Omaha Diner featuring
Charlie Hunter, Skerik, Steve Bernstein, Bobby Previte
Jason Fraticelli & the Wet Dreams
3801 Chestnut St
Philadelphia, PA, 19104
Doors 8:00 PM / Show 9:00 PM (event ends at 2:00 AM)
This event is 21 and over
Charlie Hunter’s Omaha Diner feat. Skerik, Steve Bernstein, Bobby Previte
OMAHA DINER is four storied musicians attempting to re-define TOP 40: a format that forever perverted the way we experience music.
OMAHA DINER is many things: the world's definitive virtuoso of the seven-string guitar, the pioneer of saxophonics, a recipient of the 2012 Guggenheim Fellowship for composition, and a Grammy nominee. Omaha Diner is at home in all situations in and beyond the world of music - not only scoring one of the films of legendary director Robert Altman, but performing in another one as well.
In its 125 years of experience the Diner has worked in some capacity with an unlikely and astonishing array of artists: Aretha Franklin, Sting, John Mayer, Levon Helm, John Adams, Roswell Rudd, Linda Ronstadt, Pearl Jam, Elton John, My Morning Jacket, Courtney Love, The San Francisco Ballet, Sam Rivers, Marianne Faithfull, The Moscow Circus, Roger Waters, Lou Reed, Iggy Pop, Michael Tilson-Thomas, R.E.M., Johnny Copeland, Bonnie Raitt, Lukas Foss, The Meters, Ween, D'Angelo, Les Claypool, Alvin Ailey, Digable Planets, Sonny Sharrock, Ryuichi Sakamoto, and Tom Waits.
Omaha Diner has toured every continent with the (possible) exception of Antarctica, playing rock arenas, iconic Jazz clubs, Carnegie Hall, and hardscrabble Kentucky roadhouses. The Diner turns up in other places as well - author of the liner notes to Miles Davis' 'In Concert' record, actor on Saturday Night Live, dancer, sous-chef, teacher.
The Diner is also:
"A relentless genius."
"A speaker in visionary tongues."
"The genuine article of complete originality."
"A perpetual music-making machine."
"Seattle's only true rock star."
OMAHA DINER: deconstructing popular music since 2012.
Sitting in a diner in Omaha, Nebraska in 1954, Todd Storz noticed that a teen-age waitress selected the same song on the jukebox over and over. At that moment, Top 40 radio was born, joining the TV dinner, the Reuben sandwich, the bobby pin, the ski lift, and (some claim) fuzzy dice on the list of famous and infamous inventions from the city that sits atop the Strategic Air Command.
Now comes the latest invention, OMAHA DINER - four storied musicians attempting to re-define a format that forever perverted the way we experience music. You may love Top 40 (doubtful), you may hate it (probable), you may not care about it at all (liar), but you cannot escape it.
Top 40 as you've never heard it before - OMAHA DINER.
OMAHA DINER is:
Steven Bernstein - trumpets
Charlie Hunter - seven-string electric guitar
Bobby Previte - drums
Skerik - tenor saxophone
*** OMAHA DINER's Ironclad Guarantee: all songs have touched, however briefly, #1 on the Top 40 pop chart.
With a career spanning 18 years and almost 20 albums, Hunter consistently ups his game as an innovative writer and bandleader. He has worked with the likes of Norah Jones, Mos Def, John Mayer, D'Angelo and countless others. He is widely considered the authority on the seven and eight-string guitar, and continues to stun audiences with his ability to simultaneously bust out tasty bass parts, melodic leads and swinging rhythms. Hunter has previously recorded for the venerable Blue Note label, Concord, Ropeadope and others. His recent independent venture is steered by his motivation to release music that most inspires him. Critics have touted his genius technique, but it's his profound artistic sensibility that propels his original music. Hunter's signature style of writing and performing has secured his
place as one of today's great guitarists.
