Cervantes' Masterpiece and MusicMarauders Present
Take It To The Bridge Festival II - FRIDAY ft. The Motet & Orgōne ft. Fanny Franklin w/ Euforquestra, Mikey Thunder and Big Medicine Gang
127 Trough Road
Bond, CO, 80423
Doors 5:30 PM / Show 6:00 PM (event ends at 2:00 AM)
This event is 18 and over
Watch & Listen
Hailing from Colorado, the Motet is a world-class improvisational funk band that has dedicated more than a decade to the healing powers of funky dance music. Although the early years of the band saw a constantly revolving cast of musicians, the most recent incarnation has been touring the country for the last several years developing a new and unique style with roots in funk, afrobeat, disco, electronic music, and soul. This new Motet has quickly gained a reputation for throwing infectious dance parties everywhere they go, creating a deep rapport between band and audience.
With the release of their 7th album, the Motet has once again showcased their commitment to pushing the sonic envelope while remaining dedicated to the musical traditions that have defined their sound. The band's decision to call the album "The Motet" is a reflection that the group has finally become what it has striven to be throughout its existence. The album is a truly collaborative effort, with each member contributing equally to the writing process. In addition, the band spent hundreds of hours in the studio meticulously crafting vintage tones that hearken back to the glory days of funk music. The result is an organic collection of strong interlocking parts and melodies that sounds like nothing else on this planet.
All bands have their influences, and the Motet is no different. The band has a long-standing tradition of putting on a musical costume each Halloween, playing consistently sold-out shows along the front range of Colorado while performing the music of groups like Earth Wind and Fire, Parliament Funkadelic, Tower of Power, and Jamiroquai. The careful study of these bands has had an undeniable effect on the creative direction of the Motet. As bandleader and drummer Dave Watts told the Boulder Weekly, "We realized how effective a great song is on a crowd. Instead of just the energetics we're used to bringing with improvising, soloing, and extended arrangements, we really decided to focus on tunes, because we understand how powerful a great song is."
A great song needs a great band to play it, and the Motet proves to be more than adequate in that regard. In addition to Watts, Joey Porter (keys), Garrett Sayers (bass) and Ryan Jalbert (guitar) form a core rhythm section that has been playing together for nearly a decade. This time together has led to their characteristic deep rhythmic pocket, and has created the musical bonds that allow them to take their collective improvisation to heights bordering on precognition. The Motet horns consist of Matt Pitts (sax) and Gabriel Mervine (trumpet). Although deeply rooted in jazz, their time with the Motet has made them into one of the funkiest horn sections on the scene. Front man Jans Ingber rounds out the lineup with his soulful singing, welcoming stage presence, and "Soul Train" dance moves which inspire concert goers to boogie like no one is watching.
These seven musicians form what is undoubtedly the strongest, most cohesive incarnation of the Motet to date. Whether you've loved the Motet for years or you're just tuning in, listen up. You haven't heard the Motet like this, and you won't be disappointed.
Dave Watts (drums)
Joey Porter (keys)
Garrett Sayers (bass)
Ryan Jalbert (guitar)
Gabe Mervine (trumpet)
Matt Pitts (tenor sax)
Jans Ingber (vocalist & percussion)
Los Angeles based band Orgone is many souls with a cosmic connection, a natural creative force and musicians who have played together for years. They are self schooled and continue to shape their musical voice as a solid unit of guys who hang, spin records and jam out their shared inspirations. With a rooted sense of funk, soul, afrobeat, deep rhythms and an intimate understanding of dj culture as well as each others' individual talents, Orgone seamlessly slides through multiple styles and dynamic performances. The group continuously injects whatever they play with a heavy brand of raw funk power.
At the core of the band is a rhythm section comprised of close friends who have played together for more than 10 years. Having grown artistically as a unit they function as one organic and intuitive whole. The orginal 5-member band started out by putting their own gritty takes on tunes by the likes of the JBs, the Meters, Booker T. and the MGs, Grant Green and Funkadelic among many others. They quickly gained underground respect and die hard fans. With their searing live sets and original instrumentals, Orgone soon released their debut self titled CD, "Orgone," in 2002. The result was a collection of all original down home, transcendental, tough and gritty funk instrumentals.
