**Moved to Bluebird Theater: Dead Man Winter

Dead Man Winter

Dead Man Winter = Dave Simonett from Trampled by Turtles electric rock & roll band.

On a bleak, cold, frighteningly typical winter night in 2002, the last band I was in before Trampled by Turtles played our final show in a modified pizza restaurant-turned-venue inDuluth,Minnesota. The show ended, our band ended, glasses clinked cheers. We had plenty of help loading out our gear that night. So much, in fact, that someone walked away with my electric guitar and amp. They walked right passed the car where it was supposed to end up and went off into the frozen night, putting a giant period on the end of a what had been a short, struggling, but very necessary musical time for me.

I was now fully unemployed and sleeping indoors only by the good graces of friends willing to share a couch, and the loss of my instruments was more than a little devastating. Of the few possessions I still had, the one that now gained top billing was a cheap acoustic guitar collecting dust in a small room onDuluth’s central hillside. A few other musicians in town had similar instruments collecting a similar dust and we started what was our first acoustic band, Trampled by Turtles.

We’ve been able to stay together ever since and had some good fortune that escapes many more deserving and talented bands. Lately, though, the drums and amps ringing in the back of my head have been getting louder and the desire to play, write, and record in a way removed from what I’ve been up to has been getting stronger. Dead Man Winter was born out of these things.

I’d been renting a studio inMinneapolis, and with the help of some amazing people I set to the task of making a record. My partner in the dirty and thankless work of recording was local engineer, songwriter, producer, guitarslinger, and master of the vibe Erik Koskinen. We spent countless blissful hours exploring guitars, amps, mics, and players in the worn-in beauty and sanctity of Realphonic Studios. Without a doubt, countless more hours could have been spent but you can’t begin work on the next record until you put out the current one, so here it is.

The musicians that play on this album are dear friends – there’s not a one of whom would I’d hesitate to trust a song that I hold dear. In the end, the whole experience has reconnected me to that couch-surfing kid inDuluthtrying to figure out what to do next in this big, terrifying, wonderful world and now, with a few more years behind me, it’s refreshing.

- Dave Simonett, 2011

Pert' Near Sandstone

Take old time music off the back porch, throw out the hillbilly reputation, and put it in the hands of a group of guys that like to work hard and play even harder. Pert Near Sandstone rejuvenates American stringband music with raw energy; they play tightly-crafted original material that lends itself to the modern audience, as well as being stewards of the old-time and bluegrass traditions. They are just as at home playing fully acoustic in the traditional style as they are plugged in at an indie rock venue. From saloons to theaters, hollering into a single microphone and laying thick rhythm on driving fiddle melodies, their sweat-inducing, foot-stomping live performances keep crowds begging for more all night long. Pert Near Sandstone emerged from the same roots-based musical hotbed in Minneapolis that gave birth to Bob Dylan, The Jayhawks and Spider John Koerner. Originally formed by four friends from the same hometown, Pert Near Sandstone formed unintentionally over weekly, whiskey-fueled picking sessions in an old house in St. Paul, MN. They decided without any real intentions to start playing shows and the chemistry of their music and friendships, even early on, left people feeling like the party followed them everywhere they went. Word of the bands’ uncanny ability to whip audiences into frenzies spread and they were invited to play some of Minnesota’s most legendary venues including First Avenue, the Cedar Cultural Center and the Historic Orpheum Theater. The band has been taking their show across the country, paying their dues in smoke filled taverns and roadside juke joints while organically building a dedicated following from coast-to-coast. Their formative years on the road painstakingly paved the Pert Near path as the band traversed from city-to-city winning over audiences “the old fashioned way”; face-to-face. Over the course of the next five years, the band maintained a full touring schedule appearing at many national festivals and sharing the stage with many legendary musical talents; the likes of Del McCoury, WILCO and Yonder Mountain Stringband.

$15.00 - $18.00

Tickets

The DEAD MAN WINTER with PERT’ NEAR SANDSTONE performance on Saturday, June 22, 2013, has been moved to the Bluebird Theater. All tickets to the Gothic Theatre performance will be honored.Tickets are available now at AXS.com.

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**Moved to Bluebird Theater: Dead Man Winter with Pert' Near Sandstone

Saturday, June 22 · Doors 10:00 PM / Show 10:30 PM at The Gothic Theatre