All Good Presents
* Wax Tailor (SOLO SET + Vocal Guests) *
124 Market Place
Baltimore, Maryland, 21202
Doors 7:00 PM / Show 8:00 PM
This event is all ages
A multifaceted artist with three Victoires de la Musique nominations, France's Grammy equivalent, Wax Tailor is one of the leading voices of the international post hip-hop and downtempo scenes. With 4 albums under his belt, as well as nearly 500 concerts in more than 50 countries, he entices fans worldwide with a unique musical blend of Hip-Hop, Soul and Funk enhanced by a sense of storytelling akin to a film director's.
JC Le Saout, the man behind the Wax Tailor moniker, was a radio DJ in the 90's who became involved in music production with the French Rap band La Formule. In the early 2000's, Hip-Hop gave way to other interests and JC developed a musical project where the cinematic influence was beginning to show. In 2002, he launched the Wax Tailor concept with an EP, "Lost the Way", that gained the attention of DJ's and Journalists worldwide.
In 2005, his long awaited first album "Tales of the Forgotten Melodies" came out to critical acclaim and introduced a cinematic hip-hop that enswirled the listener in a world where Galt McDermott, Nina Simone or Public Enemy would share a dinner with the likes of Stanley Kubrick and Alfred Hitchcock. The album has never left the Electronic Album sales charts on iTunes since it's release over 7 years ago, and is now considered a classic of the genre.
Over the course of his two next albums, Wax Tailor started diversifying his music, toying with a larger palet of influences, breaking the boundaries of musical genres, and collaborating with the likes of Soul Diva Sharon Jones, Spoken Word legend Ursula Rucker or the pop-folk phenomenom Charlie Winston. Wax Tailor had his first crossover hit single in 2007, when he paired with UK rappers A.S.M to create "Positively Inclined", a throwback Hip-Hop anthem with an infectuous jazz groove that took over clubs as well as exercize classes and burlesque revues worldwide. The move towards a more organic sound, incorporating an increasingly wide array of styles and instruments culminated with 2009 launch of The Mayfly Orchestra, a series of sold out live concerts with the symphonic orchestra of the Rouen Opera.
In 2011 Wax Tailor started working on his most ambitious project yet: "Dusty Rainbow from the Dark", a musical tale about the evocative power of music. Narrated by Don McCorkindale, who voiced the BBC's serialized version of the classic TV show "The Avengers", the album weaves together narrated episodes and songs, featuring the likes of Aloe Blacc, Shana Hannigan of Bitter:Sweet, Elzhi, and many more. This multicolored fable with an international cast takes us on a wandering path through psychedelic trip-hop and baroque hip-hop redefining once again the contours of Wax Tailor's artistry. To create a unique live expericence around the album's universe, Wax Tailor worked with a team of 20 directors to craft a multi-media experience that has sold out shows everywhere and will appear at over 50 music festivals over the summer.
Wax Tailor has collaborated with numerous artists, such as Sharon Jones, Aloe Blacc, Ursula Rucker, Keziah Jones, Charlie Winston, Alice Russell, Charlotte Savary, A.S.M, Mattic, Archive, RJD2, DJ Format, DJ Vadim, General Elektriks, Daedelus and many more... He has played live at the London Olympics and curated the Cannes Film Festival's 60th Anniversary ceremony.
Hello. I'm Buck 65 and this is my bio
I was born with the name Ricardo Terfry. My dad started calling me Buck 65 the day I was born. I don't know why. That's the truth. A lot of stories have been made up about where the name comes from, some of them by me. I've lied about it. But "where does the name come from?" is a boring question. And the truth is, I don't even know myself.
I also get asked all the time, "how would you describe your sound?" I don't have a good answer for that either. I could say "hip hop", but a lot of people would disagree with that. Why would they? Well, best I can figure is that it's a very conservative genre and my take on it is very liberal, to say the least.
I've long argued that the roots of hip hop music go all the way back to folk and blues - even minstrel music that pre-dates the birth of both those genres (take a listen to a song called 'The Gypsy' by Emmett Miller to see where I'm coming from, for example). But I can understand how that could be seen as an unpopular and controversial idea. Also, I have a broad definition of the genre that includes a lot of records most others probably wouldn't include.
Hip hop (and especially the teachings and ideals of Afrika Bambaataa) is very important to what I do. But maybe in fairness, it should be seen as some kind of starting point for me. I write songs on a wide variety of topics - many of which are not common ones in hip hop, admittedly. When writing a song, considerations of hip hop or street credibility never cross my mind. That being the case, no point of view, emotion, or instrumentation is off-limits for me. If I find an idea, memory, or emotion interesting enough to want to write about it, I just try to turn that into music in as clear and honest a way as possible. There have been cases where that's meant being very un-macho and putting a banjo player to work (both decidedly anti-hip hop notions, generally speaking).
I don't think these ideas should make me special in any kind of way. But it seems that my path has taken me to a place I inhabit alone. This being the case, classification, understanding, and even finding an audience has been a challenge. But I don't do what I do for the sake of an audience. I don't make songs to make money or to become famous. I do this because I can't seem to help it. I've been doing this since I was a kid. For most of the years I've been doing this, I haven't had an audience. And I'll be doing this when I'm an old man (if I make it that far), even if there is no audience left. I can't explain what I get out of this (granted, making a living doing this is great and all...), but I know for sure that I need to do it.
So I guess what I'm saying is that I make music for myself. But if other people like it, that's wonderful and I appreciate the support and encouragement.
That's all. Buck
Tickets Available at the Door