The band fast grew to include a powerful three-piece horn section and a fiery soul singer who all shared the same spirit and deep reverence for the music that inspired them. Singer, Fanny Franklin, joined the groups' recordings after they were floored seeing her perform with Dakah, the 30-piece hip hop orchestra, and asked her to record with them. Their first recording together, Orgone's cover of "Funky Nassau", became a ubiquitous DJ fave worldwide- first appearing on 7"(Nuff Rope) and then getting a 12" club re-edit by renowned dj Danny Krivit (Nuff Rope). It then appeared on Ubiquity's Rewind Volume 4 comp, which began the band's relationship with the prestigious label.
Gaining worldwide recognition for their raw studio recordings and exciting live sets led to the release of "The Killion Floor" on Ubiquity records- a full length album of hard hitting afro-soul & funk from the 9 piece band. While enjoying comparisons to classic acts like Rufus, War & Mandrill, or modern funk staples like Sharon Jones or Breakestra, they're quick to point out that Orgone is unique.
"..an ultra-funky intertwining of infectious grooves with melodic phrases, even when they are at their most experimental. Despite the music's complexity, it remains uncluttered and spacious...If you are into classic funk like Parliament Funkadelic, the Meters ...you should find Orgone intoxicating. In addition to the funk, R&B and jazz elements, the band exhibits an adventurous rock 'n' roll twist...This is one hell of a band."
- RELIX magazine
Originally from Iowa City, IA, Eufórquestra (pronounced: yoo • FOHR • keh • struh, think Euphoria+Orchestra) relocated to Fort Collins, CO in August 2008 and has made a splash on the Colorado music scene with its progressive, genre-crossing funk fusions and a relentless tour schedule. Eufórquestra is quickly spreading its High Intensity Global Dance Music, a unique, rhythmic blend of sound, integrating such genres as Afrobeat, Reggae, Afro-Cuban, Samba, Soca, Funk, Salsa, and Dub. Eufórquestra’s music is igniting dance floors across the country, with a sound that “explodes, dances and melts in your ear with sheer bliss” (Chris M. Slawecki; AllAboutJazz.com). As the band puts it, "we just want to make people dance.”
In October 2009, the band released their third studio album, Soup, a collection of 11 tracks that captures the band at new heights in terms of songwriting, energy and production. In an effort to spread the album far and wide as an independent artist, the band decided to give the album away for free online at www.euforquestra.com. With nearly 10,000 downloads since the album’s release, the word is spreading!
With three full length albums, a new live album and a relentless tour schedule (over 100 shows per year), Eufórquestra has created a presence on the national scene, performing all over the U.S. at clubs, concert halls, community events, and festivals, such as Wakarusa, Summer Camp, Electric Forest, 80/35 (Des Moines, IA), Sweet Pea Festival (Bozeman, MT), NedFest (Nederland, CO), Camp Barefoot (Bartow, WV) and Iowa City Jazz Festival. In addition, Eufórquestra hosts their own festival, Camp Euforia, every year in July, just outside of Iowa City, in Lone Tree, IA.
Mikey Thunder likes to party. But more than that, Mikey Thunder just so happens to be the party. Thunder spins a genre-blending, bass-driven partyrock, fusing banging electronic beats with funk, hip-hop, soul, jazz, blues, swing, reggae and anything else the party may call for on the fly. With 19 years in the game, he's mastered the art of improvisation with an uncanny ability to work with and rework the vibe of the party with precision. If you’re a true connoisseur of the Colorado music scene, you’ve seen Mikey share the stage with any number of your favorite artists- no matter the genre.
It all began for Mikey at the age of 15 when he discovered DJing in Springfield , Mass. Thru friends older brother's record collections and the Hiphop scene in the city. From there he moved up to Burlington Vt. and immersed himself in the diverse musical culture. In the fall of 1999, he relocated to the mountains of Jackson Hole where he was soon kidnapped by Michael Franti and Spearhead for the Stay Human Tour. After opening for Spearhead in Jackson Hole, Thunder was handpicked by Michael Franti to open the rest of the tour, where he mixed beats into their sets, during set break, and scratched with their beatboxer, Radioactive.
