Locrian, Sannhet, Marching Teeth


As the band hits its tenth anniversary this year, Infinite Dissolution marks the newest in the nearly two-dozen recordings LOCRIAN has released since their inception, and delivers the trio’s most conceptual and environmentalist visions to date. Produced by Greg Norman (Pelican, Russian Circles) at Steve Albini-owned/operated Electrical Audio in Chicago, mastered by Brad Boatright (Yob, Author & Punisher, Sleep) at Audiosiege in Portland, and bearing artwork based on an immense physical sculpture installation by David Altmejd, the band’s second album for Relapse Records brings to light some of the most detrimental tribulations mankind has visited upon our planet, unleashing nearly fifty minutes of tortured yet stunning experimental blackened/noise-soaked industrial originality.


Founded in late 2010, the instrumental trio known as Sannhet has amassed a diehard audience within Brooklyn, NY’s broad underground music circuit through their abundant live performances throughout the borough, always choreographed with electrifying visuals. Known Flood, Sannhet’s sprawling debut LP, features nearly forty-five minutes of their electrified post-metal, fueled with domineering riff-building movements and intense percussive hostility, unifying in a slightly blackened and trance-inducing atmospheric style, captured by Colin Marston (Krallice, Behold… The Arctopus, Dysrhythmia) and mastered by Carl Saff.


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