M3 Rock Festival Official Kix-Off Party, Kix, Warrant
L.A. Guns, Jetboy
10475 Little Patuxent Parkway
Columbia, Maryland, 21044
M3 Rock Festival Official Kix-Off Party
Now in its fourth year, M3 Rock Festival has grown from an up-and-comer to the definitive way to party like it's 1989. Starting with the annual Kix-Off Party on Friday and heading straight into the festival on Saturday, M3 features enough hard rock and hair metal bands to make your head spin (although, let's be honest... that's probably from the two cans of hairspray you used). Both stages are coordinated so that no sets overlap with each other, meaning you can jam-pack your entire day with the maximum amount of metal. We recommend that you start doing tons of arm curls, '80s movie montage-style, because this May at Merriweather you'll be throwing up more horns than you can possibly imagine.
KIX was founded in 1978 in Hagerstown, Maryland as The Shooze, then changed its name to The Generators before eventually settling on KIX. They were considered one of Maryland's top cover bands prior to their signing with Atlantic Records in 1981. Though considered by many glam metal, the band's pop-metal stylings drew inspiration from bubblegum pop and new wave as well as hard rock.
In 1981, they debuted with a self-titled album “KIX,” featuring "Atomic Bombs," "Heartache," "Contrary Mary", "The Itch," and "The Kid." "Love at First Sight" instantly became a concert favorite. "KIX Are for Kids" creatively merged the name of the band with two popular cereals of the 1960s and 1970s, KIX (that featured an atomic bomb commercial) and the Trix Rabbit (i.e., "Silly rabbit, Trix are for kids!").
"Yeah, Yeah, Yeah" became the band’s most popular concert song, always with a unique ad-lib performance by Whiteman. With this album, the tongue-in-cheek rock & roll style of KIX was established. Their 1983 follow-up, “Cool Kids,” showcased a slightly more commercial side of the band featuring the title song and the single "Body Talk.” Somewhat overlooked but a favorite with female fans was the ballad "For Shame."
KIX then partnered up with Ratt and future Warrant producer Beau Hill and, in 1985, released the album “Midnite Dynamite,” featuring a hard rock single by the same name and funk rock songs “Cold Shower" and "Sex." The band headed west to begin to make a name for themselves in such places as the Sunset Strip, where Mötley Crüe and other glam metal bands rose to stardom.
KIX went back to the studio to write more songs. In 1988, they released “Blow My Fuse,” and finally achieved fame as it went platinum. The slow ballad "Don't Close Your Eyes" -- containing anti-suicidelyrics -- led the way and other popular cuts followed. The album featured popular singles "Cold Blood" and "Blow My Fuse" with popular videos showing the band in concert at Hammerjacks. In 1989, the band released “KIX, Blow My Fuse, the Videos” with their now popular videos and behind-the-scenes footage. As KIX finally graduated to arenas, they opened for such popular artists as Aerosmith.
The album “Hot Wire” finally arrived in 1991 with the single, “Girl Money". While on tour in 1992, they made a live album, titled “KIX Live” at the University of Maryland, College Park. This album was released in 1993. In 1995, the band released their final album “Show Business,” on CMC records. KIX broke up in 1995, and Hammerjack’s Concert Hall was torn down in June 1996 to make way for a parking lot for the Baltimore Ravens' stadium. Steve Whiteman would re-emerge as the singer for local Baltimore band Funny Money, with whom he continues to work. Jimmy Chalfant has also joined Funny Money as the full time drummer. Steve also teaches voice at The Musician's Institute in Baltimore and Triple R Guitar in Lemoyne, Pa. Ronnie Younkins moved to L.A. and wrote, recorded, and released the album "The Slimmer Twins - Lack of
Luxury" as a collaboration with singer Jeremy L. White in 2000. In 2002 he founded The Blues Vultures, maturing into the lead singer and main songwriter position and followed in 2005 with the
album "The Blues Vultures - Cheap Guitars & Honky Tonk Bars." Brian Forsythe plays in The Snakehandlers and has recently been on tour as the guitar player of Rhino Bucket. Brian can be
heard on the Bucket's 2005 release 'And Then It Got Ugly'. Steve Whiteman, Jimmy Chalfant, Ronnie Younkins, and Brian Forsythe have teamed up a few times a year for the last few years to do KIX reunion shows in the Maryland/Pennsylvania area that have been very well received.
Then in the summer of 2008 KIX performed outside their home area for the first time in 13 years at two of the biggest rock festivals in the US. Rocklahoma in Pryor, Oklahoma and Rock the Bayou in
Houston, TX. KIX was hailed by many music websites and attendees as “Best Performance” at both festivals. These were both massive rock festival where KIX played alongside acts such as Sammy Hagar, Alice Cooper, Telsa, Queensrÿche, Ratt, Lita Ford, Warrant and more. Since then KIX has been performing more and more shows at festivals, casinos and biker rally’s across the country impressing promoters with their top notch performances and cult following of fans who seem to turn up in big numbers to see them everywhere they play.
