Starfucker



It's hard to say exactly when it happened.

It could've been during one of the 100+ shows STRFKR played over the past two years—ecstatic sold-out dance parties that started in tiny, sweaty rooms before word of mouth spread and forced a move to larger (and even sweatier) venues.

It might've been when touring guitarist Patrick Morris officially became a full-time member in late 2011, rounding out a line-up that included multi-instrumentalists Josh Hodges, Shawn Glassford, and Keil Corcoran.

Most likely, though, there wasn't a single defining moment when the change occurred. With evolution there rarely is.

Instead, progression happens naturally and steadily—each step leading inevitably to the next until you reach a point when you realize how far you've come without even being fully aware of how you got there.

In early 2012, during a rare break in the group's touring schedule, Hodges retreated to secluded Astoria, Oregon. But this time, rather than completely isolating himself to work on new material (as had always been the case in the past), Hodges invited the other members to visit often and truly collaborate in the process of writing STRFKR's third full-length, Miracle Mile.

And so it was that STRFKR became a band.

As a result, whether participating in all-night lyric writing sessions, fleshing out song skeletons originally conceived during European soundchecks ("Malmo") and long van rides ("Leave It All Behind"), or completing half-finished ideas kicking around Hodges' brain and hard drive, there isn't a single song on Miracle Mile that every member of STRFKR didn't contribute to and ultimately improve.

For proof, look no further than first single and opening track "While I'm Alive," a song that bursts out of the gate with what can only be described as swagger. Not overconfidence or false bravado, but the undeniable sound of a band that knows exactly who they are: swirling keyboards that take you up, down, and all around, rhythmic guitars, irresistible basslines, and drums that keep an unrelenting beat.

Disco-y standout "Atlantis" is the paragon of this formula, with vocal and musical hooks seemingly custom fitted to a spot so deep inside your eardrums they'll never dislodge.

But upbeat isn't Miracle Mile's only tempo.

In fact, it's in quieter moments like "Isea," which briefly slows down the album's pulse with gentle "oh-oh-ohs" over acoustic guitar, that the record truly coalesces as a complete whole that couldn't have come together any other way.

Just like STRFKR.

Chrome Sparks

Chrome Sparks is the solo project of Jeremy Malvin, a Brooklyn transplant from Pittsburgh by way of Ann Arbor. In 2014, after having self released a small handful of singles and two EPs on Bandcamp, Malvin signed to the taste making Sydney based label Future Classic. Under the new label, he rereleased Sparks EP and released the Goddess EP. His next EP, Parallelism is slated to be released with Future Classic on November 6.

Inspired by a background in classical percussion and an obsession with synthesizers, Malvin creates dazed, melodic beat-centric tunes that loosely hang between down-tempo head nodders and up-tempo club bangers. FADER has described his music as ‘form-shifting beats [that] seem to resonate with spaced-out chillers and hyperactive party kids alike’.

In 2012, while on Warped Tour as the drummer for Stepdad, Malvin released the slow burning, bass heavy single “Marijuana” on a Bandcamp compilation highlighting music from he and his friends in Ann Arbor. It quickly rocketed to #1 on Hype Machine and has since become an internet-stoner anthem. It has subsequently been rereleased by Future Classic and Kitsuné.

His upcoming release, Parallelism, was made using sounds from three analog synthesizers, vocal samples from friends, and a tambourine.

Feelings

Genre: Wave

$17 Advance | $20 Day of Show

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