BuzzBands.LA and The Satellite present
The Record Company "Feels So Good" EP release show, Soft Swells, The Walcotts
1717 Silverlake Blvd
Los Angeles, CA, 90027
Doors 8:30 PM / Show 9:00 PM (event ends at 2:00 AM)
This event is 21 and over
The Record Company "Feels So Good" EP release show
The Record Company is a roots/blues/rock trio based in Los Angeles. Steeped in the classic sounds of Muddy Waters and John Lee Hooker along with the jump of Howlin’ Wolf, The Record Company have burst onto the scene in a very short time, performing their first show in January 2012. While never trying to simply emulate the great masters, the band have found their own fresh take on the music and can best be described as a group giving a 21st century nod to a timeless art form.
You know, not every band born on the sunny shores of the west coast winds up sounding like the Beach Boys. Take for instance the indie-pop surf-inspired Soft Swells. Named after the smaller, smoother waves Tim Williams (the singer/songwriter behind the LA based band) looks for when he is surfing, Soft Swells is an upbeat, poppier take on indie music. You could attribute Tim “falling in love and finding true happiness” as the reason for the hopeful slant on his newest release, an EP entitled Lifeboats. Perhaps you are already familiar with the song and EP, as they have been featured in a recent nationwide ad campaign for Best Buy (if you skip fast-forwarding commercials on the TiVO once in a while, you’d be amazed what you can learn). Mostly recorded in Tim’s Los Feliz apartment and producer Dave Lynch’s studio in Lewes, England (as well as some pick-up sessions in Hollywood and Ann Arbor, MI) Soft Swells recordings are achieved by Tim and Dave “sending parts back and forth.” Sure Tim does all of the writing, but this puddle jumping collaboration works amazingly well for the band. Tim creates the songs, then off to Dave for some sound rounding-out and polish. The new EP features a remix of the original “Lifeboats” track by Jon Visger (Absofacto, Dale Earnhardt Jr. Jr.), a few more original tunes and even a cover of T-Rex’s “Children of a Revolution.”
Having released three solo albums with NYC based Dovecote Records, Tim wasn’t sure what he would do next with his music when circumstances moved him from NY to Nashville to his current place in LA. Without a band in mind, he started writing songs again, and after playing them for Chip and Erin Adams at Modern Outsider, was convinced that he should head into the recording studio. In February of 2012 Soft Swells released their first album to the acclaim of everyone from MTV to TIME magazine and USA Today to Consequence of Sound. Influenced by the Brit-pop he loved growing up (Definitely Maybe was the first album that hit him in the chest) his obvious love of melodies, hooks and sentiment shine through with each track. Soft Swells plays to consistently packed houses in LA with an incredible live band featuring Kyle Frederickson, Matt Mayhall and Christopher Pappas that brings to life the meticulous studio sound perfected by Tim and Dave. And keep an eye out (or two if you can spare ‘em) for the video for “Lifeboats,” directed by Anthony Garth and featuring O’Neill surf team member Bree Kleintop.
Thurston Moore of Sonic Youth has said “once the music leaves your head it’s already compromised.” That’s fine if you feel like music is an entirely personal endeavor for the artist. Tim certainly doesn’t feel that way. “I don’t think a song or recording is completed until it hits someone’s ears… The experience is only complete when a listener gives their input – a smile, a head nodding or whatever reaction a person has.”
"Dr John and Tom Waits spend a night drinking together somewhere between New Orleans and Los Angeles. A great cross-pollination of R&B, Soul and Country"
"If you are missing the music of Levon Helm, look no further"
"It’s the essence of true L.A. Americana music where country, blues, folk, gospel, jazz and country come together with an unforced, spontaneous and uncontrived feel."
"Sings like the ghost of Levon Helm, and songs like “Should Have Been Me” mix six or seven instruments together playing a great hook, without crowding one another out"
-San Diego Troubadour
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