Agent Orange, Piñata Protest, The Bollweevils
2109 South State St
Chicago, IL, 60616
This event is 17 and over
Guttermouth is an American punk rock band formed in 1988 in Huntington Beach, California and currently recording for Volcom Entertainment. They have released nine full-length studio albums and two live albums and have toured extensively, including performances on the Vans Warped Tour. They are infamous for their outrageous lyrics and behavior which are deliberately explicit, offensive and intended to shock, though usually in a humorous and sarcastic manner. This behavior has sometimes resulted in high-profile problems for the band, such as being banned from performing in Canada for a year and leaving the 2004 Warped Tour amidst controversy over their political views and attitudes towards other performers.
In 2005 drummer Ty Smith left Guttermouth to focus on his new band Bullets and Octane and was replaced by Ryan Farrell. Bass player Kevin Clark departed the following year and founding member Clint Weinrich returned to the group. This lineup recorded the band’s tenth album Shave the Planet, released in 2006 by Volcom Entertainment. The album found the band once again using their brand of humorous punk rock to poke fun at a number of subjects. Guttermouth continues to tour and perform in support of the album.
The Original OC Punk/Surf Power Trio
Named after the chemical defoliant so chillingly used by the USA in the Vietnam War, Agent Orange were one of a number of bands formed in the highly active "So-Cal" hardcore scene of Fullerton, Orange County, comprised Mike Palm (vocals, guitar), Steve "Soto" Rodgers (bass) and Scott Miller (drums). However, Rodgers left early in their development to form another local punk attraction, the Adolescents. His replacement was James Levesque.
The band's first important supporter was KROQ disc jockey Rodney Bingenheimer, who was fundamental to the promotion of many similar outfits. Their debut release, the Bloodstains EP, was the only one to feature Rodgers, and its title track was the first song the fledgling band wrote. Afterwards, they signed to prominent local label Posh Boy Records, run by Robbie Fields. The subsequent debut album showed the band rising above the usual three-chord bluster of hardcore with a melodic approach that recalled 60s surf instrumental bands (the Ventures being the most obvious influence). However, the band stormed out of the studio near to the album's completion, complaining about being "produced' and Fields' behaviour in general, leaving engineer David Hines and Jay Lansford (of Simpletones, Stepmothers and Channel 3 fame) to finish off the recordings. The Bitchin' Summer EP was one of the first skate/surf punk crossover items, with three energized surf guitar instrumentals establishing the band's future direction. Various problems delayed the next release until the trio signed with Enigma Records for 1984"s When You Least Expect It ... EP, which saw a conscious and largely unsuccessful attempt to accommodate a more disciplined, polished sound, a mistake compounded by a pointless cover version of Jefferson Airplane's "Somebody To Love'. However, all the elements came together for 1986"s This Is The Voice - the overdriven guitar mesh now allied to first-rate songwriting and delivery. This time the cover of "Dangerman" was fine, but subordinate to the Agent Orange originals. Levesque had been replaced by Brent Liles (ex-Social Distortion) the previous year.
Agent Orange remained largely quiet during the early part of the 90s save for a live album. Palm returned in 1996 with two new members and a studio album, Virtually Indestructible. Their 2000 release was a mixture of new recordings and re-recordings.
What do you get when you meld "fast/loud rules" with the Tex-Mex accordion? Piñata Protest and their invigorating and pointed "punk rock-y-roll." The band "forcefully take the raw essence of conjunto into warp-speed tempos and punky aggression," raves the San Antonio Current, which rates them as "one of the most original forces on the local music scene." And now with their national debut album on Saustex Records, Plethora, Piñata Protest take their infectious and bracing South Texas slamdance to the rest of America and the planet at large.
The band bristles with a sound that has been dubbed "amphetamine norteño," "ranchero punk" and "puro pedo [no bullshit] punk rock" while also targeting the adversities and emptiness of modern life with dead-eyed aim. As the San Antonio Current observes, "Piñata Protest's Álvaro Del Norte is doing for the accordion what the Dropkick Murphys do for the bagpipes, playing what's often considered an embarrassing grandpa-music relic with youthful angst and energy, expanding the punk-rock template beyond London and NYC."
Reggies Rock Club
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