Spirit of '68 presents
The Cave Singers
123 S. Walnut St
Bloomington, IN, 47401
Doors 8:30 PM / Show 9:30 PM
This event is 21 and over
Watch & Listen
The Cave Singers
There's no tomorrow / Set a place at the table
If every story is a story about love, what of suffering, surrender, and redemption? Life says they're in there too. Along with traffic jams and dishes, jobs and sunsets and spilling all the red wine on the floor. All of it.
Naomi, the fourth record from Northwestern mystics The Cave Singers, is a totem to these things: the every-, any-, all- ways of life. Written over the span of ten months and recorded in one, it bears a new and more expansive production style that captures the live performance energy the band has developed over the past five years. The disc was engineered and produced at Avast Studios in Seattle by Phil Ek (Fleet Foxes, Built To Spill, Shins, Modest Mouse). Each song on the album functions like a chapter in a bigger story, addressing themes of the past, exhuming the memories under moonlight. There are songs of addiction, car ownership, fireworks, tree houses, moving to New Mexico, and God, each shifting in all the ways that make life difficult and miraculous, astounding and beautiful.
Get quiet for awhile / Happy for each single breath
The core trio of singer Pete Quirk, guitarist Derek Fudesco & drummer Marty Lund have added long time friend Morgan Henderson (Blood Brothers, Fleet Foxes) on bass and extra instrumentation to round out The Cave Singers family. Together they have charted new territory for the band both musically and spiritually, while remaining true to their distinctive brand of brushfired folk. After some time in the dark wealth of the unknown, they have returned to the light with a revitalized purpose. Making music as a cure. Music as a home you always have.
I'm done with sorrow / Don't need to follow
But who or what is Naomi? Naomi is the farthest star just within sight. The tiniest shell, that though broken, remains whole. A fictional muse, who sleeps it off on your couch with her shoes still on. A holy waitress of the cosmos. A miracle, a change, a rekindled sinner who paints all his neighbor's homes for free. A breath, a beat of the heart. A love.
Sit here at the window / Watch it all move through rain
West Bend is a Southeast Wisconsin town where the Milwaukee River shifts directions, angling to suddenly head West. It’s also the home of Blessed Feathers, a duo that initiated when Donivan Berube’s life similarly altered course. Hailing from Lakeland Florida, FL, Berube was raised as a Jehovah’s Witness, teaching himself guitar and recorded songs in his bedroom in an attempt to pursue his passion. The musician eventually left home at 17, disassociating himself from the church and driving 36 hours from the Florida sunshine into a Wisconsin blizzard. Berube found work in a restaurant in West Bend where he met Jacquelyn Beaupre, who is now his partner in both music and life.
Blessed Feathers arose from Beaupre’s solo material, which Berube produced while living on a farm in Farmington, WI in 2009. Originally he was only interested in augmenting her songwriting, bolstering the organic, folk-inspired track with additional instrumentation and vocal harmonies, but slowly the duo began constructing songs together, each bringing their own stylistic tendencies to the table. “We didn’t really have a plan set in our minds,” Berube says of the music. “It’s just what happened.”
The pair played their first show at a West Bend bookstore in April of 2010 at a meeting of the Fireside Books’ Poetry Club, building a reputation in the surrounding towns. Their stock of songs grew, all captured via a laptop and microphone in their bedroom. In mid-2012, however, Blessed Feathers selected their favorite five tracks to record with producer Kevin McMahon (Real Estate, Titus Andronicus, The Walkmen) at his studio in New Paltz, NY. The songs, which comprise the band’s debut EP, Peaceful Beasts in an Ocean of Weeds, encapsulate Berube and Beaupre’s collective experiences, aiming to capture both their emotional and geographic journeys.
“I feel like these songs were birthed in Wisconsin so what we’re recording is how we feel about our home and focused on imagery from our home,” Beaupre says. “Donivan has a few songs from Florida, from before he came up to Wisconsin. But most of the songs are little bits and pieces of our life in Wisconsin. They’re all rooted in locale, all about places we’ve lived. We’re trying to pick out small pieces of our own history and enlighten people with that.” Berube adds, “This EP compiles our five best songs to date. We wanted to put our best foot forward, so to speak.”
The pair contributed numerous instruments to the album, including banjo, flute, vibraphone and various percussion. But, ultimately, McMahon and the band focused on maintain the earthy, homespun sound that Blessed Feathers has cultivated over the past few years. The EP resonates with a woodsy vibe, urging the listener into an intimate, skillfully crafted sonic space—aided in many ways by McMahon’s recording style.
“He has little tricks up his sleeve,” Beaupre notes. “Because we recorded it in a barn he took our vocals and recorded them through a microphone and then played them into the silo of the barn and record the natural echoes. That became the album recording. It’s a wonderful sound and we loved that idea. Things like that have helped shape the EP.”
Berube and Beaupre still work in the same restaurant where they first met, spending their time, as Berube says, “cooking dinner for strangers.” They share a 10-year-old cell phone and can only access the Internet from their local library. They are interested in capturing all their experiences, not just the ones they’ve found in West Bend. Their music is optimistic, gleaming with a sense of appreciation for the things around them and the things within them. The pair likes to say that Beaupre plays everything and Berube plays everything else, but a better way to put it is that together they play everything.