Come and Take It Productions presents
HURT plus special guests...
Righteous Vendetta, No Such Thing, Beautiful Disturbance, Distant Lights, Resisting Vegas
505 E. 6th Street
Austin, TX, 78701
Doors 7:00 PM / Show 7:30 PM
This event is all ages
"We wanted this to be a record of extremes," HURT frontman J. Loren says of the band's sixth album The Crux. "We wanted it to be its own musical world that the listener can step into, and then return to again and again, and find something new to discover every time."
Indeed, The Crux marks a vibrant creative rebirth for HURT, which has already earned a reputation as a band with a penchant for bold musical invention and unsparing lyrical insight. The new album finds the quartet—singer/lyricist/violinist Loren, guitarist Michael Roberts, bassist Rek Mohr and new drummer Victor Ribas—staking out exciting new musical territory to deliver a personally charged song cycle. The music's hard-rock punch is matched by Loren's carefully crafted, vividly introspective lyrics, which explore the darker margins of the human condition and tackle thorny issues of spirituality and self-knowledge.
The album, produced by Roberts and the band and mixed by John Kurzweg (Puddle of Mudd, Godsmack), offers 11 riveting examples of HURT's distinctive mix of sonic impact and subtle dynamics, as manifested in the songs' multi-layered instrumental settings as well as Loren's distinctive violin textures and expressive string arrangements. New songs "How We End Up Alone," "So When," "Eden," "Links and Waves," and "Numbers" (which gained significant pre-album airplay when a demo version was released to radio) incorporate soaring, anthemic choruses and spare, pensive passages and evocative widescreen soundscapes.
The Crux—HURT's first release on the Dallas based independent label Carved Records—decisively demonstrates how the band, after weathering personnel shifts and a split with a major label, has emerged intact as a dynamic, self-contained unit creating music on its own uncompromising terms.
"It was really important for us to get this right, so we took our time and put everything we had into it," Loren says. "I think it's the closest that we've ever come to capturing what we've been trying to capture since the band started."
The restless spirit that drives The Crux has been a constant throughout HURT's dozen-year career. Loren grew up steeped in classical music in rural Virginia, and was composing classical pieces by the age of 10. He was 15 when he formed the first lineup of HURT by cutting demos of his original songs and playing many of the instruments himself on the band's early recordings.
HURT's self-titled, self-released 2000 debut album and its 2003 followup The Consumation garnered considerable word-of-mouth attention, and the band's grass-roots success and growing reputation as a live act helped to win them a deal with Capitol Records. HURT's two Capitol albums, Vol. 1 (2006) and Vol. II (2007) plus the re-issue of The Re-Consumation (2008), a reworked, expanded edition of their earlier indie release—saw the band substantially expanding its national audience, spawning such rock radio anthems as "Rapture," "Falls Apart," "Ten Ton Brick," "Wars" and "Numbers." Tours with some of rock's biggest acts, including Staind, Three Days Grace, Alice in Chains, Seether and Breaking Benjamin, helped to further broaden HURT's uncommonly loyal and devoted fan base.
Despite their growing success, HURT's transition from D.I.Y. self-reliance to the mainstream music-industry machine proved to be an uncomfortable one in some respects, and by 2009, HURT was back in independent territory. True to form, the band chose to forge ahead and continue making music without corporate life support, and the band rose to the occasion to create the raw, unadorned Goodbye to the Machine, recorded quickly and with a minimum of production frills. That album helped to set the stage for the creative leap of The Crux.
"We put three years of work into The Crux," Loren notes. "We wrote and recorded Goodbye to the Machine really quickly. After that, I swore to myself that we wouldn't rush it the next time. So as Goodbye to the Machine was coming out, I began working on The Crux, and I decided that I would put my whole heart and soul and life into it.
"The first goal with this project was to return to the sound that people knew and loved about the band," he says of The Crux. "The next goal was to do a lot of self-exploration. There were a lot of ideas thrown around, and we stripped down every song idea and worked on those from scratch. It was a long process, but it was very satisfying. You really have to mess with things and experiment and push yourself. It was very much like working on a classical piece, fine-tuning it to make sure that it was as effective as it could be."
True to Loren's intention of putting his all into the project, the birth cycle of The Crux proved to be a personal challenge as much as a musical one. "What you're hearing on this record is definitely what I was feeling when I was making it, and what I was feeling is not the best place to be," he asserts. "I found myself displaced, to the point where I was unable to even talk to my family. I had broken just about every bond I could and I was at my lowest point, and there was nothing left for me to do but to work on this album. But sometimes that's where the best things come from. I think that everyone in the band actually delved into some form of insanity during the making of this album, and we had to pull together as a team and bring each other out of it. We were working on things in such depth that we all went a little crazy.
"This new iteration of the band is something that I'm very proud of," Loren continues. "These are the finest musicians I've ever worked with, and we've regained the sense of brotherhood that the band had in the beginning, with everyone united to achieve a common goal. That feeling is the best place to be, because I couldn't really open myself up if I didn't trust everybody in the group."
Prior to The Crux's release, HURT road-tested their new material and reinvented many of their older songs with their first all-acoustic tour, which allowed the band to reconnect with its fans in an intimate setting. The ability to pursue such projects is just one manifestation of the flexibility that comes with HURT's new independent status—a status that's much better suited to the band's iconoclastic nature.
