The Echo Presents
The Power Of The Riff 2013 with The Obsessed, Hirax, From Ashes Rise, Final Conflict
1822 W. Sunset Blvd
The Echoplex is located below The Echo, enter through the alley at 1154 Glendale Blvd
Los Angeles, CA, 90026
This event is all ages
Watch & Listen
The Power Of The Riff 2013
The 2013 installment of the The Power Of The Riff festival in Los Angeles is right around the corner, this being the fourth annual occurrence of the massive event.
Curated and organized by Greg Anderson and Sam James Velde, The Power Of The Riff honors fans and musicians of all ages from within all walks and lifestyles under the umbrella of the heavy music underground. Tapping into a lineup that represents forefathers, milestones and current touring acts, while shedding light on up and coming bands and local acts, The Power Of The Riff festival is an all-day, all-ages event. The festival also includes an on-location record swap-meet of local stores and features pop-up stores by independent record labels and vendors, DJ sets between performances, a gourmet food truck court with some of Los Angeles' best purveyors of street food dining, and more.
The fourth annual The Power Of The Riff is spreading it's wings a bit more this time around, this year adding a pre-party on Friday, August 9th at The Echo. The massive full-day lineup the next day, Saturday, August 10th, at both The Echo and Echoplex, offers another stellar lineup of classic heavyweights, and crushing newcomers. The combined events offer 26 bands in total.
THE POWER OF THE RIFF
August 10th 2013 @ The Echo & Echoplex - Los Angeles, CA
From Ashes Rise
Dead In The Dirt
Children of God
The band formed originally in the early 1980s, in Potomac, Maryland, led by Wino. Later on the group moved into a band house in Rockville, Maryland where some of their most creative and hardest music was written. Before this move, however, original guitar player John Reese departed from the band. The band became a trio and remained that way until the mid eighties when Vance Bockis and Norman Lawson joined the band. During this time they released the Sodden Jackyl EP and had one track ("Concrete Cancer") featured on Metal Blade's Metal Massacre VI.
The band broke up in the late 80s and Wino went west to California to join up with Saint Vitus. Wino recorded three albums, an EP, and a live album with Saint Vitus. Hellhound Records (Vitus's then current label) released The Obsessed, an album of archived Obsessed recordings, which prompted Wino to leave Vitus and reform The Obsessed with a new rhythm section consisting of Scott Reeder and Greg Rogers. The band was quickly signed to Hellhound Records and released soon released Lunar Womb. Scott Reeder later left to join Kyuss, whereupon he was replaced by Guy Pinhas. Columbia Records signed them for their third and final album, The Church Within (1994, see 1994 in music), which received rave reviews. Despite a large amount of promotion on behalf of Columbia Records (including a 25-minute documentary on the history of The Obsessed), the album did not sell as well as expected. After the demise of The Obsessed, Wino went on to form Spirit Caravan, while The Obsessed's rhythm section became the basis for Goatsnake.
From Ashes Rise
Formed in Nashville in the mid-'90s, From Ashes Rise helped define the gloom-heavy thrash sound attributed to groups like His Hero is Gone, Systral and Tragedy. Along with Tragedy, the group then packed up the noise and relocated it in Portland where the sound was allowed to fester under the grey, Pacific Northwestern clime. Representative of a staunchly underground breed of aggressive, basement punk, many heads devoted strictly to aesthetic were shocked at the band's hitching with Jade Tree. Drawing on obscure thrash bands from Scandinavia and Japan, as well as Discharge's venerated "D-beat," From Ashes Rise helps carry the aggro torch for Jade Tree.
Founded by Jeff Harp in 1983 Final Conflict has been a long standing staple of LA punk rock. Much time has passed, members come and go but the love for the music has never ceased. Jeff has remained the foundation of the band, never waning in his devotion to Final Conflict and it's music.
