Murder By Death

Murder By Death

On the surface, Murder By Death is a Bloomington, IN quintet with a wry, ominous name. But behind the geography and moniker is a band of meticulous and literary songwriters matched by a specific brand of brooding, anthem-riding balladry and orchestral indie rock.

Murder By Death's path began in the early 2000s as most Midwestern college-town groups do, by playing to small crowds at ratty venues and frenzied house parties. While many of their formative-year scene-mates failed to make it much further than campustown's borders, Murder By Death translated their anonymous beginnings into a 10+ year career founded on a bedrock of five full-length albums, tireless D.I.Y. touring and performing ethics, and, most importantly, a dedicated, cult-like fanbase.

Since the band began in 2001, their audience has blossomed due in part to extended tours alongside similarly hardworking musical kin such as Against Me!, Gaslight Anthem, Lucero, William Elliott Whitmore, Ha Ha Tonka, and others. Throughout relentless touring across the United States, Canada and Europe, Murder By Death has gained word-of-mouth devotees and support from the likes of media outlets like SPIN Magazine, who said of the band:

'They brawl like Johnny Cash's cellmates or dreamily swoon like Nick [Cave], stomping saloon floorboards in 4/4 time as grand strings fade into high noon.'

What resonates most with supporters is the band's energetic, unique, and altogether consistent sound and conceptualized vision. The personnel and ingredients of the group consist of Sarah Balliet's throaty cello melodies, singer/guitarist Adam Turla's booming baritone vocals and brawny guitar strumming, drummer Dagan Thogerson and bassist Matt Armstrong's locked-down, post-punk rhythm section interplay, and David Fountain's multi-instrumentalist bag of tricks (including piano, trumpet, accordion, mandolin, vocals, percussion). The overriding sound is an amalgamation of textures ranging from dark and desolate to upbeat and brightly melodic, all of it landing somewhere under the orchestrated indie rock umbrella.

The other mainstay signature element of Murder By Death's identity has been built by the overriding concepts behind each individual album. Every successive effort conjures up fresh imaginative and tactile worlds - whether it's the battle between the Devil and a small Western town (Who Will Survive and What Will Be Left of Them?, 2003), an arid land of death and redemption (In Bocca al Lupo, 2006), or just songs inspired by a retreat into the Tennessee mountains (Good Morning, Magpie, 2010).

Larry & His Flask

Larry And His Flask is made up of 6 young men who play their hearts out every chance they get! With beginnings in Redmond, Oregon LAHF started playing in late 2003 as a 3 piece punk rock band and have since evolved into a 6 man hillbilly jamboree. Passion and love of life is what powers them. It's never about drugs, money, or fancy things. It's about those perfect moments in a dank, poorly lit, cramped basement, a star lit field or a filthy street corner. Those are the moments that will last forever. With no sign of stopping or even breaking pace it is their every intention to sweat, bleed, travel to the point of exhaustion, and do anything it takes to take the music to the people who need it!

The 4onthefloor

The 4onthefloor's new album, Spirit Of Minneapolis, evokes the spirit of American rebellion. That same pioneering spirit that brought us everything from modern aviation to rock & roll. Harnessing that spirit, the band is using it to break down modern music's barriers down to our basic musical traditions. That ageless sound of rock & roll isn't what it used to be, but the rumble of stomping feet emanating from Minneapolis is an omen of great things on the horizon.

The 4/4 beating of the bass drums recalls the American ideal of onward and upward, turning our prevailing spirits to the sky after a reaching the end of the land. The 4-barreled onslaught can be a train building up steam right behind you, the king of the jungle chasing you down, or your wheels on the highway. It's the soundtrack of America moving forward.

Delta blues, classic rock, and a lifetime of attentive listening have produced a sound whose time has come. The energetic and powerful delivery of this band cannot be overstated. Their huge, soulful anthems leave nothing on the floor as Gabriel Douglas' guttural howl soars through the ether.

There's a readiness to be found in listeners now. The fervor of discovery and innovation is coming back to the American masses and the excitement surrounding the birth of rock & roll is now roaring out of the doldrums with a fury. Let go. Take flight. Indulge in life's pleasures and stomp with them.

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