The Crocodile Presents
Murder By Death
Larry & His Flask, The 4onthefloor
2200 2nd Ave
Seattle, WA, 98121
This event is all ages
Murder By Death
They may call Bloomington, Indiana, home, but since their 2000 formation, Murder by Death have been a band without musical borders. Theirs is a world where Old West murder ballads mingle with rock-injected Western classicism; where an album's sequencing can take listeners from a haunted back alley in rural Mexico to a raucous Irish pub. All of which is to say, Murder by Death albums don't just str
ing together songs; they create experiences. With their fifth album (and second for Vagrant), Good Morning, Magpie (04/06/10), Murder by Death continue the tradition of border expansion that drove career standouts like 2006's In Bocca al Lupo and 2008's Red of Tooth and Claw. The difference, however, is that this time, the band literally went off the map to get there.
"Going into the woods helped me write in a way I never would've been able to otherwise," says singer/guitarist Adam Turla, recalling the 2009 retreat into the Tennessee mountains during which, armed with little more than a tent, a fishing pole and a notebook, he wrote the 11 songs that would become Good Morning, Magpie. "There were days where I'd sit down and write for seven hours, make dinner, and then sit down and write late into the night with my little camp light going: just intense, nonstop sessions of pure writing. I've never worked that way, ever, because with all the business of being a band, I've never had so little to do! Every day I was either cooking, hiking while writing, or writing. I didn't speak to a single person the whole time."
Be that as it may, Good Morning, Magpie still speaks volumes. Recorded at Bloomington's Farm Fresh Studios with Jake Belser (who most recently worked with MBD on their all-instrumental soundtrack to Jeff Vandermeer's 2009 book Finch), and mixed by Grammy-winning Red of Tooth and Claw producer Trina Shoemaker, the album weaves 11 disparate stories into a whole that's unlike anything else in the band's catalog. "These songs definitely come together as an album; we just aren't relying on a concept this time," says Turla, referencing the conceptual storylines that drove Murder by Death's last two albums as well as 2002's Who Will Survive, and What Will Be Left of Them? "Being out in the woods with no pressure freed me up to explore different moods and different stories, all of which became linked through the experience I had writing them: just that sheer sprint of working in isolation."
With its junk-pile percussion and ramshackle Vaudevillian flow, "You Don't Miss Twice" is the only song on Good Morning, Magpie that directly references Turla's time in the woods—but the song's spirit informs much of what surrounds it. "I was telling a friend how I thought this was our most upbeat record, and his reply was, 'Seriously?'" Turla recalls, laughing. "But 'upbeat' doesn't necessarily mean 'happy.' Take a song like 'Yes'—it's got this fun, shuffling beat and this amazingly catchy melody from Sarah [Balliet, cello], but the lyrics are all about accepting death. Or 'Whiskey in the World,' which is basically a sad bastard's lament about how the whiskey that makes this character enjoy life is also what condemns him. That duality between the music and the lyrics is something we haven't done much until now."
Even though it was written in isolation, Good Morning, Magpie came together over six weeks of rehearsals back in Bloomington—ultimately marking the first time the band recorded a full-length at home. "We ultimately just decided to record in Bloomington because we had a friend here [Belser] with his own studio, and he'd already done a great job with the Finch soundtrack and our B-sides and 7-inches; and we also lucked out and had Trina [Shoemaker] basically making herself available to help us mix whenever we were finished. So then we started thinking, "Man, we have all this time to ourselves; we should just bring in our friends—musicians from Bloomington and Louisville, Kentucky, which is about 75 miles away—and just play parts here and there. It was great—the album ended up with a lot of different instrumentation, and we paid everyone in whiskey."
In keeping with Murder by Death tradition, whiskey also plays muse to a handful of Good Morning, Magpie's songs—including the Balliet-penned opener, "Kentucky Bourbon," which sounds like a Bulleit jingle spun through an old Victrola. But as the album progresses, the songs wind through other locales and moods: from eerie Southern-gothic territory (the creeping, uneasy "White Noise") to an old Spanish cabaret ("On the Dark Streets Below") to the high-noon drama of the title track—itself inspired equally by Welsh legend (the title references a tale of the magpie as Satan's messenger) and the American West. No mere genre exercise, Good Morning, Magpie feels like a travelogue from a band that's logged the miles to write from experience.
"Travel is a big part of this band's reason for being," says Turla, noting that the past few years have seen Murder by Death's passports stamped in Alaska, Greece, Norway and the Italian island of Sardinia, among other far-flung locales. They have challenged their fans to book them all over the world - in as many unique places as possible. "I personally love the sense of variety you get from traveling, and I'm sure that idea influenced the way I approached a lot of these songs. Trying to use different styles and throw in different influences—whether it's the way you turn a phrase or play a certain note—you can suggest different places," he concludes. "That's the fun of fiction; that's the fun of movies, and music can have that effect, too. It's all about being able to transport people to another place."
Larry & His Flask
Larry And His Flask is made up of 6 young men who play their hearts out every chance they get! With beginnings in Redmond, Oregon LAHF started playing in late 2003 as a 3 piece punk rock band and have since evolved into a 6 man hillbilly jamboree. Passion and love of life is what powers them. It's never about drugs, money, or fancy things. It's about those perfect moments in a dank, poorly lit, cramped basement, a star lit field or a filthy street corner. Those are the moments that will last forever. With no sign of stopping or even breaking pace it is their every intention to sweat, bleed, travel to the point of exhaustion, and do anything it takes to take the music to the people who need it!
The 4onthefloor's new album, Spirit Of Minneapolis, evokes the spirit of American rebellion. That same pioneering spirit that brought us everything from modern aviation to rock & roll. Harnessing that spirit, the band is using it to break down modern music's barriers down to our basic musical traditions. That ageless sound of rock & roll isn't what it used to be, but the rumble of stomping feet emanating from Minneapolis is an omen of great things on the horizon.
The 4/4 beating of the bass drums recalls the American ideal of onward and upward, turning our prevailing spirits to the sky after a reaching the end of the land. The 4-barreled onslaught can be a train building up steam right behind you, the king of the jungle chasing you down, or your wheels on the highway. It's the soundtrack of America moving forward.
Delta blues, classic rock, and a lifetime of attentive listening have produced a sound whose time has come. The energetic and powerful delivery of this band cannot be overstated. Their huge, soulful anthems leave nothing on the floor as Gabriel Douglas' guttural howl soars through the ether.
There's a readiness to be found in listeners now. The fervor of discovery and innovation is coming back to the American masses and the excitement surrounding the birth of rock & roll is now roaring out of the doldrums with a fury. Let go. Take flight. Indulge in life's pleasures and stomp with them.
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