The Note Presents
The Goddamn Gallows, Mean Streets
142 E. Market Street
West Chester, PA, 19382
Doors 7:00 PM / Show 8:00 PM
This event is all ages
The Swingin’ Utters have been kicking around the San Francisco Bay Area for 25 years now. They’ve met their wives and their best friends on
these streets; they’ve grown and aged right here in the Bay Area. This has ignited the very essence of what goes into their value system and
more importantly their music, because it is a reflection of those experiences. For example, the band took a break to raise their families, right at
the height of their popularity! Did it faze them? Not really. Darius became a plumber. Johnny honed his drawing skills and started a screen-‐‑
printing business in his garage. Spike continued singing for all-‐‑star cover band Me First and the Gimme Gimmes. No one really knows how
Greg spends his time. He is sort of a mystery. That’s the thing with these guys. It is family first, with music always germinating within those
life choices. During the Utters’ semi-‐‑hiatus, they all continued playing music in bands like Druglords of the Avenues, the Re-‐‑volts and Filthy
Thieving Bastards. Their life experiences influence what goes into their records. A case in point is their debut: 1995’s The Streets of San
Francisco; their first full length and an essential “streetpunk” masterpiece. Fat Mike took notice of their grit and honesty, and signed them to
Fat Wreck Chords. From there they put out a ton of great records, including A Juvenile Product of the Working Class, Five Lessons Learned, Brazen
Head, Swingin’ Utters and Dead Flowers, Bottles, Bluegrass, and Bones. For 10 years the Utters toured relentlessly with the likes of Rancid, NOFX,
Dropkick Murphys and everyone in between. Which brings us back to celebrating their 25th anniversary, the band fully recharged with their
second album in three years and no signs of slowing down anytime soon.
When the Swingin’ Utters finally released Here, Under Protest last April after an 8 year wait, fans were seriously excited and rewarded for their
loyalty and patience with another well-‐‑crafted punk rock masterpiece. And that was just the start. With a flurry of writing in 2012, the band
quickly released a new two song 7” titled The Librarians Are Hiding Something last Fall, with another full length already recorded, now set for
release on February 19th, 2013. Now what was particularly cool about this single is that the A-‐‑side was a nice precursor to what fans could
expect from the upcoming full length in that it welcomed the appearance of new bassist Miles Peck on an Utters record AND marked Jack
Dalrymple’s debut as a songwriter for the band, as he and vocalist Johnny Bonnel co-‐‑wrote Librarians. Said Bonnel, “I’ll simply say it is one of
the happiest times in my years with Swingin’ Utters. Being able to create music with these dudes is pretty exciting and I’m looking forward to
writing more!” And so onwards and upwards to the present.
latest opus Poorly Formed, SWINGIN’ UTTERS continue to shatter musical boundaries. Obviously they’ve got the punk rock end of
the spectrum nailed, and have always had a flare for folk and country as well, but this album sees them hone their indie/post-‐‑punk/garage-‐‑
rock skills. If Here, Under Protest Part of that is due to the emergence of Jack Dalrymple (of One Man Army fame) as a contributing songwriter
for the first time since he officially joined the band and started recording with them on their last full-‐‑length. Mix that with Johnny and Darius’
well established songwriting prowess, and round it out with their collective pop sensibilities, and what you end up with is a truly
unforgettable album. Picture some classic SWINGIN’ UTTERS with a dash of Gang of Four and a pinch of The Strokes, all wrapped up in a
bunch of catchy melodies and you’ll start to get an idea of what you’re in for with Poorly Formed. Darius Koski, singer/guitarist had this to say
about the record:
“Our new record was written pretty quickly, more so than anything we’ve done in the past. One of the reasons, I think, was that Jack had
several songs in various stages of completeness, but once he decided to give Johnny the music, and have Johnny write the lyrics and vocal
melody to his instrumentation, things started to fly… So there are several of these Johnny/Jack songs on the record (which marks the first
songs Jack’s written with us). In that way, it was a brand new writing process for us, so it was pretty exciting, and we’re really happy with the
way all of these songs came out in the end. Mixing with Chris Dugan was an added bonus, and we really hope we can work with him again!
We’ll be on the west coast in March, as well as a few NoCal record release shows in late February. We’re planning on hitting everywhere else
in the US (and Canada too!) by the end of the summer. We’re going to Australia with Frank Turner and the Dropkick Murphys for a few days
in early April (our first time on that continent!), and heading to Europe in July. Hopefully Japan sometime in the fall.”
Get ready to redefine just who the Swingin’ Utters are, since they’re not a band who’s ever made the same record twice. And while the tones
and arrangements set this record apart from their recent work, there’s still plenty of piss ‘n’ vinegar along with all the other hallmarks of a
great Swingin’ Utters record: catchy melodies, diverse instrumentation, and intelligent, heartfelt lyrics.
The Goddamn Gallows
The Goddamn Gallows came from the heart of America's Rust Belt, arising from a night of flophouse violence. Drifting across the states, they cemented their sound in Portland, OR and later in Los Angeles, CA, where they lived in abandoned buildings, squatter camps, storage units and shoebox apartments.
In 2007, they left everything behind and spent the next 4 years living out of whatever vehicle would get them to the next town. Building upon their original sound of "twanged-out, punk rock gutterbilly"(Life of Sin 2004 and Gutterbillyblues 2007), they began picking up stray musicians along the way and adding to their sound; washboard, accordion, mandolin and banjo (Ghost of th' Rails 2009 and 7 Devils 2011) creating a sound referred to as "hobocore", "gypsy-punk" or "americana-punk", while never being stuck in any one sound.
The Goddamn Gallows continue to rapidly grow a devoted following with their volatile and spectacular live shows; a contagious, spontaneous eruption of unpredictability.
Mean Streets is a punk band from Philadelphia with ex-members of Cranked Up! and The War's End. The band formed in Spring 2006 and have been going strong ever since. Not being satisfied with banging out mindless riffs, Mean Streets crafts songs with the purpose of creating a high-energy punk sound, with pop sensibility. With plenty of shows in the works and touring aspirations for the near future, Mean Streets are looking to accomplish much in the years to come.
Fri, December 13
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