Manic Productions Presents
250 State Street
New Haven, CT, 06511
This event is 21 and over
Old Believer \ Ōld bǝ-l ēvǝr\ n 1 : one who has been through a lot in their life and hasn’t lost hope 2 : one who doesn’t feel cynical and still feels connected to the world that we’re living in but is wise enough to know a thing or two about it 3 : OLD SOUL
Cory Chisel is an old believer. You can hear it in his music – there’s a wisdom beyond his years in that voice. You can see it in his story – the son of a preacher, sheltered from pop music, raised on hymns and Johnny Cash. “Mom played piano and organ, my dad did the preaching, the thing that my sister and I could add to the service was to sing.” As fate would have it, the kid was born to do it.
He grew up in the iron range town of Babbit Minnesota, and the rural flatlands of Appleton Wisconsin. Along with the family’s spiritual doctrine came a musician uncle, who taught Cory about the blues: Howlin Wolf, Robert Johnson, Sony Boy Williamson.
This musical education put young Cory on a path that was well worn by the greats who came before him and influenced him. People like Cash, Bob Dylan, Van Morrison, Leonard Cohen, Tom Waits, Sam Cooke, and Otis Redding. For Cory, songwriting is a byproduct of existing. We all talk to ourselves. Cory does so with a melody. Those internal conversations are the seeds, the building blocks of his songs. “Where a painter, in order to express himself, would reach for a canvas and paints, I go to the guitar and try to build it out. Or sometimes songs just come fully formed, usually if I’m really sleep-deprived and driving for whatever reason, it’s like a radio station that my brain picks up.”
Old Believer is the second LP from Cory Chisel & The Wandering Sons. The record, in Cory’s words, is about rebuilding, and there’s a directness that comes through in the songwriting. “Life is a series of creating things, living with the inevitable destruction of those things, and then finding within yourself the ability to create again.”
There’s brutal honesty in the soulful rock of “I’ve Been Accused”. The song suggests that sometimes with personal growth comes unhappiness, but ultimately you’ve got to step up. No pain, no gain. “Never Meant To Love You” is timeless, like something straight out of “The Great American Songbook.” It’s a story of unexpected love, plainly and elegantly told. For “Please Tell Me” Cory says “I went to my guitar instead of going to a phone and sent the message that way.” “Seventeen” deals beautifully with the simple truth of realizing that a certain portion of your life has passed. Cory Chisel is an old believer.
The album was recorded in Nashville and produced by a great singer songwriter in his own right, Brendan Benson (The Raconteurs). The two met while making Cory’s first album. They sat down to write a song together, and quickly found they were kindred spirits. “We had just such a common language in the way we attacked music making. Brendan is really great at bringing direction and bringing something out of me that is almost indescribable. He’s also the guy who can get behind the boards and pull it off.”
What Benson pulls off is an album of rich, authentic, rock and roll, drawing a straight line between the gospel and the blues of Cory’s youth, and classic rock. He’s able to find the right space and color for each song, whether it’s the dangerous and dark mood of “Foxgloves”, the bright Brill Building meets Graham Nash vibe of “Laura”, or the straight up traditional rollin’ and tumbin’ blues of “Over Jordan”.
The sound is filled out by a great cast of Nashville players including Matt Scibilia, Jon Graboff and Brad Pemberton of The Cardinals (Ryan Adams) and The Howlin Brothers. But the thing that truly brings this record to life is Chisel’s long time keyboard player and singing partner Adriel Harris. Their voices fit together magically. It’s a fitting nod to her contribution that Harris opens Old Believers with the gorgeous prologue- “This Is How It Goes.”
“I think one of the best things about being a songwriter and about living a life as an artist is that you really don’t get rid of anything, you kind of just like drag it with you the rest of your life and hopefully you can feel that on this record. We’re still dancing with those same inspired moments. This record is a culmination of all that.”
For years Brian Dolzani has been writing and performing songs of love and loss, of longing, for both physical and spiritual love and truth, much of it resulting from the loss of his father when Brian was just 15 years old. Tending towards highly metaphorical and symbolic songwriting, that changed when Brian shared a bill with Peter Case, who listened to Brian's opening set. 'Peter said, 'Man, just tell your story,' and it was blunt and true,' Brian states. 'Peter's advice and writing this record has brought me the closest to home that I've ever been. And it's been an absolute blessing. I've always, always been searching for my true home. And here it is, right now.'
Brian's latest release is 2012's 'If I Don't Speak A Word…’ (produced by Neilson Hubbard in Nashville), and he tours steadily up and down the East Coast and midwest and has opened for/shared the stage with James McCartney, Cory Chisel, Caravan of Thieves, Christopher Paul Stelling, Joshua Black Wilkins, Joe Fletcher, and many others.
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