Like any family, siblings will argue/fight and FC's volatile history has never been a secret. However after many years, the members of the 85 - 88 line up have decided to play together again. Older, wiser.. (OK, just older) We will perform at this years Chaos in Tejas Festival in Austin TX.
This is something we are looking forward to, we weren't just band members, but brothers, hopefully there will be more shows to come.
Formed in 1979 as The Stains and playing their first gig under this name in April 1980, MDC were one of three pioneering hardcore punk bands in Austin, Texas, in the early '80s, alongside The Dicks and Big Boys. These bands frequently played together and established the Austin hardcore scene. They released one single as the Stains in 1981, featuring a slower version of the future MDC song "John Wayne Was a Nazi" backed with "Born to Die". Both songs were later released on the debut MDC album.
By 1982 the band had relocated to San Francisco, California, and renamed themselves MDC. By this point the band were active participants in the growing hardcore scene and released their debut LP Millions of Dead Cops on their own label, R Radical; Jello Biafra's Alternative Tentacles helped with distribution. The album is now widely considered a punk classic, and features songs such as "John Wayne Was a Nazi", "Dick for Brains", and the harsh criticism of the police, "I Remember". Other targets of criticism devoid of irony included capitalism ("Corporate Death Burger"), homophobia ("America's So Straight"), and American culture ("Violent Rednecks").
During the summer of 1982 they became involved in the Rock Against Reagan Tour, during which time they fell out with the band Bad Brains when Rastafarian singer H.R. learned that Big Boys' singer , Randy Turner, was homosexual. H.R. and MDC's Dave Dictor had an intense confrontation. Upon Bad Brains' departure from the bill, they refused to return a loan owed to Big Boys and instead left a note that reportedly read, "burn in hell bloodclot faggot." The indcident resulted in the MDC song Pay to Come Along. For MDC, 1982 ended with a tour of Europe with the Dead Kennedys which brought the band greater exposure in the punk scene outside of the U.S., especially in the UK.
Their involvement in the Rock Against Reagan activities continued through 1983 and they returned to recording with the EP "Multi-Death Corporations" which was distributed in the UK by British anarcho-punk label Crass Records and R Radical in the U.S. The EP broke new ground by addressing, in the lengthy liner notes and artwork, the growth of corporations and the violent suppression of Communism in Central America. In 1984 they released another EP, Millions of Dead Children (also known as Chicken Squawk), this time dealing with Vegetarian and Vegan issues via a cowpunk tune.
Smoke Signals was released in 1986, their second album featuring a more diverse style than previously, with a foray into '70s rock with the song "South Africa Is Free". This album also saw Gordon Fraser's first appearance as main guitarist. Their third album, This Blood's for You, followed in 1987 and saw them returning to a more orthodox hardcore punk style with themes again including intervention in Central America and criticism of the Reagan Administration. MDC toured Europe in 1988, where the live album Elvis - In the Rhineland was recorded. The band released the album Metal Devil Cokes in 1989.
The 1990s opened with a number of lineup changes, swiftly followed by the 1991 album Hey Cop! If I Had a Face Like Yours..., featuring Bill Collins on guitar and Matt Freeman (of Operation Ivy) on bass. The acclaimed Shades of Brown album appeared in 1993, released by New Red Archives in the U.S. and We Bite in Europe. The album featured the Hip-Hop vegetarian song "Real Food, Real People, Real Bullets". The band, now with guitarist Chris Wilder and bassist Erica Liss, marked the album with a tour of the former Soviet Union, making MDC the first American punk band to tour Russia. This was followed by two more European tours and several U.S. tours until 1995, where began a lull in the band's activity. The lack of new recorded material (other than a 7-inch release on Slap-a-Ham Records) and live performances after 1994, plus personal problems of band members, pointed to an informal break-up of the band.
MDC's singer, Dave Dictor, returned with an entirely new backing line-up in 2000, and MDC released a new album, Magnus Dominus Corpus, in 2004. They took part in a 25th anniversary world tour in 2005, with an all-original lineup. Following the death of Mikey Donaldson in September 2007, MDC has been touring the U.S. and Europe extensively with the Dictor/Posner/Smith/Schvitz lineup.
