Hanni El Khatib

Hanni El Khatib

Hanni El Khatib Hanni grew up in San Franscisco, California. The son of Palestinian and Filipino immigrants and the first American in his family, he became obsessed with classic Americana and pop culture of the 1950s and 60s. Influenced by pioneers of early rock and r&b (Johnny Burnette, Sam Cooke, Johnny Cash), El Khatib created a musical aesthetic to match his vision. The multi-instrumentalist serves as singer, songwriter & producer for his one-man band (live he is joined by a drummer) that is part blues, part garage rock, part soul, part folk & part doo whop.
As the creative director for HUF and lifelong skater, El Khatib professes to a love for well-crafted objects: classsic cars, cans pomade and stiletto switchblades. This craftsmanship carries over into his music, where El Khatib is inspired and informed by the specificity of a guitar tone or the fuzziness of an amp sound . His background in DIY and skate culture manifests as a desire to “keep mistakes in” and make things “as raw as possible.” Merging primitive rock sounds with punk aesthetics, El Khatib toes lines between all genres and ends up firmly in his own.
His diverse interests in music, zines, art, photography, and film, converge around his singular personal aesthetic, which reveals itself in all of El Khatib’s work. Combining the old weird America with the brave new frontier of home recording, El Khatib bridges the past and the present to create music that already sounds timeless and were written for anyone who’s ever been shot or hit by a train.

Bass Drum Of Death

BDOD is lead by John Barrett, tied deep into Mississippi's Cat's Purring Collective, who've fostered releases from Dead Gaze and Dent May to mention a few. Pretty much anything awesome happening in and around the Mississippi garage base is happening within contact of those cats.

Beach Party

Beach Party is the intoxicating bi product of creative brain children, Rob Banks and James Hurst. Formed in late 2012, the duo began recording their first demo, collaborating their musical influences and original ideas to put a whole new spin on hedonistic surf rock with a 60's garage band prerogative. After bringing friend's and fellow musicians, bassist Adam Arcos and drummer Nico Macciocca on board, the stylish brood of libertines was complete, giving life to Beach Party and their distinctive sound. The band quickly gained momentum on both SoCal's Coast and the UKs dive scenes through their dynamic sound and spirited performances. With tracks like "Fun", describing a day of hazy misbehavior entrancing the crowd with lines like "Come on, come on, and let's have some fun!", to The Strokes channeling, swoon worthy, love song that is "Brigitte Bardot", it is no wonder Beach Party has quickly become one of HELL-A's most substantial new bands, having supported established acts such as The Warlocks, Best Coast, and the Black Lips while still in their infancy.



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