VINYL MUSIC HALL PRESENTS
Nahko & Medicine For The People
2 S. Palafox St.
Pensacola, FL, 35202
Doors 8:00 PM (event ends at 11:30 PM)
This event is all ages
Since forming in 2007, The Revivalists have rightfully earned their reputation as the next breakout band from the music capital of New Orleans. The group’s blend of soulful, syncopated rock and earnest songwriting comes to life through a meticulously crafted and ever-evolving live performance. In 2011 they were named Best Emerging Artist at Gambit Magazine’s Big Easy Awards, and were nominated for Best Rock Act in 2012.
With the seed being planted during jam sessions at Tipitina’s Sunday Music Workshops, where drummer Andrew Campanelli and guitarist Zack Feinberg first met, the band found its frontman by pure luck when Feinberg heard David Shaw singing on his Birch Street porch. Fueling the rhythm section, Campanelli’s college friend, George Gekas, became the bassist. Feinberg later invited saxophonist Rob Ingraham, the two realizing their incontestable dynamic while taking music classes at Tulane University. After a fortuitous meeting at French Quarter Fest, Ed Williams joined on the pedal steel guitar. The newest addition to The Revivalists’ cross-generational rocking goodness comes from multi-instrumentalist Michael Girardot. Having played sporadically with the band since 2009, he has grown into an integral part of their live show.
The Revivalists incessantly tour on the national level, often times supporting giants like Rebirth Brass Band and Galactic. They’re also proud to have opened for notable acts JJ Grey & Mofro, Dr. John, and Trombone Shorty. Additionally, they have established themselves as an engaging festival act, gaining notoriety at CMJ (NYC), DeLuna Fest (Florida), Voodoo Music Fest (New Orleans), Hangout Music Festival (Gulf Shores, AL), The Kennedy Center Millennium Stage Series (Washington, DC) and the legendary New Orleans Jazz and Heritage Festival. At the latter they grabbed the attention of Rolling Stone Senior Editor, David Fricke, who later called their performance, “a Crescent City-rhythm spin on jam-band jubilee.”
Nahko & Medicine For The People
Oregon-native Nahko, born a mix of Apache, Puerto Rican, and Filipino cultures and adopted into an American family, suffered an identity crisis from an early age. But the unifying power of music entered his life as a healing remedy, when he took up the piano at age six. Armed with his newfound talent, he set out to bridge the cultural gaps dividing his own psyche and began producing a public, musical journal of his journey toward personal, spiritual, and communal healing.
From his hometown of Portland to the shores of Hawaii or Bali, wherever he has traveled, Nahko is joined by a tribe of culturally alienated truth seekers for whom Nahko’s story resonates with their own, and who find redemption in his voice, guitar, flute, and drum. Whether solo or with the dynamic group of musical troubadours known as “Medicine for the People,” Nahko delivers a soulful dose of curative vibrations that moves audiences to dance, laugh, and cry. His ‘spirited redemption music’ lays bear the scars of cultural wounds, environmental wrongs, and social injustices. His lyrics bear the burden of heavy messages, but the load is lightened by agile melodies and driving rhythms that coerce all who bear witness into spirited, purifying, movement. His humor disarms, and his lyrical stories open listeners to the power of “Real Talk Music”—songs that reveal an honesty and depth so raw, it inspires an internal revival that echoes out into the world. Sometimes exuberant, sometimes savage, but always transformational, Nahko makes the movement move.
In a time when there is a need for balance between the masculine and feminine voice, Hope rises to meet this call with her conscious, powerful beats. Hope is the percussionist for Nahko and Medicine for the People. Bringing the tribal rhythms to Medicine’s sound, Hope invokes ancient vibrations mixed with street root beats on the Afro Peruvian Bajo Cajon drum and West African Djembe drum. Her unique flair integrates influences from cultures where she has studied percussion including Senegal, West Africa, Brazil, and Peru. A hand drummer for nearly twenty years, she is also an artist and community activist, and these passions continue to inspire and fuel her music.
Hope’s indpendent music is a journey of percussion and feminine vocals with layers of world instruments including cajon, djembe, halo drum, dun duns, singing bowls, digeridoo, flute, and sacred tones with a dub dance feel. Hope’s second solo album, Purify, is coming out in 2013. For more information visit
* General Admission * Standing Room Only- Any Available Seating Will Be On A Strictly First Come/ First Serve Basis * All Ages * Additional $5 Cash Surcharge At The Door For Under 21 * Attendees Under 16 Must Be Accompanied By A Ticketed, Adult Guardian *
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