Recently, the band has been based in Portland, Oregon.
Iron Lung are two moody, bearded guys from Seattle who play a kind of music called "power violence". Pioneered in the early 90s, this genre of punk was a kick in the ass for the joke of what hardcore had become thanks to snowboarding, metalcore bands who sang about "revenge" and girls not being allowed to have abortions.
Bands like Infest and Crossed Out and labels like Slap A Ham put out fast, brutal records that sounded closer to fast old punk like Siege than Biohazard and it made everything feel exciting again.
A decade on and Iron Lung are reigniting our interest in power violence by making some of the harshest, most exciting stuff we've heard since we first fell in love with Man Is The Bastard. They have songs with names like "Sternal Abnormalities" and "Horizontal Respiration" and the sound of them makes me dream of grabbing an enemy by the back of his head and smashing his face repeatedly into a desk until he's begging for mercy and crying through broken teeth.
About to release their third album of "music" entitled "White Glove Test" on their own imprint, Iron Lung Records, Iron Lung plan to use their upcoming success to win beauty pageants and end world hunger. They are very serious. Thank you and have a good day.
It’s been nearly four years since the last Mammoth Grinder full-length, Extinction of Humanity, was released via The album marks a peak at which Mammoth Grinder have sharpened and perfected their sound into a seething grind / death / thrash maelstrom of intense degree. Unrelenting in concentrated raw precision and focused power, Underworlds careens violently through ten tracks with effortless versatility and the fixated songcraft expected of a band on their third record. Tracks like “Wraparound Eyes” with its Unleashed-style midsection, or the short sharp shock of “Paragon Pusher,” illustrate Mammoth Grinder’s mastery over multiple variations of metal to assemble their own sound. Underworlds is adorned with artwork by the legendary Joe Petagno, whose work has graced albums from artists like Pink Floyd and Led Zeppelin to Motörhead and Marduk.
Bastard Noise was founded in 1991 by Henry Barnes, W. T. Nelson and Eric Wood, initially as a side project of powerviolence band Man Is The Bastard.
Current members are Joel Connell (Man is the Bastard, P.H.C., Neanderthal) W. T. Nelson (Trogotronic, Geronimo, Unicorn), and Eric Wood aka Throatrake (Man Is The Bastard, Antennacle, Neanderthal).
Although The Bastard Noise utilizes many instruments, the project has come to be known and recognized by the idiosyncratic sound of their purpose-crafted gear unique to the project. Electro-acoustic devices such as "the Coil", controllers such as joysticks repurposed from broken arcade games and a vast array of high and low voltage analog audio generators were invented, engineered and hand-built by Henry Barnes (who builds as Amps for Christ and Guitars For Christ) and W. T. Nelson (who builds for Trogotronic) specifically for The Bastard Noise lending to the projects' distinctive sound. Recently the project has come full circle to the roots of where it began with a return to a powerviolence/progressive repertoire and traditional instrumentation such as amplified bass guitar, keys and drums along with the unique electronic instruments characteristic of its sound.
Dead In The Dirt
Dead in the Dirt was formed by guitarist Blake Connally (ex final expression, me and him call it us) in Dec. 2008. This project did not see much progress occur in the first two years until the addition of drummer Hank Pratt (foundation, daymark, skull kingdom). Bo Orr (Mosaic) would then join on bass and provide vocals as well. Their debut release "Vold"was self released in summer 2010. Their follow up release was a Tour EP for the band's first west coast tour with Foundation. Their third release will be a 10 song 7" released by Southern Lord Recordings in September 2011.
Members of No Statik, Infect, x's x's, Duck and Cover.
JAPAN COMPLETED EXPOSITION OSAKA, powerviolence
Children of God
New Jersey trio carrying Psychedelic Hardcore / Metalcore influences.
$32.00 - $40.00