Warrant got its fill of cherry pie in the 80s and 90s, but apparently that was not enough to squelch the band's hunger. Warrant will storm back to the stage in 2008, with plans for a tour and new music well into 2009 and beyond. The band, formed in 1984 by LA guitarist Erik Turner and bassist Jerry Dixon, hit the rock scene in February 1989 with the release of its debut album, "Dirty Rotten Filthy Stinking Rich" (Columbia Records). A blistering world tour of 262 shows helped push the 10-track record to double platinum status. The CD spawned three singles -- Down Boys (27 on the Billboard Top 100), Sometimes She Cries (20), and Heaven (2) – Heaven also sold over 750,000 singles. DRFSR live home video certified Platinum.
Topping their freshman success may have seemed like a daunting task, but the band members proved they were up to the challenge. Just 19 months after D.R.F.S.R. introduced the American rock fan to Warrant, "Cherry Pie" -- the band's second album (Columbia Records) – solidified Warrant's standing in rock history. The band toured again at home and abroad with 200+ shows pushing USA sales of Cherry Pie well into the 2 million mark. The record's title track became perhaps the band's most recognizable hit, and the album peaked at 7 on the charts.
Nearly 20 years and eight albums the later, the buzz surrounding Warrant remains. Since the success in the late 80s and early 90s, the band has seen many changes but has remained a key cog in the ever-changing rock landscape. Warrant has endured death, changes in record label and loss of band members, it appears these hardships have only fueled Warrant's drive.
L.A. Guns got their start on Los Angeles ' Sunset Strip more than 15 years ago. The band was formed in 1986 and signed with Polygram Records in 1987, recording their first album that summer. This first album, titled "L.A. Guns", went on to sell 750,000 copies and earned the band its first gold album award. Tours with AC/DC , Iron Maiden , and Def Leppard followed. A compilation of the videos made from this first album also earned the band a gold video award. L.A. Guns went into the studio to record their second album, "Cocked and Loaded", in the spring of 1989. It was a hit right away with the release of "Rip and Tear" as the first single and video. "Never Enough" and "The Ballad of Jayne" followed, pushing album sales over 1,000,000 and earning the band its first platinum record award. The video compilation from this album earned the band its second gold video award. A successful world tour followed. The band's third album, "Hollywood Vampires", was recorded in the fall of 1990. With the release of "Kiss My Love Goodbye" as the first single and video, and another successful world tour, the album went on to sell 700,000 copies and earned the band its third gold album award.
Founded in 1983 by guitarists Billy Rowe and Fernie Rod, JETBOY continues to carry their style of Rock N' Roll into the 21st century with the same fury that existed 25 years ago. Long recognized as one of the perfectors of the glam genre, JETBOY was one of a handful of acts that got the attention of music fans and record executives alike. While Hollywood was loaded with musical talent, San Francisco had but one true leader at the time, and that leader was JETBOY. Now a cross-generational powerhouse, JETBOY is experiencing a resurgence in popularity that can only be attributed to their musical relevance. Rock N' Roll fans the world over are beginning to revisit the music that helped to shape a generation, and is now becoming the soundtrack for their offspring. Songs like Feel the Shake, Heavy Chevy, Stomp it Down to the Bricks, and their up rocked up version of Folsom Prison Blues have struck a chord with an increasingly more discerning audience. Celebrating their 25th anniversary, the founding members of JETBOY (Billy Rowe, Fernie Rod and Mickey Finn) are dedicated to bringing the party atmosphere back to Rock N' Roll. Having just finished a triumphant reunion tour that saw the band playing major stages like Rocklahoma, The South Texas Rock Fest, Rock the Bayou and M3 JETBOY have entered the studio to record a new album for the first time In 19 years.
Twenty years after the release of the highly acclaimed Damnednation, Jetboy has completed work on their most recent project Off Your Rocker. Off Your Rocker will be available on March 2, 2010 via iTunes and Amazon.com.
Best described as a blend of edgy rock and roll with a traditional blues based influence, Off Your Rocker is the perfect vehicle to exploit the commanding vocal styling of Mickey Finn. The three studio tracks on the EP were written in mere days, further exemplifying the fact that the music is so entrenched in passion that the writing was clearly unforced
Having been absent from the studio for some 20 years, Jetboy recorded Off Your Rocker in a fully organic mode. The band played all in the same room together in a “live-style” format in an effort to duplicate the way the songs were written, all together, in a true 1970’s fashion where the band could feed off of one another’s energy.
$35 * $30 * $25