When they wrote their self-titled EP, Lucius was living in an old victorian house in Brooklyn’s Ditmas Park. They found the place on Craigslist, not knowing it was a recording studio and music school for 60 years prior. There were so many treasures that had been left behind – like the 100 year old Steinway piano that would nurture their writing habits. The four-story musical fortress also housed 8 other musician friends and would soon open their doors to bandmates, Danny Molad and Peter Lalish and later, Andrew Burri.

Holly and Jess have had a relationship filled with coincidences. Their lives are uniquely in sync. “When we were ready to make our record we felt it was imperative that the recording reflect that synergy. None of us were concerned with trying to sound like ‘a band’, we just wanted to create a unique environment for each song to sit in.” Much of their record is about these unique experiences, told from the same perspective, at the same time, with the same sentiment. Two voices as one.

Lucius has been described by the New York Times as having “luscious, luminous, lilting lullabies”, by Seventeen Magazine as “alluring and magnetic” and their song “Don’t Just Sit There” is currently being played on NPR’s All Songs Considered. Their self-titled EP, produced by Tony Berg (Phantom Planet, Aimee Mann, Beck), bandmate Dan Molad (Elizabeth & The Catapult, Luke Temple/Here We Go Magic) & Steve Wall, is an exciting debut.

Some people have repressed desires that they would prefer to keep secret. They may be dark, lustful, destructive or absurd. They might reveal themselves in a dream (or nightmare). Alex Lilly and Bram Inscore created Touché as an outlet for their repressed desires, for the most part expressing them ambiguously but sometimes with colorful clarity.

As teens, the two met in a San Francisco prep school where they became fast friends. They both studied Classical music in college and they each moved to LA at different points to pursue their musical aspirations -- working with such luminaries as Beck, Charlotte Gainsbourg, Thurston Moore, The Bird and the Bee, and Mike Patton. Alex also fronted her own band, Obi Best.

The duo began writing in a studio in the hilly outskirts of LA, influenced by the sounds of Grace Jones, Arthur Russell, Todd Rundgren, rap radio station KDAY and Europop. The songs were constructed by chopping and arranging their improvisations, embellished with some previously unfulfilled desires such as 70's style guitar shredding and brief forays into rapping. The name, Touché, refers to the sporting nature of their collaborative process as well as to the music's softly confrontational style. French for "touch", Touché also alludes to the music's sensuality - it's boy-girl harmonies and oscillating textures.

Bram and Alex are multi-instrumentalists with a penchant for classic pop songwriting as well as lush synthscapes and dance floor anthems. They are song-crafters that always end up in the rave tent.

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