming colder and introspective - reflecting the vast world of self-awareness and delicacy. It takes for its subject the question of belonging, despite overwhelming space.
Musically, the production is spacious and physically it was recorded in separation. Despite this, it belongs together in its final form. It demonstrates successful creative process in a pair who composed apart, and in doing so it is a meditation on communication: how technology and art influence modern human relationships. It contains the vast space of two years passing, including watching their Montreal scene change as some launched into international success and others turned deeper inwards. Here, the album finds the conflict of separation/belonging to one’s self and community.
The duo notice that throughout the changing social and personal landscape which is one’s twenties, these divided notions and people somehow stay together. Even the name Blue Hawaii suggests a kind of melancholic, jaded paradise, but a paradise afterall. It is because – or perhaps in spite of – these disjointed intersections that the record is called Untogether (Arbutus 2013).
Empress Of is Brooklyn based Lorely Rodriguez's "project of sight and sound." She creates wistful-pop with synth melodies and vocal experimentation that has a haunting and chilling effect.
Equal parts sound art and pop music, Solar Year emerged from the same creative community as Grimes, D'Eon and Tonstartssbandht--somewhere among gallery installations and late night loft parties. They use electronics and live resampling, creating otherworldly soundscapes-- hazy atmospheres that float between Nordic electro-pop, serene New Age reverie, and the liturgy of medieval monks.
"Comprised of New York based duo known simply as Holly and Andy, Weeknight create the sort of languid, obfuscous pop that swirls slightly menacingly through your eardrums. The interlocking male-female vocals contain both beauty and enigmatic characteristics, whether it be the bass heavy Devil or the glitchy Dark Light (Warrior), the crackling guitar lines and other-worldly lyrics elevate Weeknight above many of their synth-led contemporaries. Whilst it's clearly lacking big budget production, the Depeche Mode vibes are prominent throughout, as are the loosely scattered shoegaze percussion sections. All in all, this debut EP entitled Dark Dark Lights is an extremely accomplished trio of tracks." - Crack In The Road
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