Electric City Presents
JBM, Gentleman Savage
Kansas City, MO, 64111
This event is 21 and over
No one knows summer like Santa Monica's Zach Yudin, a man of leisure who recognizes "the epic" in something as simple as a twilight bicycle ride or a short drive up the coast. As Cayucas, Yudin has set about creating an impressionistic portrait of summer's long, bittersweet dazzle.
An avid bird-watcher, Yudin majored in both Music Theory/Production and Japanese. He spent a post-grad year living and teaching in Tokyo, then taking the past couple of years to hone the sound of Cayucas. He posted a couple of songs online, picking up a lot of love and attention, but it was only when he entered the studio with producer/multi-instrumentalist Richard Swift last year that Cayucas was truly defined — sun-inspired jams that touch upon The Animals, Harry Belafonte and the surfer-folk mysticism of the Northwest.
"Cayucas' early samplings support a sunshine-required, beach-view-recommended setting for maximum enjoyment of the clever pop sensibilities." --Paste's 12 CA Acts You Should Listen to Now
Despite feeling disillusioned, drained, and disconnected after an intense year of touring, Brooklyn-based recording artist Jesse Marchant, a.k.a. JBM, felt an insatiable need quietly gestating. After a much needed break, he relocated to a remote cabin in the Catskills and started the long process of writing and recording Stray Ashes, his followup to 2010's Not Even in July. Like a twilight journey through canyons, with noctilucent clouds on the horizon, these songs flow with refined grace and raw force.
Rather than starting with an acoustic guitar and vocals, Marchant experimented with drums and loops of electric guitar melodies. As the winter progressed, he continued this process until the song structures emerged. To record he relocated to a large log house next to a frozen lake inhabited by hundreds of geese in upstate New York. Despite the din of geese fighting outside, and being attacked by one particular goose on more than one occasion, he managed to record everything but the vocals. He then moved to the city temporarily where he wandered the streets listening to the instrumentals and writing lyrics.
Next, John Congleton joined the project for additional recording and mixing. Congleton's contributions help to define a sonic space throughout Stray Ashes that perfectly cradles Jesse's earnest vocals, as do the additional performances of McKenzie Smith (of Midlake, Drums), and Macey Taylor (of A.A. Bondy, Bass) on several tracks, which were recorded by Congleton in his Texas studio. The gauzy sonic blanket Marchant and Congleton have created provides a foundation for the mysterious collection of songs on Stray Ashes. We don't have to fully understand them to be moved by these shining beacons guiding us through a mellifluous fog. Propelled by Marchant's voice, songs like "Winter Ghosts" and "Keeping Up" seem to effortlessly fill the room with an addictive somber haze, while Marchant seems to implore us to return to something true and meaningful on other standouts like "Ferry" and "Only Now."
The members of Kansas City's Gentleman Savage came together during the winter of 2010 in a damp basement, after their previous band, Mother Culture, called it quits. The split left guitarist Holden Simpson, bassist Kyle Anthony and drummer Nick Talley without an outlet, so the three regrouped and began work on a new set of material. They started brainstorming and hashing out ideas officially in the spring of 2011 and played their first show in October of that year.
Landing somewhere between psychedelic rock and outright pop, the band have built a sound well versed in the vocabulary of the 60’s and 70’s. However, while the guys in Gentleman Savage pay tribute to the bands of yore, they also bring a smart pop sensibility to their song writing, layering in strong vocal hooks and guitar riffs with a steady, confident beat on which they build their sound. The band elegantly weaves rolling bass grooves accented by jangling guitars, 3 part harmonies, swirling organs and electric pianos, to build a sound that is not only captivating, but beautifully haunting as well. During the winter of 2011/12 the band began work on their first EP at Westend Studios in Kansas City.
The Riot Room
Mon, March 2
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Wed, March 11