Night Beds

It's difficult to say where Night Beds begins, but it could be here: August 2006, a young Winston Yellen is invited to a longtime friend's apartment. They talk, they record a little aimlessly, and something exciting emerges. Maybe it's a little later, when one is studying engineering in Nashville, and the other remains behind, an unhappy captive of secondary education. It could be any number of moments, really, along a series of migrations, but probably here: the summer of 2008, back in Colorado Springs, when they write the first Night Beds song, "You Were Afraid."
God knows that we try to do the best we can
After that there is a lot of time spent in basements, a lot of alcohol, a lot of irreverent tuning, but not all that much need for talk. Most things are shared, understood: in thin mountain air, or in a waterlogged summer atmosphere, there can be a sense that breathing is effortful, that sleep is easy but not restful. The songs that come out of those first few years, collected on three EPs (Night Beds, Every fire; Every joy, and Hide From It), are an exercise in catharsis. They're deeply ringing things, washed in whiskey. The sound is like something emergent from a tunnel. It may be the red eye of a cigarette in the dark, or it may be the dawn peeking out.
Somewhere we might find softer light
"It was never thought. It just was always what felt good." So the songs come together over acoustic guitars, over the first skeletal melodies, and then they grow. Yellen's voice takes on a pure kind of thirst when wrapped in the sonic landscapes he devises. It's searching. It's taken several years to map everything out, but after a hiatus spent driving the deserts and prairies and coastal roads of the United States, sleeping in a hatchback or on friendly couches - after a long time spent alone - Night Beds has found a home in Nashville. Soon it will see the release of Country Sleep, a full-length album in the spirit of the vagabond, in the winding path to a place of good rest.

Patrick Dethlefs

(Pronounced “DET-Lefs”)

Patrick Dethlefs’ songwriting crests like a humble Townes Van Zandt, innocent of his own haunting melodies and lyricism. Dethlefs’ new release Fall and Rise offers folk Americana with effortless sincerity at a time when many acts strive purposefully to revive the stripped-down feel of a musical history long past.

Now only in his early 20s, Patrick won the Best Teen Songwriter Award (2009) at Swallow Hill Music—one of the largest non-profit organizations in the U.S. dedicated to developing folk and acoustic music. Patrick also received Best Song and Best Performance.

Perhaps the innate nostalgia embedded in Patrick’s music takes root in the age at which he began playing. Inspired by his father who he lost when he was young, Patrick first picked up a guitar when he was 12. Also a musician, Patrick’s father leaves a crescendoing legacy through his son who is not only humble, but humbling, through his unassuming creative presence.

He has opened several engagements for Nathaniel Rateliff, played and recorded with members of Paper Bird. Patrick has also shared the stage with notables Gregory Alan Isakov, Jeff Austin (Yonder Mountain String Band), Sarah Anderson (Paper Bird), Mountain Man, and Horse Feathers.

Fall and Rise follows impressive reception of 2010′s Stays the Same and Patrick’s split release with the Eye and the Arrow: “Dethlefs’ songs show maturity beyond his years”(Matt Pusatory, Onion A/V Club Denver Boulder).


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