Ad Hoc presents
Tamaryn, Mirror Mirror, Haribo
Brooklyn, NY, 11211-4119
This event is all ages
Tender New Signs is the kind of record that exists where experiences connect to the senses, where memories emerge and bring with them all the feeling and imagery that had been resting just below the surface of consciousness. It's the title of Tamaryn's second album, in partnership with her longtime collaborator and San Francisco native Rex John Shelverton. Informing the layers and textures found on their debut full length The Waves, this new opus takes a bold step forward in structure and form. With it's skygazing pop songs and impressionistic sketches of once well-guarded emotions, Tamaryn and Rex have created a defining work.
The roots of this musical partnership started over a decade ago. "Rex and I met in New York City where I was living in the early '00s," says Tamaryn. "We bonded instantly and over time started sharing ideas for songs. Eventually we began to collaborate on some recordings, traveling between coasts until the project inspired me to move to California indefinitely." These activities culminated in a slew of singles and the Led Astray, Washed Ashore EP. In 2010, Mexican Summer released Tamaryn's critically acclaimed LP The Waves, a collision of hypnotic psychedelia and bittersweet dream pop.
Tender New Signs' nine songs showcase stadium-sized guitars, surging with softly-lit, languid melodies and a familiar sense of purpose anchored by Tamaryn's intimate vocal delivery and unmistakable presence. The choice to continue self production seems to be key in persevering their sound. Tamaryn explains how the writing process is intrinsically linked to the recording process, "Rex finds that getting in the studio and taking things apart to adjust the subtleties of their sonics inspires him to want to play guitar more in general, and therefore is probably the biggest influence on how we make music. We like the idea of seeing how far we can take what we have, and we work best together without too many other distractions. The Waves found us in this 'minimal wall of sound,' so we took that style and applied it to these more defined song structures."
Tracks like "Heavenly Bodies" are anthems of surrender and reflection, while "The Garden" evokes those tiny moments of change when numbness gives way to feeling, and projects them into gigantic rock and roll epiphanies. Tender New Signs creates its own hope and transforms it into something sublime. "In making this record, I hoped to transcend the mundane world, by living in a new one of my own creation, " Tamaryn says, "now it's time to invite everyone else in it with me."
MIRROR MIRROR, the New York based duo of David Riley and Ryan Lucero, bring their avant-pop explorations to RVNG Intl. with the release of Interiors, the ten-song follow up to their debut album, The Society for the Advancement of Inflammatory Consciousness.
Recorded in two parts, Interiors features the production work of Chris Coady (Beach House, Gang Gang Dance, Zola Jesus), who helped realize an expansive sound from Mirror Mirror's home-studio recordings. The other album half, aided by Joshua da Costa's monstrous and metronomic live drumming, was produced by Thomas Asenault and Zeljko McMullen at So Many Fields (Brooklyn, NY).
Interiors deals in themes of secret societies, escapist fantasies, and psychological extremes. "Sublime Objective" opens the album in the mind's eye of an adventurer attempting a daring mountain climb. "Under the Sun" rollicks under ray-baked guitars until it's split in two by a cameo from SSION front man Cody Critcheloe. "Dot Dot Dot" mutates an R&B midi-bass line, before "Sick City" tours an underworld of nightwalkers and plastic shamans. The acid-inflected "Starseed" adapts a futurist Timothy Leary lecture, promising listeners "bread and dope for a thousand years." Album namesake "Interiors" describes a recluse who shuts out worldly distractions, while the stringed cavalcade of "Open Wide" leads to new psychedelic pop pastures. The album closes with "Overpower / Overjoy," an industrially flourished, whip-cracking serenade of sorts.
Following Society's 2008 release, Riley and Lucero toured the US & UK while pursuing a variety of related art projects. Some of those pursuits included a series of group workshops at Momenta Art, multimedia performances at The Kitchen and Saturday Sessions at MoMA PS1 with Tamaryn, and contributions to K48 and DIS Magazine. Mirror Mirror also partook in a FRKWYS experiment on RVNG Intl., collaborating with post-punk pioneers Stuart Moxham, Alig Fodder, Stuart Argabright, and Rico Conning.
Various songs from Interiors were remixed by Kingdom, Pictureplane, Bruno Coviello (Light Asylum), Jamstation, Sister Mantos, and The Magick Report. Each of these remixes will be released as single support and bonus downloads. A video for "Interiors" featuring Rumi Missabu of The Cockettes will precede an Interiors-inspired film directed by Tom Kalin (Savage Grace, Swoon).
The physical version of Interiors will be available on August 16th from fine retailers worldwide. The LP edition features a surprise inner cover with a reflective coating. The digital version will be available August 30th from the drab internet universe.
is the performance supergroup of Raul De Nieves, Jessie Stead and Nathan Whipple .
A master blend of punk installation, live show and original music, HARIBO has presented their cross-genre pop-operettas to sold out crowds in New York and internationally. Recent engagements include Performa 11, MoMA PS1, Fitzroy Gallery, Real Fine Arts, Cage, Santos Party House, Styx Gallery and Akershus Kunstsenter. HARIBO have appeared in numerous motion-pictures and will soon release their debut studio LP and several paintings.
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