120 MINUTES & LIGHTS DOWN LOW: COLD CAVE, BRENMAR... & MORE TBA
161 Erie Street
San Francisco, CA, 94103
Doors 9:00 PM (event ends at 3:00 AM)
This event is 21 and over
Cold Cave is the electronic music of acclaimed musician, writer and artist Wesley Eisold. Beginning in 2007, Cold Cave has become a name synonymous with the contemporary resurgence of Darkwave and Synth Pop sub-genres, propelling Cold Cave to perform at world class museums The Getty and the Guggenheim, as well as performances with legends Sonic Youth, The Jesus and Mary Chain, among others. The sound has spanned from experimental industrial noise to rock'n'roll influenced electronic music.
According to the Guardian, "Wesley Eisold is an absolutely new, young god of nihilism and despair – he brilliantly captures Cold Cave's aesthetic: the Morrissey of How Soon Is Now wailing over Nitzer Ebb beats and New Order melodies."
According to Eisold, if anything, his music reflects what it feels like to live in the present. Eisold, whose baritone is as rich and resonating as that of Phil Oakey, Nick Cave or Iggy Pop, says "Of course we love the lineage of the genre, early experiments with machines to convey human emotion; the marriage between pop and industrial music. At the time it was documenting the early stages of a new world, and we are recording what it feels like to be alive in that world.
Brenmar was a name given to me by my then 2 year old brother. Born in Chicago, living in NYC, this is club music for the present. My songs/mixes usually revolve around money, sex, and party. Sometimes a little heartache.
Boyd Rice / NON announces the release of a new album, Back To Mono, on 22 October 2012. Back To Mono is a return to Boyd Rice's noise roots, and the first new album since 2002's Children Of The Black Sun.
Back To Mono's tracklisting encompasses brand new recordings – made with Wes Eisold (Cold Cave), NY producer Bryin Dall (Thee Majesty / Hirsute Pursuit) and long time collaborator Z'ev, alongside unreleased studio and live recordings from the late 70s, plus a cover of The Normal's 'Warm Leatherette', Mute's first release which, explains Rice, is "the best electronic pop song – bar none. I bought that single fifteen minutes before meeting Daniel. And that meeting changed my life."
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