As You Like It presents
MAGIC MOUNTAIN HIGH (live), Move D (dj set), Dave Aju (dj set)
Rich Korach, MOSSMOSS
101 6th St
San Francisco, California (CA), 94103
9:00 PM (event ends at 4:00 AM)
This event is 21 and over
MAGIC MOUNTAIN HIGH
Near death experiences bring folks together.
On a crazy Porchetta infused race from Rome to Foligno, Move D & Juju & Jordash first met. They decided that if they survived the curvy mountainous roads of Umbria they would form a band and release 17 LPs together, to symbolize the 17 KG of pork they ingested that fateful morning.
The three decided to plan a studio session at David's home studio in Heidelberg. That session turned into a 4 day jam lockdown and a few months later a few more jam packed studio days were planned. Due to the groups improvisational inclinations, live improv sessions were the next step, and thru out 2011 several of those occurred, each one more enjoyable and more successful than the one before. ( listen: http://soundcloud.com/move-d/sets/magic-mountain-high/ )
That's the legend anyhow...
Magic Mountain High love hardware synthesizers and drum machines.
Magic Mountain High love group improvisations.
Magic Mountain High love Techno.
Magic Mountain High love House.
Magic Mountain High love it when everyone is dancing.
If talent converted into record sales, David Moufang would be a very rich man. His records with partner Jonas Grossmann as Deep Space Network and his own solo releases as Move D are among the furthest outreaches of techno's push towards the stars. Moufang grew up in Heidelberg listening to his parents' collection of early Pink Floyd and Kraftwerk records but the most overwhelming influence on his childhood was outer space, the result of a trip to the cinema with his father to see 2001: A Space Odyssey. "I was space crazy as a child," Moufang told journalist Tony Marcus in 1995, "when the other kids were riding around in their little cars I'd be building my own spacecraft. I'd put in a small engine, put rubber on the wheels so it made some noise and stand there with a walkie-talkie and my headphones on. It was very techno..."
Moufang's grandmothers were both classical concert pianists. He can still remember favourite childhood moments, sitting under the piano as they played, surrounded and lost in sound. By the age of 12, he taken up drums (he eventually went on to study classical percussion) and took up the guitar a few years later, this time taking lessons from two separate jazz guitar teachers. He played guitar in a band called Rivers & Trains well into the '90s. Occasionally he even plied his trade as a DJ, spinning electro, funk and jazz. It wasn't until 1989 that he discovered techno when a friend of his, D-Man, invited him to a club he was running in the industrial suburb of Mannheim. When Moufang walked into the Milk! Club that night - like so many others before and after him - he discovered a scene that changed his life. Discovering Detroit, 808 State, Nexus 21 and the first stirrings of ambient techno, Moufang became a committed clubber. Through D-Man, he met Redagain P who converted Moufang's nickname "Mufti" into the more kinetic Move D.
Moufang's first records were made with Grossmann as Deep Space Network. Their first two albums, EARTH TO INFINITY (1992) and BIG ROOMS (1993) suggested a significant, unpredictable and innovative talent which was confirmed by the release of HOMEWORKS (1993), a Source Records compilation that included solo tracks such as "Pulsar" and "I've Been On Drugs" alongside collaborations with D-Man. Ranging from subtle, Detroit-inflected grooves to wired electronic jazz, Moufang's music seemed to operate on ambience, slow motion and subdued rhythm, a sound that was rooted, as Tony Marcus later pointed out, "in the jazzy, laid-back but still hip-tugging tradition of Larry Heard, Carl Craig's "Microlovr" or "The Wonders Of Wishing" and New York's Burrell Brothers... listening to [Moufang's records] is like a sweet and lazy adventure into sound, a space where time and stress are suspended."
REAGENZ (1994), a collaboration with SpaceTime Continuum's Jonah Sharp, was an astonishing fusion of beautiful, experimental electronics that reached out to a point that even Detroit's most visionary producers hadn't yet achieved. Recorded between Heidelberg and San Francisco, it sounded like pianist Bill Evans might have if he'd grown up surrounded by Star Trek instead of modal jazz.
Moufang's debut album, KUNSTSTOFF (1995), was equally remarkable. Tracks such as "Soap Bubbles" and "In/Out" oscillated between soft, dreamlike textures and the spiked electronics that Detroit was beginning to explore. The glittering production surfaces were a legacy of Moufang's days as a student at the School of Audio Engineering, but the music they encompassed was equally compelling. It was an album full of contrasts - between the jagged drugfloor grooves of, say, "Nimm 2" and the gentle, synthetic lullaby of "Beyond The Machine" or between the pristine sounds Moufang conjured with and the haloes of analogue noise which surrounded others. Amazingly pretty and wildly innovative, KUNSTSTOFF remains one of the most accomplished techno albums to emerge from Europe so far.