Hunter's newest album is a duo recording with drummer Scott Amendola. "Not Getting Behind Is The New Getting Ahead" was recorded with Hunter and Amendola playing in the same room simultaneously -- an old-school recording method that has been virtually lost in today's cut-and-paste world
"A terrific guitarist" –Downbeat
"A homespun marvel" -New York Times
"…a man who [has] built his badass reputation by conquering hairy bass lines and heady post-bop
melodies simultaneously on custom eight-string instruments… Hunter is still a musical beast." -Guitar
"…Hunter - well known for playing a seven-string instrument - rips through the air with superrock fuzz
and fusion mettle." -Rolling Stone
Skerik (born Eric Walton) is an American saxophonist from Seattle, Washington. Performing on the tenor and baritone saxophone, often with electronics and loops, Skerik is a pioneer in a playing style that has been dubbed saxophonics. He is a founding member of Critters Buggin, Garage a Trois and Skerik's Syncopated Taint Septet. He is also an original member of both Les Claypool's Fancy Band and Frog Brigade and has toured with and played with numerous others in a variety of genres.
Skerik began playing saxophone in the fifth grade in the Mercer Island public school system. His father's love of jazz was an early inspiration. He played saxophone, keyboards and drums in a rock band at Mercer Island High School. He has cited The Rolling Stones and Pink Floyd as bands from that time period who brought saxophone into rock music well. In the 1980s he travelled to London, Paris and the South Pacific working day jobs and playing in a variety of bands. His friendship with Leif Totusek introduced him to South African music and Zaire soukous bands in London where he first began playing music full time.
Skerik returned to Seattle in the late 1980s where he played with Sadhappy. In the early 1990s he joined three ex-members of New Bohemians to form Critters Buggin (who have remained active through 2008). Projects since that time have included Ponga (Wayne Horvitz and Bobby Previte), Tuatara (Peter Buck, Scott McCaughey and Craig Flory) and solo works of Stanton Moore as well as Garage A Trois (also including Charlie Hunter). Beginning 2000 Skerik was a member of every incarnation of Les Claypool's Frog Brigade and Fancy Band. In 2001 Skerik played the Pacific Northwest portion of Roger Waters' tour, reproducing the sax lead in "Money".
In 2002 Skerik formed Syncopated Taint Septet with fellow Seattle musicians. After touring nationally, their 2006 studio release Husky received very positive reviews.
Skerik won the award of "Northwest Jazz Instrumentalist of the Year" at the 2003 Earshot Jazz Golden Ear Awards.
Skerik has expressed support of music education for young people and support for activism such as the voting project HeadCount. In interviews he has discussed creative integrity and spontaneity. He has also provided music workshops.
Skerik is a founding member of Critters Buggin, Garage a Trois (which has included Stanton Moore, Charlie Hunter, Mike Dillon and Marco Benevento), Crack Sabbath and The Dead Kenny G's. Skerik is an original member of Les Claypool's Fancy Band and Frog Brigade, Bobby Previte's Ponga and Coalition of the Willing and Joe Doria's McTuff. In the 1990s he was also a member of Tuatara (with Peter Buck) and Seattle-based Sadhappy.
Skerik has toured with Fred Wesley, Mike Clark and The Headhunters, Wayne Horvitz (Zony Mash), Mad Season and Roger Waters. He has performed with Pearl Jam, R.E.M., Bonnie Raitt,The Meters, Galactic, Dumpstaphunk, Johnny Vidacovich, Jacob Fred Jazz Odyssey, Ween, and many, many others.
In Seattle Skerik leads Seattle-based "punk-jazz" ensemble Skerik's Syncopated Taint Septet. He is a founding member of Seattle's Crack Sabbath. He is also a member of Seattle-based McTuff.
In New Orleans he is a member of Maelstrom Trio (including long-time duomates keyboardist Brian Coogan and drummer Simon Lott). The Maelstrom Trio combines disparate elements such as free jazz, funk, metal and textural music. Skerik and percussionist Mike Dillon have toured as a trio with New Orleans bassist James Singleton as "Illuminasti".
Skerik and Dillon also perform as a trio called "The Dead Kenny G's" with alternate third members. National tours have included keyboardist Brian Haas and bassist Brad Houser. With Houser they have also toured as "Critters Buggin Trio" and in 2009 they released a debut CD entitled Bewildered Herd. As the band's name implies there is an expressed disdain for smooth jazz and commercialism. Skerik has described The Dead Kenny G's as a "free-jazz version of The Melvins."