Jimmy Eat World

Invented, the sixth full-length album by Jimmy Eat World, contains the signature big hooks and sing-along melodies for which the band has become famous. Fans of the band's older hits like "The Middle," "Sweetness," and "Pain" will find lots to grab onto…and those same fans will be happy to learn that Mark Trombino, who served as a producer on the band's first three albums Static Prevails, Clarity and Bleed American, is again at the helm for Invented. While the music is "classic Jimmy Eat World," the lyrics come from a completely different place than ever before.
Jim Adkins, the band's primary lyricist, credits this new lyrical direction to an exercise he created for himself as the band was putting the finishing touches on their previous album, Chase This Light. At the time, Adkinshad recently discovered two books -- Cindy Sherman's "Completely Untitled Film Still" series and Hannah Starkey's "Photographs 1997-2007" and became taken with the creation of his own back stories for each photo. "I would take about ten minutes and blast through every aspect of the scene that came to me. Who was this particular character and who were the people in her life? How did she end up in this scene?" Adkins says, "It was intended to be a writing exercise -- much like an exercise lots of people employ every day called 'object writing.' The point wasn't to get material for Jimmy Eat World songs, it was only to get my brain in a mindset for working. Eventually, though, ideas developed in those sessions did start creeping into songs. The album title 'Invented' refers to a song which I feel sums up the mood here," Adkins adds, "but could also be taken more literally as this album is the deepest into character writing we have tried so far."
The reconnection with producer Mark Trombino occurred in San Diego during the band's sold-out national tour commemorating the 10-year anniversary for the album Clarity.
Jimmy Eat World got their start in 1994 and has gained a reputation for being a band of great perseverance and hard work. Since the 1999 release of their breakthrough debut album Clarity, they've sold millions of records, have had numerous top ten singles at Modern Rock Radio, appeared on Saturday Night Live and have toured with Foo Fighters, Green Day and Weezer. Jimmy Eat World will be on the road for the next year plus in support of Invented.

Matt Pond has already accomplished what fewrarely do. A career musician with a die-hard following that continues to grow with each album, and a resume that includes the title song for a motion picture soundtrack, a long running Starbucks holiday commercial with a hook that's always stuck in our heads, selling over 100,000 albums to date; his success is matched only by his prolific outpouring of talent. But Matt takes those things with a grain of salt, in 'Lives' he shows us what's really important.

With the new album, The Lives Inside the Lines in Your Hand, Matt Pond is stepping forward with striking honesty and humbling optimism and delivers his strongest work to date. And with this transformative record comes some distinct changes- removing the 'PA' that has accompanied his name for nearly a decade, his first official 'solo' release, and partnering with new label and longtime publishing partner, BMG.

Matt Pond is able to slough off the dead skin, radiantly revealinghimself in his purest form- a feat many artists strive for, but rarely accomplish. The change symbolizes more than just coming out as an official solo act, it is also perhaps a symbol of letting go. Letting go of the places he's called home; he no longer belongs to Pennsylvania, or Brooklyn, or even thecabin in Bearsville, he is distinctly free from any earthly chains and whatremains is just Matt Pond. His final frontier is to "run wild within our clear blue minds" ('Human Beings'). The graceful departure gives Matt Pond both the freedom from, and acceptance of the limitations of being alive. The result is 'The Lives Inside the Lines in your Hand'.

'Lives' is an upbeat antidote to the pessimistic shift in the collective consciousness. It's an ode to the bittersweet reality that we are human, we are finite, and we are flawed. But in each song on this album, Matt Pond sources the beauty in all of it, even when it's not pretty, and delivers an indie rock album that's brimming with authenticity; Pond captures the sentiment perfectly in "Starlet": 'I know I know there's so much I don't know'. The album's first single "Love to Get Used", is a notably playful departure from what we've seen before. "Let's hang on to abandon and hope we lose control" Pond insists in the uptempo indie-pop track, "to be out in the open baby and let go of the ropes".

…And let go, he does. In a free-fall of spirit, Matt gets to the core of his own humanity, and we can't help but listen intently to see what he finds, because after all, it can sometimes be a frightening journey, a risk many of us aren't willing to take. "Hole in My Heart" strips down the frivolities and formalities that water down most songs about heartbreak, leaving us with a chillingly accurate, almost childlike description of the pain it causes, and a glimpse into the places he's stumbled in his own journey, when, as he puts it, "with eyes closed we dove into unknown". In the end, "The Lives Inside the Lines in your Hand" is a triumph against the paltry conditions we've all been forced to reckon with as a society. When times are tough though, art flourishes, and 'Lives' is ademonstration in how Pond is transcended by his art. "Someday I'll stop breathing," he says, "but I'll never stop singing."

$30 in advance/ $33 at the doors

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Jimmy Eat World with Matt Pond

Saturday, September 21 · Doors 7:00 PM / Show 8:00 PM at The Catalyst

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