The collaborative ventures that followed - including EXPLORING THE PSYCHEDELIC LANDSCAPE (1996) and A DAY IN THE LIVE (1997) with Pete Namlook - preceded an experimental single for Sheffield's Warp label. Moufang had been a big fan of the label's "bleep techno" output in the early '90s and "Cymbelin" was, in some ways, a homage to that sound, twisting beats and synths into a bass heavy groove. But the producer's ability to soften almost any structure with aching prettiness transformed the record into a unique fusion.
Another unique fusion was suggested by the release of CONJOINT (1997). A collaboration between Moufang, jazz veteran Karl Berger, Jamie Hodge (of Born Under A Rhyming Planet) and Gunter "Ruit" Kraus, it was Moufang's most overtly jazzed outing so far, but provided spectacular evidence of his growing abilities as a producer and composer. Currently working on a number of new projects - including a new Deep Space Network album and a second Conjoint album - Moufang continues to explore the boundaries of electronic music.
San Francisco Bay Area native Marc Barrite created the DJ/production alias Dave Aju as a vehicle for his unique take on electronic music. Working at his own pace, Dave Aju has come to be known as a reliable source for fresh and expressive sounds, combining knowledge and passion for the roots of dance music culture with a natural fascination with sound and an adventurous approach, unafraid to try new things. A broad palette of outside musical influences can be found in Aju's work, though his jazz upbringing and hip-hop foundation are clearly at the core, with an overall warm, laid back, unmistakably west coast vibe.
Dave Aju remixes, DJ sets, and live performances are currently in demand at labels, clubs, and festivals across the globe, and favored by a number of forward-thinking peers including Matthew Herbert, who has recently commissioned Aju for an EP release. His debut full-length album Open Wide is still causing a stir in the electronic music community after being nominated for the honorable Preis der Deutschen Schallplattenkritik, and praised by both everyday music-lovers and esteemed colleagues for it's bold attempt at bridging diverse sub-genres and the experimental yet effective use of only his mouth and voice as sound sources.
Rich Korach discovered underground electronic music in 1994, finally encountering the sound that would transform the rest of his life. Growing up just north of Detroit, Rich witnessed performances from some of the early pioneers of techno. Shortly after immersing himself in the underground warehouse scene in Detroit, he became an active DJ himself. The next decade included such highlights as: being a resident DJ for Detroit’s legendary production company, Paxahau, playing gigs at: the Detroit Electronic Music Festival (2005 and 2008), Space – Ibiza, Weekend Club – Berlin, and all across the U.S. Rich even had an impromptu tag session with one of his musical heroes of the time, Richie Hawtin, in 2005.
In 2008, Rich moved to San Francisco to thwart the cold and live in one of the most diverse and beautiful cities in America. Since then, his performances in the Bay Area underground have caused quite the stir, resulting in a residency with promotions powerhouse As You Like It (AYLI) and a steadily increasing demand for performances. He has played alongside a wealth of artists, including Tiger and Woods, Deniz Kurtel, Lee Burridge, Matthias Tanzmann, Guillaume & the Coutu Dumonts, Walker Bernard, Christina Chatfield, Mike Huckaby, Steffi and Lee Curtiss – and that was just 2011. To say Rich Korach’s sound is an instant classic is understood to those who’ve become converts to his shows. His is an insatiable appetite for the unexpected, which makes watching his next move upward and onward such a joy.
Mossmoss (aka Mattie Bowen) is a Scottish born dj and producer with an intense interest in exploring deep dance music, a keen ear and eye for detail, and a fiery passion for all things psychedelic. An artist by nature, his wandering sets paint landscapes of light and dark patterns, textures, and strange melody. Matties inspiration draws from the organic details of existence, the tiny pieces most overlook in exchange for the big-picture rush of an ever changing modern world. His mind deeply set to explore these facets and to share his exploration in all forms to those that might look and listen. Mossmoss currently resides San Francisco and draws on The City and its colorful nightlife for constant immersive inspiration.
2012 was a busy year for Mossmoss, alongside As You Like It residents Rich Korach, Christina Chatfield and Brian Bejarano they have helped spur a dance music renaissance in San Francisco's Bay Area. Playing many clubs and underground parties in support of Jeff Mills, Laurent Garnier, Nicholas Jaar, Maya Jane Coles, Ben UFO, Scuba, Function, Silent Servant, Rrose, Kollektiv Turmstrasse, Kassem Mosse, Matthew Dear, Drumcell, Daniel Bell, Ryan Crosson and many many other talented artists.
2013 and beyond promises to be an exciting time in the development of one of San Franciscos most eager players.
As You Like It (AYLI) is the result of a shared taste for quality electronic music, late nights and experiences that focus on cutting-edge sounds by today’s most driven artists, while striving for and acknowledging timelessness.
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