After the Spearhead tour Mikey relocated to Boulder and continued to pursue his musical career. At that time Thunder also was an Atari playing stuntman/ DJ in the band Sonar. The band shared the stage with the Wailers at the Winter Olympics in Salt Lake City, the String Cheese Incident, and played Hightimes Magazine’s SXSW party, and the Cannabis Cup in Amsterdam. In the fall of 2009 Mikey joined the Pretty Lights crew, opened for over 30 shows on their tours and performed cuts on the Making Up a Changing Mind EP, released in 2010. He also has played the sold out Red Rocks Amphitheater runs with PL in 2012/13/14.
Since that time, he has made his presence known in every single facet of the Colorado music industry. Over the years he has shared the stage with an extremely diverse range of musicians, including (but certainly not limited to): Bassnectar, The Glitch Mob, The Disco Biscuits, Boombox, Soul Live, Lettuce, The Motet, Michal Menert, Nightmares on Wax, Mr. Scruff, DJ Krush, Bonobo, Z Trip, DJ Qbert, Pete Rock, DJ Premier, Jurassic 5, Slick Rick, Method Man, Raekwon, Ghostface killa, Red Man, Juicy J, and Big Boi of Outkast. Additionally, he has been prominently featured on such festivals as Shambhala, Sonic Bloom, Snowball, Global Dance Festival, and many others.
Mikey Thunder’s true talent lies in his versatility. Every Thunder performance presents something familiar in an entirely unfamiliar way, as well as something unfamiliar presented in a way that is immediately recognizable as Thunder.
Big Medicine Gang
Keyboard player and producer A.G. Lunsfjord is a veteran of the record industry, with decades of engineering and producing under his belt. He has worked with greats such as Professor Longhair, Pat Metheny Group, Garcia & Grisman and many more. Recently producing local artists Caribou Mountain Collective, Tim Cook, Benny Galloway and others. Gragg creates an incredible soundscape with the use of a vintage bag of tricks and pianos. These sounds along with his knack for musical direction & arrangements are a corner stone of BMG's foundation.
Singer & guitarist Seth Strickland delivers a visceral rhythm guitar sound developed over a life time of writing songs and chord progressions. Strickland was a surrogate child of the Subdudes family in the 90's, getting his first gigs as a 19 year old with a Subdudes side project called Parlor Sessions headed up by John Magnie of the Dudes. Additionally, Seth's father Steve has been songwriting partners with the Dude's Tim Cook all of Seth's childhood. The three continue to collaborate when time allows.
Drummer Matt Coddel, grew up outside of Chicago & played in a number of projects around the Colorado area until he moved to Breckenridge. Coddel formed the band with Strickland and a former Bassist. Matt's approach to working a drum kit is funktastic hitting a zone between your ears and and your booty. Playing a minimal 3 or 4 piece kit, the amplitude and fervor with which he executes each hit is nothing less than bombastic.
Bassist Otis Lande is the newest addition to BMG. He's a high altitude, groove-gushing, bottom-end-bomb-dropper, known for his crushing knowledge of funk and reggae. His other awesome Colorado bands have included "Rogue Sound", "the Powerlung Rangers" and most recently "Mountain Standard Time" We are very excited for the new energy Otis brings as BMG's family continues to grow!
Trombone and producer Gustav Hoffman joined the line up in June of 2014. Gustav has many credits to his name including playing trombone with George Clintion and Parliament Funkadelic! He is also a recording studio owner/engineer in Denver CO. Gustav's melodic horn has been an incredible addition to BMG/
Alex Schult is the original percussionist. Al's style and taste ad great texture and groove to BMG's stew. Al has played with many great CO bands while maintaining an amazing mountain lifestyle.
Alexandra Schwan brings female soul to the Vocals. She now sings ands leads on guitar with the Sweet Lilies, singing with the gang schedule permitting. You can hear her powerful voice on the tracks "Bring It Home" and "Barley In The Silo" on BMG's debut album.
It's worth mentioning the bands unique elements that create "The Sound". Each member brings their individual interpretations of the music. All effects pedals and amps are analog, true bypass, tube powered, organic awesomeness!!! Digital gear? Nope...