Multi-instrumentalist Julie Baenziger hails from Grandaddy's stomping grounds, California's Central Valley, and like her onetime neighbors, she has an impeccable knack for infusing despair with charm. Her pain is the loveless kind, and she conveys it in a voice equal parts twang and coo, backed by lush country-folk and gossamer bedroom haze. "Skinnybone" sounds like it takes place inside of a music box; "Marmalade" in dense woods on a moonless night. A quick dip into glitch seems like a novice move, but all that slide guitar and glockenspiel give Sea of Bees a seasoned sorrow.

"Took me about 50 seconds — the length of the woozy, haunting intro to "Marmalade" — to completely fall for Sea of Bees, the nom de tune of Sacramento indie-popper Julie Baenziger. Her debut album "Songs for the Ravens" sounds folky in some places, gauzy and ambient in others and twee as hell in still others, but beautiful throughout, and a potent reminder that emotional virtue is an artist's most precious commodity. This one's special, folks, let's not screw it up." --LA Weekly

"Songs for the Ravens is bound to be one of this year's finest records;as soon as you hear it you're not going to be able to shakeit." --Portland Mercury

"I'm not entirely sure why I love this album so much... ..That which I cannot put my finger on, is the mysterious, wonderful, and addictive qualities of this album as a whole. Bravo to Jules and her Sea of Bees." -Jason Lytle (Grandaddy, Admiral Radley)

Sunshine, sarcastic, and sullen, Brass Bed are a quartet of wide-eyed pop dreamers rifling through record bins and churning out recordings that double as rock and roll history lessons. Born and raised in Lafayette, Louisiana, their music elevates the unrestrained power pop of Big Star and the guitar heroics of Television with the 60's pop revivalism of bands like Dukes of the Stratosphear and the Elephant 6 collective. Their songs speak with a voice that is both thoroughly modern and reverent of the past. From this wealth of musical wisdom comes their new LP Melt White.

“Brass Bed’s live set has become a refined, enthralling machine. Their shows are winding and propulsive and, above all, crowd-pleasing. As a performing entity, Brass Bed utilizes the varied weapons in its arsenal—dramatic shifts in dynamics keep each performance from falling into the irritatingly familiar loud-loud-loud paradigm that many festival acts fall into.” --Off Beat.com

Garrett Pierce

Garrett Pierce pens songs that peek into that same dark, yet optimistic place that Henry Miller and Leonard Cohen tapped into. His voice seems to soar alongside acoustic ballads or dirgey rock songs with the emotional confidence of someone who has found his path after years of yearning.

Born and raised in the Los Angeles area, Garrett spent the last decade in San Francisco and Davis, CA where he delivered two full-length albums on Crossbill Records. The first, Like A Moth, was from stripped down sessions in basements, closets and the occasional studio. His stark compositions were helped by guest appearances by friends’ Jolie Holland and Matt Bauer. His second record, All Masks, was Garrett’s epic. Accompanied by strings and over ten musicians, All Masks showed his talents as both a composer and lyricist. With people like Timothy James Wright (Drums/Guitars) Jake Mann (Bass) and Jen Grady (cello) he was able to play shows with that mirrored the fullness of the recording.

"Wow! Bay Area troubadour Mr. Garrett Pierce has continued to nurture and refine his songcraft in a big big way. All Masks blossoms and flourishes onwards from his previous two releases. ... Some of the songs on his latest album verge on the epic yet still maintain his intimate earthy heart." --Aquarius Records

$10.00

Tickets Available at the Door

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SEA OF BEES with Brass Bed, Garrett Pierce

Tuesday, July 16 · 8:00 PM at Rickshaw Stop

Tickets Available at the Door