Giant Panda Guerilla Dub Squad
61 Wythe Avenue
Brooklyn, NY, 11249
Doors 6:00 PM / Show 8:00 PM
This event is 21 and over
Giant Panda Guerilla Dub Squad
Giant Panda Guerilla Dub Squad (GPGDS) is known for folding the aesthetics of the jamband scene into the structures of reggae. In the live setting, the band performs extended jams, while their previous studio albums have blended roots reggae with psychedelia (In These Times, 2012) or diverged from the genre completely, journeying into straight Americana (Country, 2012). On STEADY, the band's fourth studio album (and first on Easy Star Records), GPGDS has synthesized their approach by weaving traditional folk instrumentation into a foundation of reggae, with arrangements that let the reggae breathe in a non-traditional way. While STEADY may not be the first record to find inspiration in both old time Appalachia and ‘70s Jamaica, it may be the best.
Much of STEADY’s power comes from the attention put into the recording process. Craig Welsch (one of the key players in 10 Ft. Ganja Plant) invited the band to his Boston studio, with the intention of “capturing an aspect of Panda that no one had ever heard yet, something totally different.” This rings true on tracks like “Wolf At The Door” and “.45.” Bassist-singer James Searl jokes that the band “has always followed John Brown’s Body (JBB) into studios,” as each studio they’ve recorded in was previously used by the legendary Ithaca, New York-based band. This trend continues unabated here, as Welsch was formerly JBB’s dub engineer and producer on some of their finest sessions, while another song on STEADY – the herb-smoking gem “Mr. Cop” – was produced by Matt Saccuccimorano, who helmed the controls on the last JBB release. The only other track on the record not coming from Welsch - the title track - was co-produced by Danny Kalb, who has worked with The Green, Ben Harper, and Jack Johnson.
Giant Panda formed in 2001 in Rochester, New York. A mysteriously fertile area for developing the U.S. reggae scene, the city has ties going back to 1981 when Lee “Scratch” Perry recruited his entire backing band from Rochester. The Upstate NY region became early supporters of GPGDS, while its members were in high school and beginning college, playing weekly gigs to cut their teeth. In these formative years, Giant Panda began to explore their songs with an experimental approach that is stylistically akin to the Grateful Dead, while keeping their roots firmly planted in reggae rhythms and lyrical content. Around 2005 tapers began to notice and soon after one of the band’s first Colorado shows received homepage placement on the popular taper website Archive.org. Almost overnight GPGDS became a mainstay on the jamband festival circuit.
From 2005 – 2013 GPGDS’s three original members (drummer Chris O’Brian, guitarist-singer Dylan Savage, and bassist-singer James Searl) began a touring schedule averaging over 100 shows a year and performing throughout the U.S., Canada, and Jamaica. Their third lead singer, multi-instrumentalist Dan Keller, joined the group a few years back, while keyboardist Tony Gallicchio joined in 2013. (Most of the sessions for STEADY feature ex-keys man Aaron Lipp, though Gallicchio can be heard on two of the tracks.) Giant Panda’s continuous time on the road hardened the players into monster instrumentalists. Their attention to the studio in later years, along with a unique blending of reggae and rural American music solidified GPGDS as one of the region’s most beloved bands. Like their hometown, they manage to unify an intellectual and creative culture with a hard-working blue-collar past.
The three main songwriters’ material is different enough to create a flowing and diverse listening experience. Savage’s inspiring anthems tend to be the most “classically” reggae, with songs like “Not The Fool,” “Whatever Cost,” and “Solution” echoing influences like Culture (circa 1979), early Burning Spear, and Jimmy Cliff. Searl is more experimental, both in form (“Wolf At The Door” could almost be an Elvis Costello song, while “.45” utilizes African and blues influences) and in lyrics: his “Hurt Up Your Brother” is almost Dadaist, taking a few lines and constantly rearranging them to achieve new meanings, imbued with a nonsensical-yet-expressive feel, while one of the most dubbed-out riddims on the record chugs along underneath. Keller’s songs stand illusively in between, and manage to go both directions, with a hardcore reggae groove on “Move” giving way to an unexpected chorus, or with the catchy “Home” being one of the only reggae songs in history to use a banjo so creatively and fittingly.
