1026 Spring Garden St.
Philadelphia, PA, 19123
Doors 8:00 PM / Show 8:30 PM
This event is all ages
The Bloom and the Blight is the work of a band that has matured and redefined itself, and the album is imbued with a palpable sense of personal catharsis. Opening tracks "Halcyon Days" and "Song of Songs" illustrate the type of build to explosion that's omnipresent throughout the album, and the prowling "My Love Won't Wait" - with a menacing chorus underscored by a pounding backbeat - is an epic, booming anthem. The gentler "Broken Eyes" - all voices, guitar, harmonica, and tambourine - has already become a fan favorite with its rousing, harmony-filled final verses, while the cinematic "Ride Away" soars on Adam Stephens' raspy howl and Tyson Vogel's relentless drumming. The songs have a dark side and a dynamic sonic heft, yet a sense of salvation and resolve courses throughout: an urgent, emotional poignancy stemming in part from Stephens' recovery from a serious van accident in 2010.
Produced by John Congleton (The Walkmen, Explosions In The Sky, St. Vincent), The Bloom and the Blight moves away from Two Gallants' more folk and blues-based past, representing the duo's ferocious live show and their past steeped in punk and grunge. The album simultaneously maintains the thoughtful storytelling and eloquent lyricism for which the band has become known, and contains gorgeous, quieter moments like the finger-picked ballad "Sunday Souvenirs" and the dreamy, unearthly "Decay" (the first Vogel-penned song on a Two Gallants album).
It had been three years since Two Gallants played together (Stephens released a solo record, We Live On Cliffs, and Vogel a self-titled instrumental album as Devotionals in 2010), and when they rejoined, The Bloom and the Blight materialized quickly. After writing most of the tracks and road-testing them on their predominantly sold-out Fall 2011 US and European tours, the album was completed at Berkeley's legendary Fantasy Studios and in San Francisco's Tiny Telephone studio.
Harkening back to punk rock's glory days of the 70s, Oklahoma outfit Broncho captures the aggression, DIY authenticity and youthful exhilaration of a bygone era and then drags it by the hair into the Here and Now, creating a fresh sound that's unlike anything being played today. With echoes of The Replacements, Iggy and the Stooges and The Ramones, Broncho's exuberant ten song debut Can't Get Past the Lips is a blisteringly cathartic 20 minute flash of gritty, crunching guitar work supported by an assaultive rhythm section and made whole by songwriter Ryan Lindsey's aggressive, yelping vocal work.
Lindsey's vocals and guitar are supported by Johnathon Ford (bass), Ben King (guitar) and Nathan Price (drums). The project began as an off-the-cuff recording session for Lindsey (who also plays keys for Starlight Mints, in addition to performing as a solo artist). He quickly laid down early versions "Pick a Fight" and "Losers" with the assistance of King (Cheyenne) and Price (Native Lights), and then sent them to Ford (Unwed Sailor), asking for feedback. Ford loved the songs so much that he suggested they begin playing shows as a band.
"The next thing I knew, Johnathon had a show booked in Tulsa," Lindsey says.
That first show, a manic, ultra-lean showcase of six songs that clocked in at less than 15 minutes, occurred in February of 2010, since then the band has toured across the U.S. and released their debut album Can't Get Past The Lips to international acclaim.
The collective talent and cumulative experience of all involved with Broncho has resulted in an album that, for all its dirty-dishwater punk roots, is a masterwork of garage/pop simplicity. Speaking of the band's reference points, Lindsey says "We all love the way those records sound so we naturally went in that direction, as far as fidelity goes. But more than anything, it's the attitude of an era that I wasn't around for, but feel a connection with. We didn't set out to recreate a record from that era, we just took on that message and made it our own."
Or, as Ford puts it: "It's not nostalgia, it's natural."