"Being independent again has been incredibly liberating," Loren states. "I know that we're a hard band to classify or put into an easy genre, but I don't really care. If you're going to do something that's from the heart and from the soul, you can't betray it for the sake of convenience. You just have to do your best and be as honest as you can, and then hang up your hat for the night, try to get some sleep, and try to be even better the next day.
For many in the heavy music scene, Righteous Vendetta needs little introduction. With two full length records under their belt along with numerous tours with a show history just over 800 shows in the past 4 years, Righteous Vendetta has amassed fans in the US and abroad while honing their performance skills to a fine edge. The Wyoming-based group's tight, technical brand of metalcore has earned them a great deal of respect as well as publicity, with features in publications such as HM, Amp, Hails and Horns, and AP. Most recently, they embarked on a European tour with veterans Spoken and Inhale Exhale, hitting half a dozen countries across central and eastern Europe. Meanwhile, Righteous Vendetta's single 'This Pain' spent 15 weeks in the top 20 on Billboard's Christian Rock chart, achieving commercial success rarely seen by bands who cut their teeth in the hardcore and metal scene, while also signaling a new creative direction for the band's upcoming release. Look for new material from Righteous Vendetta in spring 2013.
Beautiful Disturbance is an "in your face" musical experience that has to be encountered in person. The live explosion draws you in as the lyrics penetrate your soul. Heavily influenced by Hard and Heavy Rock, they continually dive deeper into new auditory territory. This 4 piece band from Waco, Texas was officially formed in March of 2010 with a simple mission…to rock your soul and change your life! The band bleeds passion, one which you realize when you experience them live and meet them in person. The approach towards music and life with this band is to give everything and hold nothing back. There is no "plan B."
Leading the way is the fearless and passionate Brenda Flores. Her voice is truly unforgettable and her presence demands attention. She evolves and embraces each song to deliver a personal, emotional, and spiritual moment. You are left with a life lasting memory of vocal beauty that is unmatched. When on stage, the war begins and she lights up the entire venue. Sandi Horton from WacoTrib was quoted saying that "her beautiful voice draws a big crowd who likes to have fun." Ginger Ella from UltimateLocalMusic.com stated that this "girl can sing, (having) a velvet voice with incredible range and gut wrenching emotion."
Auggie stands to her side with an aggressive and zealous guitar style that will leave you screaming for more. He combines his artistry of entertainment with his guitar riffs and solos to give you a mind blowing experience. He is inspired to write songs that will impact beyond the superficial. His goal is to "take each fan through a unique and wonderful trip of deep emotion in sincerity of music that will define and inspire a new generation." Each song is inspired and written with the purpose of infusing love in a way that changes lives. He is known to be the "He-Man" of rock because of his physical presence and his aggressive passion on stage, but loves having an open heart for everyone. He loves his fans and works hard at making each one a real friend.
Belle's grace and skill is breath taking and will leave your jaw on the floor. Her understanding of the beauty of composition of the bass and the role it plays explodes into each song by accenting the drums and creating a larger than life sound. Being the Hard Rock backbone of this band, she consistently challenges the band to create a heavy sound that is tasteful and full of impact. Her bass skills leave your head spinning while her live performances will change the way you view female rockers. Her beauty transcends to her instrument and into the music that will brand an image of powerful artistry in your heart that will never be forgotten.
Chris brings out an undeniable monster of rock to the drums with a passion that cannot be contained. His complexity goes hand in hand with his ability to morph his style into every song. His vast experience on the piano has given him a distinct approach to the drums (in that he creates beautiful and artistic rhythms). Having been influenced by bands such as, Between the Buried and Me, Dream Theater, and Muse, has given him the ability to adapt to the bands he has been part of and exercise an endurance to strive to ultimate perfection. He now brings a heavier edge to Beautiful Disturbance that has completed the puzzle to the ever growing and explosive musicianship.
Destiny is what is pursued by this band in every step they take. Limitations do not exist with the faith that is put forth and lived by. The vanity of fame and fortune are not what drives this band, but in the fact that this music, filled with raw emotion and passion, can change lives. They are concerned with creating more than just a moment, but a lifelong memory of spiritual refinement. The goal is simple…on to the world to create a Beautiful Disturbance!
Austin's Distant Lights combine complex instrumentation and masterful vocals and lyricism into a powerful, modern rock sound. While the group has been favorably compared to the likes of A Perfect Circle, Radiohead, or Muse they are unquestionably unique. Distant Lights toe the line between rock and performance art, pop and metal, serenity and a storm.
Currently in the studio recording their 2nd album, Distant Lights' momentum continues to accelerate as their musical exploration has drawn increasing attention. After landing a finalist spot in last years Hard Rock Battle of the Bands they went on to win the 2010 Austin Chronicle Sound Wars competition. They've been featured numerous times in Houston's 94.5 Buzz FM showcases, with airplay of the single "Heart of Fire".
$10.00 - $13.00
** This event is ALL AGES, however, anyone under the age of 21 will be charged an additional 'minor surcharge' at the door. Everyone MUST present a valid I.D. to enter the venue. **
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