Although everybody seems to have a different account of who came first in the world of New York/New Jersey area thrash metal, it seems certain that New Jersey’s Overkill have stayed around the longest, and have never let their fans down by remaining musically consistent and true to their roots for over 20 years and an unprecedented 14 full length albums. By 1987’s Taking Over, the band had worked their way up to a deal with Atlantic Records. This relationship would last another 7 years based on the strength and consistency of Overkill’s music.

1988’s Under The Influence and 1989’s The Years Of Decay represent Overkill in their prime. Sid Falck would replace Rat Skates on drums to bring his own brutal percussive assault to Verni’s already powerful rhythm section. The band had already established a rabid fan base with songs like “Rotten To The Core” and “Hammerhead” (as well as their infamous cover of D.O.A.’s “Fuck You”), and new songs like “Evil Never Dies” and “Hello From The Gutter” would become Overkill mainstays as well. A video for “Hello From The Gutter” was garnering much fan response when it received play on MTV’s “Headbangers Ball”. 1994’s W.F.O. would be Overkill’s final album with Atlantic, as they would release their first official full-length live assault, Wrecking Your Neck on CMC in 1995. 1996-1999 would see Overkill release 3 more full length albums (Killing Kind, From The Underground and Below, and Necroshine). In 2000, Overkill released Bloodletting on Metal-Is, adding guitarist Dave Linsk to the fray. The current Overkill lineup would be completed with the release of the live album Wrecking Everything and the addition of second guitarist Derek Tailer in 2002. Finally, Overkill would release one of their most well-received albums to date Killbox 13 on Spitfire Records in 2003. As fans rabidly await the imminent release of their latest contribution on Spitfire, ReliXIV, it seems obvious that Overkill are, and always have been, a band that knows who their fans are, knows what true metal fans expect, and will settle for nothing but the best from themselves. An entirely self-produced album, ReliXIV is a continuation of the Overkill legacy. Immortalis, the band..s 15th studio album was release in October 2007 via Bodog Music.

Now with Nuclear Blast Records, it seems the band has finally found themselves a home:

“Good to be with a label that understands what Overkill are about and what Metal is about in 2010, exciting!” Bobby Blitz The upcoming album features Overkill's latest lineup, which, along with founders Bobby "Blitz" Ellsworth and D.D. Verni, includes guitarists Derek "The Skull" Tailer and Dave Linsk, as well as the newest member to join the band, drummer Ron Lipnicki.

There are few names as well respected as Overkill, and with the resurgence of metal in the music world, this band is poised to return to the top. Overkill are ready to show mature metal heads they still have it and are geared up to teach the new schoolers exactly how it's done.

“Ironbound” is one hell of a thrashing piece which leads the band back to their oldschool roots!

Combine extreme music with an edgy, biting implacability, complement it with politically motivated lyrics that have a distinct tendency to point the finger at grievances and aren't afraid of exposing abhorrent facts, and you just might get a sense of the pandemonium of sounds on Hordes of Chaos, the latest recording by Germany's cult thrash metal act, Kreator, scheduled for release on Steamhammer/SPV on 19 January 2009 (Germany: 16 January, US: late January). Even in 2009, the band prove themselves to be unusually innovative and a step ahead of the game, always ready to pursue new ideas and treat themselves and their fans to maximum authenticity. Frontman Mille Petrozza, along with drummer Jürgen 'Ventor' Reil, bassist Christian Giesler and guitarist Sami Yli-Sirniö, recorded ten hard-as-nails tracks in the summer of 2008, songs with a persistent and unmistakable message - Kreator are experts when it comes to pure, unadulterated thrash metal.

In terms of content and composition, Hordes of Chaos takes up where its predecessor, Enemy of God (2005), left off. Petrozza, who again offers his points of view for public discussion, explains, "The global political situation has come apart at the seams. The Eastern and Western Blocs no longer exist, and today it's a case of dog eat dog." Petrozza considers the album's raw, in-your-face approach "a warning to the coming generation. Everybody has to go their own path in life and should try not to buy into the propaganda lies that governments feed us.

Hordes of Chaos was recorded at Berlin's Tritonus studios under the direction of producer Moses Schneider. Schneider is renowned for his fresh and exceptionally dynamic working methods with bands and artists such as Tocotronic and Beatsteaks. "We consciously decided on Moses as our producer for the live recording of the basic tracks at the studio," says Petrozza. "This was the first time since Pleasure to Kill that we worked in this fashion. The new album is a 100% realistic reflection of Kreator's live qualities. Instead of exploring every little detail to sterile perfection with the help of computer technology, this time around we wanted to deliver as dynamic of a production as possible. There can be no doubt that we've achieved our target in Hordes of Chaos." The album was mixed in London by Colin Richardson (of Slipknot, Bullet for my Valentine, Cradle of Filth fame).

The result is exactly what one would expect from Kreator in terms of its energy and stylistic direction. Hordes of Chaos brilliantly conveys the same intense energy that Kreator is known for in their live stage shows. "We play our music just the way it was played in the seventies," says Petrozza, whom rigorously despises any artificial cosmetics added through sound distorting studio tricks. "The problem is that nowadays, even the worst groups can sound great, thanks to computer mastering. We don't want that. We want to sound natural and record the album just as it was done in the past.

The new studio album will be available in three different versions. The jewel case edition includes the ten regular album songs, and the deluxe version features an additional bonus DVD, which shows an atmospheric making of the album in super-8 quality, courtesy of the Berlin film maker, Stephanie Beauvoir.

$23.50 - $75.00


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