Johnny Brenda's Presents
Tutlie, Moon Bounce
1201 N. Frankford Ave
Philadelphia, PA, 19125
Doors 8:00 PM / Show 9:00 PM
This event is 21 and over
On the heels of a series of much-adored singles, EPs, and video sessions, transcendent pop band Superhumanoids returns with its debut full-length, Exhibitionists. On the album the Los Angeles three-piece shows off a sound that's ambitious and awesomely precise. Brilliant harmonies and arrangements abound, as the group showcases its trademark blend of diverse instrumentation and driving electronics. It is otherworldly pop at its finest.
Sarah Chernoff, Cameron Parkins, and Max St. John prize meticulousness—every sound you hear on these recordings is the result of deliberate, nearly obsessive dedication to their craft. Recorded and produced by the band itself, the album was mixed by Ariel Rechtshaid (Charli XCX, Blood Orange, Major Lazer, Active Child) and Doug Boehm (GIRLS, Guided By Voices).
Superhmanoids' studio ethic is matched by its devotion to dynamic and inspiring live performance. The band has gained a steadfast fan-base across the U.S. and Europe on tours with Local Natives, Active Child, Balam Acab, Cold War Kids, Class Actress, Cults, and Wild Beasts. The group will hit the road again soon to share their latest creation with old fans and new friends.
Eclectic baroque pop by way of keyboard wielding singer Jessie Radlow and her smoky, intoxicating delivery. Backed up by the fiery Christina Klaproth, the pair and their backing band deliver a performance not to be missed.
Influenced by the tribal avant-garde of Animal Collective and the pop harmonies and sensibilities of The Beach Boys in equal measure, Tutlie bring to the table a unique vision of indie pop that's just as infectious as it is gorgeous. The dichotomy in Radlow and Klaproths vocal styles blend and contrast perfectly from the bands shimmering highs to the growl of it's dark, moody underbelly. Hailing from Philadelphia by way of West Chester, Pennsylvania, Tutlie presents a sound that is at all times both familiar and edgy.
Moon Bounce is Philadelphia’s warped electronic maestro, Corey Regensburg. Taking cues from classic R&B, hip-hop and even the rhythmic lurching of metal, Corey’s recognizable sound is the culmination of his unique artistic endeavors. Walking the fine line between creation and disintegration, his output combines soulful vocals with jagged percussion; calming, yet on the verge of falling apart.
In May 2011, Moon Bounce dropped his debut EP, Darn Your Best Frock, which was met with praise and intrigue by some of the most notable tastemaker blogs. Prefix Mag described the “vibrant spacey vibes” as “organic, cohesive and wholly enjoyable” while Potholes In My Blog praised his “stylish production”. The closing track “Jealousy March” spawned a hallucinogenic and beautifully shot video that nicely accompanied the haphazard beats and drones.
After sharing the stage with the likes of Shlohmo, Teen Daze, Groundislava and ANR, Corey released a number of singles, including the XLR8R featured “Telephone”. In fact, he had the starring role in the track’s video, showing a bit of his comedic personality and letting fans know that everything should not be taken seriously all the time. Working quickly and only stopping briefly to focus on producing hip-hop beats (another weapon in Corey’s musical arsenal), Moon Bounce teamed up with Chill Mega Chill Records and prepared to turn heads again with his sophomore Wheelhouse EP.
Wheelhouse’s classical piano infusion, pitch shifted vocals and syncopated bass fills work to create a serene, groove-obsessed atmosphere. Described by Chill Mega Chill as having a “knack for making ethereal, yet intricate, productions that feel loose and endless as space itself while simultaneously maintaining a precise and mature balance”, Moon Bounce’s vision continues to grow and his creativity shines in an otherwise predictable musical climate. Get on board or get left behind.
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