Music Marauders Presents
The New Mastersounds w/ Liebermonster
2637 Welton Street
Denver, CO, 80205
Doors 8:00 PM / Show 9:00 PM (event ends at 2:00 AM)
This event is 16 and over
Watch & Listen
The New Mastersounds
From their inception nearly two decades ago in Leeds, UK, The New Mastersounds have wholeheartedly embraced the “old school” label—their sound rooted deeply in those classic soul jazz, boogaloo and funk albums on labels such as Blue Note and Prestige by artists like Wes Montgomery, Jimmy Smith, Jimmy McGriff and Lou Donaldson. The New Mastersounds’ latest LP, The Nashville Session, takes that devotion one step further by recording in the same tradition that many of those rare groove gems were made.
The Nashville Session, a 10-track collection cut at Welcome To 1979 studio in Nashville, was multi-tracked live onto one-inch tape in a single evening session in front of a small studio audience. Following the performance the recording was mixed down to quarter-inch stereo and cut direct to vinyl lacquers. There are no guests and no overdubs, just bass, drums, guitar and organ—essentially pure New Mastersounds. Hitting the studio at the tail end of their Fall and Winter 2015 cross-country U.S. tour, the band was razor sharp and vise tight. They selected material to record from across their 16-plus year career and ten studio albums. The lone exception being their take on legendary jazz guitarist Grant Green’s arrangement of James Brown’s “In The Middle.”
“We made the decision to record in this context because our older tunes have been evolving over a decade and a half of live presentation.. Once-spontaneous improvised sections have gradually become fixed into the live arrangements. Much of the change has come about since organist Joe Tatton joined the band in 2007,” explains drummer Simon Allen. “It was also the perfect time to capture the cheeky, spontaneous and confident energy of a live show at the point—straight off of tour—when the band was at the top of its game. As lovers of ’60s and ’70s funk and soul jazz, we have never much enjoyed the sound of modern digital live recordings. Somehow the balance of frequencies such recordings deliver is never what we crave; our music just makes the most sense to our ears and to our feet when everything is crunched onto tape, exactly the way the music that first influenced us was recorded.”
The Nashville Session will be released exclusively on vinyl via a limited edition 1000-piece pressing on Royal Potato Family and will not be available in any other formats upon initial release. Top to bottom gritty, greasy and funky to the bone, the collection presents The New Mastersounds at their finest—utterly unadulterated by modern digital technology, full-on analog and unapologetically doing it old school.
To balance the personalities and musical backgrounds of six very different guys, Liebermonster relies on a common understanding that musical experimentation is the core of creativity. This philosophy is evident in the band's broad spectrum of sound, giving listeners a taste of everything from Frank Zappian quirkiness to Middle Eastern slink. The daunting task of tying Liebermonster's dynamic sound together rests squarely on the shoulders of a rock-solid rhythm section with Jim Copeland on drums and Alex Albu on bass. Heading up the crew with an endless well of musical ideas is guitarist Shane Lieberman, accompanied by the reckless wailing of long-time bandmate Seth Garland on tenor saxophone. Rounding out Colorado's best horn duo is multi-instrumentalist Chris White on trombone, with talented Mississippi keyboard player Zach Leach completing the band's current lineup.
$25 Day Of Show
Tickets Available at the Door
Cervantes' Masterpiece Ballroom
Wed, October 26
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Tue, November 1
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Sat, November 5