The Silent Comedy
54 North Orange Ave
Orlando, FL, 32801
This event is all ages
Watch & Listen
By all accounts, 2012 was a banner year for up-and-coming blues-hop/soul singer ZZ Ward. Releasing the mixtape Eleven Roses in February, the Criminal EP in May and her full-length debut Til the Casket Drops in October proved she was nothing if not prolific. Since then, she has appeared on The Tonight Show with Jay Leno, had her music featured on ABC Family’s Pretty Little Liars, MTV’s Awkward and in promos for ABC’s hit series Nashville, and completed a 50-date headlining American tour with sold-out dates in Los Angeles, New York, San Francisco, Denver and Nashville. Ward is still in awe of the buzz that has continued to build around her and her music this past year.
“That was the first year I played in cities I’d never been to, and yet I had fans there,” says Ward. “They came to the shows, knew the lyrics, and had already connected with the songs. It was fun, but surreal.”
Ward, whom NPR recently declared “is going to be a star,” and whose vocal prowess Rolling Stone has praised as being “chill-inducing,” has been gradually working her way into the music scene since she began performing for her father’s blues band at age 13. Growing up in rural Oregon, her love of hip-hop and rap eventually took her to the nearby college town of Eugene, where she sang choruses at underground hip-hop clubs for local rappers. Despite these experiences though, she struggled to reconcile her love of blues, hip-hop, soul and rock on a professional level.
“It took me a while to embrace the sort of music I wanted to make and accept that making it for myself was enough,” Ward says. “I just wanted to write songs that I loved, so that’s what I did on this record.”
Ward’s honey-smoked vocals and soulful lyrics ensnare you from the opening moments of the stomping title track and hold you in their hypnotic sway clear through the final notes of the cool, R&B-flavored “365 Days.” The album features thirteen tracks ranging from heartfelt ballads (“Last Love Song”) to groovy up-tempo numbers (“Move Like U Stole It”), and includes guest appearances by rising hip-hop star Kendrick Lamar and rapper Freddie Gibbs. Bluesy ditties like “Lil Darlin” sound like something you might hear in a dive bar, and the funky hip-hop track “Charlie Ain’t Home,” acts as an imaginative reply to Etta James’s “Waiting on Charlie.” The maverick sensibilities which appear throughout this show-stopping record have also earned Ward’s music a nickname—Dirty Shine—which she happily embraces.
“What dirty shine means to me, personally, was the moment I stopped thinking about what people were gonna think about my music, and I just accepted who I was and what my sound was,” Ward says. “It’s about embracing your authentic self, doing what makes you happy and committing to it. That’s the message people have been getting from that phrase, so it’s inspiring.”
2013 is promising to be even busier for Ward. She recently appeared on Conan, is co-headlining The Fire and Shine Tour with Delta Rae, and will be performing at SXSW, where she first introduced herself as an artist to watch out for last year. If you thought 2012 was a great year for Ward, 2013 is going to prove the best is yet to come.
The Silent Comedy
Since 1996, brothers Jeremiah and Joshua Zimmerman have been fighting an uphill battle to pursue music. That year, their preacher father sold all of their possessions and launched the family on a worldwide adventure that included travels through Asia, Russia, the Middle East, Europe, and the entirety of the United States. From playing folk instruments in the foothills of the Himalayas, to drawing crowds around pianos at Spanish shopping malls, the boys kept their musical outlet alive by any means possible. Different elements of this life history eventually culminated in the formation of The Silent Comedy ten years later.
What started gaining momentum in 2006 as a loose collection of musicians, eventually evolved into a solid quintet of performers who turn heads for their wild live performance, genre-bending sound, and unique aesthetic. In 2008, the group recorded their eponymous debut studio EP with Brian Karscig (producer, and founding member of Lous XIV – Atlantic Records). In keeping with their DIY tradition, the band self-produced their follow up LP, Common Faults, in 2010. The resulting buzz from sold-out pressings of both records, and sold-out shows around California, have resulted in sharing the bill with such diverse performers as Mumford and Sons, Edward Sharpe and the Magnetic Zeros, Razorlight, Switchfoot, The Black Keys, Common, MGMT, Cold War Kids, Flogging Molly, The Whigs, Delta Spirit, and more.
$12.00 - $15.00
Tickets Available at the Door
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Ticket Limit - 4 ticket limit for this event per household, customer, credit card number and email address. Patrons who exceed the ticket limit will have their order cancelled automatically and without notice.
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