Night Moves

Night Moves

For such a patently American locale, the Twin Cities have lacked a remarkable group that evokes the American rock canon in a classic manner for a long time. Enter Night Moves. Formed in 2009 by guitarist and vocalist John Pelant, bassist Micky Alfano and multi-instrumentalist Mark Ritsema, Night Moves is a distinctly original concoction. Their honey-dipped sound seethes with a kind of down-home tenderness - the arrangements are colossal in shape. Night Moves’ powerful debut Colored Emotions is this Minneapolis group’s first album.

The three core members of Night Moves first met at Southwest High School in Minneapolis. Following the tangential fits and starts typical of early music projects (including a detour to college and back), the ensemble took definite shape as Night Moves and is the crowning achievement to the long-standing collaboration between John Pelant and Mark Ritsema, who first met as freshman.

Pelant’s taste for Dylan, Blind Lemon Jefferson, et. al, would prove most propitious for their future work together in Night Moves. Ritsema describes himself as being into electronic music at the time – a Daft Punk fan – when he met budding folknik Pelant. Pelant throughout high school would write some solo material but hadn’t been keen on sharing. Whatever musical differences there were between them faded as the motivation to play music together persisted over the next years.

In 2009, with the group at last solidified with the addition of bassist Micky Alfano, Night Moves began the long, astounding odyssey that was recording their meticulous debut album Colored Emotions. Nearly two years in the making, the debut exudes the craft and professionalism of a seasoned band. It was these painstakingly self-recorded tracks Night Moves prepared themselves that attracted interest from Domino, further developed with the appointment of studio guru Thom Monahan to take the album and set it free, so to speak.

Monahan’s easy-going nature was a relief for this perfectionist ensemble, who had already made something wholly precious in private. According to Pelant, Monahan’s mountainous pedigree of producing terrific psychedelic pop and freak-folk outfits immediately eased their mind: Vetiver, Devendra Banhart, Beachwood Sparks… Night Moves were indeed in good company, and so they hauled down to Los Angeles to put the final touches on Colored Emotions.

Pelant’s tone-perfect vocals on Colored Emotions serves Night Moves not just as its lyrical core but also its glittering adornment. With an extensive vocal range, his voice ventures where lone guitar solos cannot. Hence, there’s no cornball guitar hero antics in Night Moves. Instead, they carefully built their songs around strong acoustic and rhythmic grounds, the clarity of crystal-clear production, and Pelant’s deft howl. The reverb of hollow-body guitars, the bright wash of crash cymbals, the haze of harmonica and organ tremolo – this is the album’s bedrock and it shines like gold.

And just as The Zombies’ classic Odyssey and Oracle has surprising melodic twists and shape-shifting choruses but never beats you over the head with them, the epic arrangements throughout Colored Emotions are sophisticated but not overbearing. Standouts “Headlights” and “Country Queen” are both perfect examples: seamless segues and hook-laden bridges defy conventional song structures, yet remain altogether memorable.

The songs of Night Moves conjure a spiritual energy only twenty-somethings dislodged by adversity and isolation could produce. An album like Colored Emotions seems intent to turn inward to create a joyous universe within its own boundaries. Certainly, the group’s musical abilities are innate without ever being too self-conscious about it. It’s as if Colored Emotions came second nature to them and the arrival of the rest of us took them by surprise.

—by Anthony Atlas

Kindred Queer

Kindred Queer is a New Haven based experimental chamber-folk band comprised of Xavier Serrano (lead vocal, guitar), Olive (cello, vocal), Derrik Bosse (Bass) and Quinn Pirie (drums). Their complex song structures marry classic folk with rock and jazz elements, providing a modern take on longstanding genres.

Each member's personality is crucial to establishing the band's sound. Serrano's lyrics navigate introspectively the tricky terrain between the personal, political and spiritual, never allowing any of these facets to overwhelm another. His guitar never sits still, moving freely within a conscious framework allowing for both consistency and surprise. But don't call Derrik's Bass or Olive's cello a backing instrument. It at once leads and accentuates each song's movement, wringing out each track's feeling and adding weight to every composition. Its effect is both visceral and grounding. Quinn's approach to the drums is noticeably unique. His style is instantly recognizable: arrhythmic and complex, it is far more than an accent. It constantly reshapes songs, stripping out convention and suggesting new forms. Together, they take steps into something new. Over their three years as a band, Kindred Queer have played shows with successful acts such as Waxahatchee, Plants and Animals and Kishi Bashi. They are currently preparing their debut EP, 'Child'.

Olive Tiger

Olive Tiger is the result of collaboration between Olive Kiley (cello/guitar/vocals), Jesse Newman (violin), and Dane Scozzari (drums). Rooted in the folk tradition, Olive Tiger has grown from those origins to incorporate influences from jazz, hip-hop, rock, classical, and electronic music. The result is somewhere between St. Vincent, Andrew Bird, Joanna Newsom, Rasputina, and tUnE-yArDs. Olive Tiger, at its start, began as a much larger group led by Olive. Wanting to incorporate her cello and her loop pedal, the music took on a new shape and sound, requiring the detailed attention of a smaller group. Now a trio with frequent guests, Olive Tiger is currently working on their debut album, due fall 2015.


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