Giant Panda is one of a growing number of bands that work with both Rootfire (their management) and Easy Star Records. STEADY marks the seventeenth release Rootfire and Easy Star have paired up for, making them one of the most storied and successful partnerships in the modern reggae scene. Release number eighteen is just a few months away…. GPGDS has cut a full Americana album as a sequel to 2012’s Country, which will also come out on Easy Star in early 2015. For now though, sit back and enjoy STEADY - a masterpiece that solidifies Giant Panda’s standing as a groundbreaker in the roots reggae scene.
Generating a well-deserved buzz in NYC’s exploding afrobeat scene, Zongo Junction electrifies dance floors wherever they perform. The Village Voice describes their live show as “Sheer energy with the force of a tractor-trailer that roars with power and noise.” With five horns, and a six-piece rhythm section, audiences can’t help but move no matter where the band is playing.
If the Talking Heads produced a Fela Kuti record of Sun Ra’s music, the product would probably sound something like Brooklyn’s Zongo Junction, and in an industry where it has become commonplace to watch bands perform with laptops & backing tracks instead of live musicians, Zongo Junction takes the stage 11 strong. "The only thing Zongo Junction has to do to start a legitimate dance party is show up and plug in – anyone within a square block earshot of this Ford-tough funk factory would be hard pressed not to join in the hoopla” says the Bay Area’s SF Station.
Zongo Junction formed in 2009, when drummer and California native, Charles Ferguson, returned from a six-month stay in Ghana, West Africa. “Growing up in the Bay Area, I was exposed to a lot of amazing music from many different cultures, a lot of which had roots in West Africa. As a kid, a few different music teachers introduced me to afrobeat, and the pioneers of the genre—Fela Kuti, Tony Allen, OJ Ekemode, Sunny Ade and others. My love of African music brought me to Ghana in 2008 and when I returned to New York, I knew I wanted to start this band.”
In college at the New School, Charles and a classmate put together a list of friends who they thought would be good fits for the band. Soon after they started rehearsing, Zongo Junction began performing and developing a following in East Coast clubs. They made their first album, Thieves! (2010), which included a collaboration with longtime Fela Kuti band member, Leon Kaleta Ligan-Majek, and quickly began performing at venues & festivals around the country including a residency at Brooklyn Bowl, a main stage performance at the Bear Creek Music & Arts Festival in Florida, and an appearance at the Kennedy Center in DC. More recently the band has collaborated with FELA! cast member Abena Koomson. Members of the band have performed or recorded with TV On The Radio, Man Man, Easy Star All-Stars and The Walkmen, among others.
The band is hard at work recording their second album, scheduled for release in 2013. “In writing this music as a collective, a lot of really cool new influences have emerged,” points out tenor saxophonist Adam Schatz. The music on the album embraces the individual members’ interests, from Dirty Projectors, to Albert Ayler, Wu Tang to Meshuggah. At the music’s core, you will always find the infectiously danceable West African grooves that are the foundation of Zongo Junction. The band effortlessly ties it all together, resulting in a unique version of afrobeat.
For more information visit www.zongojunction.net or contact firstname.lastname@example.org
Zongo Junction is:
David Lizmi - Bass
Charles Ferguson - Drums
Morgan Greenstreet - Percussion
Jordan Hyde - Guitar
Ross Edwards - Keys
Adam Schatz - Tenor Saxophone
Matt Nelson - Tenor Saxophone
Jonah Parzen-Johnson - Baritone Saxophone
Aaron Rockers - Trumpet
Kevin Moehringer - Trombone
Tickets Available at the Door
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