3025 Walnut Street
Philadelphia, PA, 19104
Doors 7:00 PM / Show 8:00 PM
This event is all ages
From the heart of Nottingham comes the precociously talented Jake Bugg.
Discovering music through a Don McLean song he heard whilst watching the Simpsons, his is a very modern folk tale. With a musical diet consisting of Dylan, Glen Campbell, Wiz Khalifa and more, its eclectic as it is unique.
Burlap and opals. Moonshine and macrobiotics. Shaken and soothed. How Suzanne Santo (vocals/banjo/violin) and Ben Jaffe (vocals/guitar) managed to reconcile not just polemics, but seemingly opposed realities for their sexually tinged, bruised knee honeysuckle take on roots music has to be heard to be understood.
Yet somehow the young 20-somethings figured out that it's the extremes that define the middle, whether embracing the big mistakes in the bluesy smoulder "Glad I Done What I Did," embracing the romantic doubt that is the low slung gospel of "Don't Know How," or the euphoric romp-age of "Let's Get Wrecked" that embraces the arc debauchery completely. This is the sound of coming not of age, but awareness; and digging into what it means to be alive permeates throughout honeyhoney's October 24th release of Billy Jack on Lost Highway Records.
"The album is made of a lot of stories, a lot of lives," Santo picks up. "We're very different, but those differences are what makes it. I've had a lot of different times in my personal life that kinda leveled me as a person. That's why this record is the way it is. It's made of guts: what's happening on the inside, the notion of us being really independent, being on our own. That's a big reality."
With fiddles threading the melodies, big acoustic guitar sounds and banjos plinking as percussively as melodically, there is an old world feel to honeyhoney that is as fresh and right now as it is tube radios and old lace.
And it is the disparity of how the two came up and came together that informs honeyhoney with their singularity of sound. Meandering through unique paths, converging in Los Angeles where everyone is chasing something, and finally recognizing the chemistry they shared is no mean feat.
Evoking California's hippie Dust Bowl fringe, equal parts Okie squalor and Pacific shimmer, there is a strong pull of Woody Guthrie-esque folk, vintage Buffalo Springfield, glints of Gram Parsons and bits of Bonnie Raitt's early blues, Rickie Lee Jones reality and Bakerfsfield Saturday nights. Not country, not folk, not rock, it is a hybrid that defies exact definition.
Still "Billy Jack" pumps with the thump of hearts on fire, levels with the pang of real instruments played like someone means it.
"If we want anything from these songs," adds Jaffe, "it's to bring people into this music, to engage them."
Engage them they will. With the three-month long "Ten Buck Tour" with Joshua James kicking off on September 21st in Albuquerque, honeyhoney is ready to bring their new songs to the people who inspire them the most: their friends, peers and fans.
On the brink of truly coming into their own, they are ready for whatever the music brings…
All sales are final. Ticket prices do not include processing fees. There are no refunds or exchanges. Cameras & recording devices are not permitted. Showtime & supporting acts are subject to change.
Mezzanine tickets are assessed an additional service fee. For more information, please read the Mezzanine FAQ.
Dining is available at World Cafe Live. Reservations are accepted for Upstairs Live, our full service restaurant; we recommend scheduling a reservation 1½ to 2 hours before show time. Downstairs Live offers a full service bar, and a limited food menu is available for most shows. For more information, please read the Dining FAQ.
WHEELCHAIR ACCESSIBLE SEATS are located on all seated levels of this theatre. For more information, please contact us at firstname.lastname@example.org or call 215-222-1400
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